为您找到与英文电影台词加翻译相关的共200个结果:
大家想知道经典的英语电影台词有哪些吗?现在小编就给大家看看.
1,Frankly,my dear,I don't give a damn.
坦白说,亲爱的,我一点也不在乎。(《乱世佳人》1939)
2,I'm going to make him an offer he can't refuse.
我会给他点好处,他无法拒绝。(《教父》1972)
3,You don't understand!Icoulda had class.I coulda been a contender.I could've been somebody,instead of a bum, which is what I am.
你根本不能明白!我本可以获得社会地位,我本可以是个竞争者,我本可以是任何有头有脸的人而不是一个毫无价值的游民! (《码头风云》1954)
4,Toto,I've got a feeling we're not in Kansas anymore.
托托,我想我们再也回不去堪萨斯了。(《绿野仙踪》1939)
5,Here's looking at you,kid.
就看你的了,孩子。(《卡萨布兰卡》1942)
6,Go ahead,make my day.
来吧,让我也高兴高兴。(《拨云见日》1983)
7,All right,Mr.DeMille,I'm ready for my close-up.
好了,德米勒先生,我已经准备好拍摄我的特写镜头了。(《日落大道》1950)
8,May the Force be with you.
愿原力与你同在。(《星球大战》1977)
9,Fasten your seatbelts. It's going to be a bumpy night.
系紧你的安全带,这将是一个颠簸的夜晚。(《彗星美人》1950)
10,You talking to me?
你是在和我说话吗?(《出租车司机》1976)
11、原文:“Would you be shocked if I changed into something more comfortable?”
出处:琼·哈罗(Jean Harlow),《地狱天使》Hell's Angels,1930
译文:“假如我换一身更舒服的衣服你会觉得震惊吗?”
12,I love the smell of napalm in the morning.
我喜欢闻弥漫在清晨空气中的汽油弹味道。(《现代启示录》1979)
13,Love means never having to say you're sorry.
爱就是永远不必说对不起。(《爱情故事》1970)
14、原文:“I could dance with you'til the cows come home. On second thought, I'd rather dance with the cows until you came home.”
出处:格罗克·马克思(Groucho Marx),《容易事》Duck Soup,1933
译文:“我可以和你一起跳舞直到母牛回家。如果再想想,我宁愿和母牛一起跳舞直到你回家。”
15、原文:“You talking'to me?”
出处:罗伯特·德尼罗,《出租汽车司机》Taxi Driver,1976
译文:“你在跟我说话吗?”
16、原文:“Gif me a visky, ginger ale on the side, and don'be stingy, baby.”
出处:葛丽泰·嘉宝,《安娜·克里斯蒂》Anna Christie,1930
译文:“给我一杯威士忌,里面兑一些姜味汽水。宝贝儿,别太吝啬了。”
17、原文:“life was like a box a chocolates, never know what you're gonna get.”
出处:汤姆·汉克斯,《阿甘正传》Forrest Gump,1994
译文:“生活就像一盒巧克力:你永远不知道你会得到什么。”
18,Made it,Ma!Top of the world!
好好去做吧,站在世界之巅!(《歼匪喋血战》1949)
19,I'm as mad as hell,and I'm not going to take this anymore!
我疯狂得如同地狱中的恶魔,我不会再这样继续下去了!(《电视台风云》1976)
20,Louis,I think this is the beginning of a beautiful friendship.
路易斯,我认为这是一段美好友谊的开始。(《卡萨布兰卡》1942)
21、原文:“It's not the men in your life that counts, it's the life in your men.”
出处:米·威斯特(Mae West),《我不是天使》I'm No Angel,1933
译文:“并不是你生活中的男人有价值,而是你与男人在一起的生活。”
22,Bond.James Bond.
邦德,詹姆士邦德。(《诺博士》1962)
23,There's no place like home.
没有一个地方可以和家相提并论。(《绿野仙踪》1939)
24,I am big!It's the pictures that got small.
我是巨大的!是这些照片让我变得渺小了。(《日落大道》1950)
25,Show me the money!
让我看到钱!(《甜心先生》1996)
28,Play it,Sam. Play'As Time Goes By'.
弹这首,山姆,就弹“时光流逝”。(《卡萨布兰卡》1942)
29,You can't handle the truth!
你不能操纵事实!(《义海雄风》1992)
30,I want to be alone.我想一个人呆着。(《大饭店》1932)
31,After all,tomorrow is another day!
毕竟,明天又是新的一天!(《乱世佳人》1939)
33,I'll have what she's having.我会拥有她所拥有的。(《当哈里遇上萨莉》1989)
37,I'll be back.
我会回来的。(《终结者》1984)
38,Today,I consider myself the luckiest man on the face of the earth.
现在,我想我是这个世界上最幸运的人。(《扬基的骄傲》1942)
40,Mama always said life was like a box of chocolates. You never know what you're gonna get.
妈妈说生活就像一盒巧克力,你永远都不知道你会得到什么。(《阿甘正传》1994)
43,We'll always have Paris.我们永远都怀念巴黎(那段美好的时光)。(《卡萨布兰卡》1942)
46,Oh,Jerry,don't let's ask for the moon.We have the stars.
噢,杰瑞,不要再乞求能得到月亮了,我们已经拥有星星了。(《扬帆》1942)
48,Well,nobody's perfect.人无完人。(《热情似火》1959)
51,You've got to ask yourself one question:″Do I feel lucky?″Well,do ya,punk?
你应该问你自己一个问题:“我是幸运的吗?”快点去做,年轻人,无知的年轻人。(《警探哈里》1971)
52,You had me at″hello.″当你说“你好”的那一刻起就拥有我了。(《甜心先生》1996)
54,There's no crying in baseball!
在棒球运动中没有哭泣!(《红粉联盟》1992)
56,A boy's best friend is his mother.
一个男孩最好的朋友是他的母亲。(《惊魂记》1960)
57,Greed,for lack of a better word,is good.
没有比“贪婪”更好的词语了。(《华尔街》1987)
58,Keep your friends close,but your enemies closer.
亲近你的朋友,但更要亲近你的敌人。(《教父II》1974)
59,As God is my witness,I'll never be hungry again.
上帝为我作证,我不会再让自己挨饿了。(《乱世佳人》1939)
63,Mrs.Robinson,you're trying to seduceme.Aren't you?
罗宾逊太太,你是在引诱我,对吗?(《毕业生》1967)
67,Of all the gin joints in all the towns in all the world,she walks into mine.
世界上有那么多的城镇,城镇中有那么多的酒馆,她却走进了我的(酒馆)。(《卡萨布兰卡》1942)
71,Wait a minute,wait a minute.You ain't heard nothin'yet!
等一会儿,等一会儿。你肯定听到了什么!(《爵士歌手》1927)
75,I have always depended on the kindness of strangers.
我总是非常依赖陌生人的仁慈。(《欲望号街车》1951)
83,Listen to them. Children of the night. What music they make.
快点来听!黑夜中孩子的声音是他们缔造的美妙音乐。(《吸血鬼》1931)
94,I feel the need-the need for speed!
我感到一种需要,一种加速的需要!(《壮志凌云》1986)
95,Carpe diem. Seize the day,boys. Make your lives extraordinary.
人生就应该是快乐的,要抓住每一天,孩子们。让你们的生活变得非凡起来。(《死亡诗社》1989)
100,I'm king of the world!我是世界之王!(《泰坦尼克号》1997)
浏览量:2
下载量:0
时间:
电影院是为观众放映电影的场所,随着电影的进步与发展,出现了专门为放映电影而建造的电影院。你知道电影院的的英文是什么吗?现在跟读文网小编一起学习关于电影院的英语知识吧。
我喜欢看影碟,但我更喜欢在电影院看电影。
I like DVDs, but I prefer seeing movies in the theater.
这里,我们推荐一些伦敦提供的最好的节目秀和电影院。
Here, we recommend some of the best shows and cinemas that London has tooffer.
你简直不敢相信在这家电影院一袋爆米花要多少钱。
Can you believe how much a bag of popcorn costs at this theater?
在一切公共场所如剧院、电影院、餐厅,吸烟都应当被禁止。
Smoking should be banned in all public places like theatres, cinemas andrestaurants.
在吃过可口的晚饭,烤羊肉和煎蘑菇后,我去了电影院。
After my delicious supper, roast mutton and fried mushroom, I went to the cinema.
顺便问一下,明天你愿不愿意和我一起去看电影?首都电影院在上演一部新片。
By the way, would you like to see a film with me tomorrow?A new film is on at theCapital Cinema.
我们要去哪个电影院?
Which cinema are we going to?
同样地,对那些我们不是很想立刻看的片子,我们会等到它在折扣电影院上映时再去看,这时的票价只有2美元一张。
Also, for movies that we don’t absolutely want to watch right away, we just wait until it screens on the discount theater where the tickets are $2 a pop.
那或许是一个假期,一次升迁,一场婚礼或仅仅是一次与你的情人到电影院的约会。
This might be a holiday, a promotion, a wedding or just a trip to the cinema withyour partner.
上个月,我在电影院门口等了一个小时还不见她的人影。
Last month, I waited in front of the theater for an hour without seeing her shadow.
事实上我看到大约十几个人中途离开了电影院……而且这还是在免费观看的情况下发生的。
I actually watched about a dozen people walk out of the theater half-way through… and it was a free screening.
浏览量:3
下载量:0
时间:
电影院是为观众放映电影的场所,电影在产生初期,是在咖啡厅、茶馆等场所放映的。那么,你知道电影院的英语单词怎么说吗?现在跟读文网小编一起学习关于电影院的英语知识吧。
爸爸刚出门,那男孩就跑向电影院。
As soon as his father went out, the boy ran to the cinema.
他偷偷溜进了电影院而没有被人逮着。
He stole into the cinema without being caught.
电影院不远,你可以走到那去。
The cinema is not far, you can get there on foot.
我和女友是电影院的常客。
My girlfriend and I are habitual cinema-goers.
电影结束后,人们从电影院蜂拥而出。
The crowd swarmed out of the cinema after the film ended.
电影院附近有一个电话亭。
There is a telephone booth near the cinema.
当我们走进电影院时,灯熄灭了。
The light went out just as we entered the cinema.
电影院的大厅里有个小卖部。
There is a snack bar in the lobby of the movie theatre.
我们及时进了电影院,赶上电影的开场。
We entered the theater just in time to see the beginning of the movie.
他们排队等候进入电影院。
They queued to get into the cinema.
我们一路欢闹着走向电影院。
We ripsnorted our way to the cinema.
一些电影院正在为此影片安排同场放映。
The film is being double-billed in some cinemas.
我喜爱这部片子,印度所有的电影院都将为之庆祝”。
I loved the movie and all of Indian cinema will be celebrating".
当然,电影院本身就是一个门廊或出口,通向一切皆有可能的另一个世界。
And, of course, cinema itself is a doorway, a threshold to another world whereanything is possible.
我们无事可做,只有看看电影院外面的招贴。
We had nothing to do except (to) look at the posters outside the cinema.
你会看见城市电影院在你的右面。
You will find City Cinema on your right.
浏览量:2
下载量:0
时间:
下面读文网小编为大家带来经典电影英文台词,欢迎大家阅读!
1、Everything you see exists together in a delicate balance.
世界上所有的生命都在微妙的平衡中生存。
2、I laugh in the face of danger.
越危险就越合我心意。
3、I’m only brave when I have to be. Being brave doesn’t mean you go looking for trouble.
我只是在必要的时候才会勇敢,勇敢并不代表你要到处闯祸。
4、When the world turns its back on you, you turn your back on the world.
如果这个世界对你不理不睬,你也可以这样对待它。
5、It’s like you are back from the dead.
好像你是死而复生似的。
6、You can’t change the past.
过去的事是不可以改变的。
7、Yes, the past can hurt. But I think you can either run from it or learn from it.
对,过去是痛楚的,但我认为你要么可以逃避,要么可以向它学习。
8、This is my kingdom. If I don’t fight for it, who will?
这是我的国土,我不为她而战斗,谁为呢?
9、Why should I believe you? Everything you ever told me was a lie.
我为何要相信你?你所说的一切都是谎话。
10、I’ll make it up to you, I promise.
我会补偿你的,我保证。
浏览量:2
下载量:0
时间:
电影《超脱》是由托尼·凯耶执导,艾德里安·布洛迪、克里斯蒂娜·亨德里克斯主演的美国剧情片。该片讲述某些人群一种渴望自我救赎和被拯救的精神牢笼困扰。
剧情简介:影片的主人公亨利·巴赫特(阿德里安·布洛迪饰演)是一个代课老师,他接触的是问题少年教育,因他知道要把一个人从某种问题的精神牢笼中完全拯救出来是很难的,并且这种徒劳的失败感让他选择当一个职业的代课老师,不用背负太多的责任感来做一些让他感觉徒劳的事。他接了一份新的工作,到一间特殊的公立学校任教。这所学校集中了那个区最多问题的少年。他告诉自己应该在代课这一个月期间只需照本宣教,在课堂上不出现杀人事件,一切如常进行,他一个月后就可以拿到薪水功成身退。但最后还是逃不过内心对这些少年的同情和某种意义上的责任,开始尝试着引导和教育他们面对和改变这种内心病症。最后在影片结尾一个女孩的死亡又一次让主角陷入这种无力感。
下面是一些它的经典英文台词:
" Most of the teachers here, at one point, they believed that they could make a difference.
I know how important it is to have guidance, to have someone help understand the complexities of the world that we live in. I didn't really have that growing up."
"There should be a prerequisite curriculum for being a parent before people attempt.Don't try this at home!"
ASSIMILATE: to take something in, to absorb
UBIQUITOUS: everywhere, all the time
Ubiquitous Assimilation: always absorb everything everywhere all the time.
"How are you to imagine anything if the images are always provided for you?
DOUBLETHINK: having two opposing beliefs at once, believing that both are true.
" To deliberately believe in lies while knowing they are false. Examples of this in everyday life. 'I need to be pretty to be happy.' 'I need surgery to be pretty.' 'I need to be thin, famous, fashionable.' "
浏览量:2
下载量:0
时间:
电影《泰坦尼克号》(titanic)是由卡梅隆导演的一部爱情灾难片,由莱昂纳多·迪卡普里奥、凯特·温丝莱特主演,影片以1912年泰坦尼克号邮轮在其处女启航时触礁冰山而沉没的事件为背景,描述了处于不同阶层的两个人——穷画家杰克和贵族女露丝抛弃世俗的偏见坠入爱河,最终杰克把生命的机会让给了露丝的感人故事。
电影简介:
堪称“世界工业史奇迹”的豪华客轮”泰坦尼克“号在1912年4月开始了处女航,从英国的南安普顿驶往美国纽约。贵族千金露丝(凯特·温斯莱特饰演)与其他社会名流住在头等舱,而落魄的青年画家杰克(莱昂纳多·迪卡布里奥饰演)则在开船前赌博赢来一张船票,入住客轮的三等舱。上流社会呆板乏味的生活令露丝厌倦而绝望,让她一度打算投海自尽,却最终被杰克救起,两人开始交往,杰克带露丝感受了奔放自由的三等舱生活,让她释放了真实的自我,露丝要求杰克为她画像,并承诺一旦船靠岸就跟随杰克自由生活。为了能给自己的航海生涯画上圆满辉煌的句号,船长决定开足马力、全速前进,却也因此撞上了冰山,在接下来一个多小时的时间里,轮船逐渐倾斜下沉,乘客们也逐渐慌乱,救生艇数量不足,大量的乘客先后落水,杰克和露丝也跟随他们落入冰冷刺骨的海水中,周围20多艘救生艇,只有一艘回来救援,1500人落水,却只有6人获救,露丝就是其中之一,而杰克则在寒冷中不幸遇难。露丝曾经答应过他,会好好活下去,后来的人生,她也确实如此,积极快乐地生活着。
84年之后,宝藏猎人布洛克·洛维特搭乘“凯尔迪什”号前往泰坦尼克号沉没的海域寻找蓝钻“海洋之心”,然而打捞上来的保险箱内并没有钻石,却藏有一副佩戴这颗钻石的裸女素描,这一发现通过电视信号公之于众,被依然在世的老人露丝看到,她的孙女带着她乘坐直升飞机来到“凯尔迪什”号,84年前泰坦尼克号上发生的惊心动魄、感人肺腑的灾难故事在她的讲述中重见天日。
下面是电影《泰坦尼克号》(titanic)的经典英文台词:
1、Outwardly, I was everything a well-brought up girl should be. Inside, I was screaming。
外表看,我是个教养良好的小姐,骨子里,我很反叛。
2、There is nothing I couldn't give you, there is nothing I would deny you, if you would not deny me. Open your heart to me。
如果你不违背我,你要什么我就能给你什么,你要什么都可以。把你的心交给我吧。
3、All life is a game of luck。
本来就全靠运气。
4、I love waking up in the morning and not knowing what's going to happen, or who I'm going to meet, where I'm going to wind up。
我喜欢早上起来时一切都是未知的,不知会遇见什么人,会有什么样的结局。
5、I figure life is a gift and I don't intend on wasting it. You neverknow what hand you're going to get dealt next. You learn to take lifeas it comes at you。
我觉得生命是一份礼物,我不想浪费它,你不会知道下一手牌会是什么,要学会接受。
6、To make each day count。
要让每一天都有所值。
7、You jump, I jump。
你跳,我就跟着跳。
8、You’regoing to get out of here. You’re going to go on and you’re going to make lots of babies and you’re going to watch them grow and you’re going to die an old, an old lady, warm in your bed. Not here. Not this night. Not like this。
你一定会脱险的,你要活下去,生很多孩子,看着他们长大。你会安享晚年,安息在温暖的床上,而不是今晚在这里,不是像这样的死去。
9、Affection is desirable, money is absolutely indispensable.
是值得追求的,金钱是不可或缺的。
10、Nothing destroys like poverty.
没有什么比贫穷更能摧毁意志的了。
11、How can you have him? Even with his thousands and his houses, how can you, of all people, dispose of yourself without affection? How can I dispose of myself with it? You are leaving tomorrow.
你怎么能接受他的求婚?就算他有万贯家财,你怎么能和其他人一样和不爱的人结婚?有了爱又怎么样?你就要走了。
12、I have no money, no property, I am entirely dependent upon that bizarre old lunatic, my uncle. I cannot yet offer marriage, but you must know what I feel. Jane, I'm yours. Gah, I'm yours, I'm yours, heart and soul. Much good that is. Let me decide that.
我既没钱,又没房产,完全仰赖我那个古怪的疯子舅舅,我还不能像你求婚,但我要你明白我的心意。简,我是你的,我是你的,是你的,全心全意,也许不值一提。这让我来决定。
13、What value will there be in life if we are not together? Run away with me.
如果我们不能在一起,还有什么意义?跟我私奔吧。
14、No! No, Jane. I will never give you up. Don't speak or think. Just love me, do you love me?Yes. But if our love destroys your family, it will destroy itself. In a long, slow degradation of guilt and regret and blame. Truth, made from contradiction. But it must come with a smile. Or else I shall count it as false and shall have had no love at all.Please.Good bye.
别!别,简,我永远不放弃你。别说也别去想,爱我就行,你爱我吗?我爱你。但如果我们的毁了你的家庭,它最终会毁了它自己。在漫长岁月中因内疚,后悔和自责而不断消逝。这是事实,矛盾的事实,但必须微笑面对。否则这就不是事实,我们宁可没爱过。求你了。再见。
浏览量:3
下载量:0
时间:
下面是经典英文电影台词~有必要都背下来,英语会很强悍哦!
A man can be destroyed but not defeated.
一个人可以被毁灭,却不能被打败。《老人与海》
Love means never having to say you ' re sorry.
爱就是永远不必说对不起。《爱情故事》
Life was like a box of chocolates, you never know what you’re gonna get.
生命就像一盒巧克力,结果往往出人意料 . 《阿甘正传》
Death is just a part of life, something we're all destined to do.
死亡是生命的一部分,是我们注定要做的一件事。《阿甘正传》
If the people we love are stolen from us, the way to have them live on, is to remember them. Building burn, people die, but real love is forever. —— The Crow
如果我们所爱的人从我们身边被偷走,要使他们继续留在我们身边,就要记住他们。建筑会被焚毁,人会死去,而真爱永存。《乌鸦》
Anakin, this path has been placed before you. The choice is yours alone.
阿纳金,路就在你脚下,你自己决定。《星球大战-首部曲》
I love waking up in the morning and not knowing what’s going to happen, or who I’m going to meet, where I’m going to wind up.
我喜欢早上起来时一切都是未知的 , 不知会遇见什么人 , 会有什么样的结局。《泰坦尼克号》
Tell our enemies that they may take our lives, but they'll never take our Freedom!
告诉敌人,他们也许能夺走我们的生命,但是,他们永远夺不走我们的自由!《勇敢的心》
I’m only brave when I have to be. Being brave doesn’t mean you go looking for trouble. —— The Lion King
我只是在必要的时候才会勇敢,勇敢并不代表你要到处闯祸。《狮子王》
In spite of you and me and the whole silly world going to pieces around us, I love you. —— Gone with The Wind
哪怕是世界末日我都会爱着你 . 《乱世佳人》
We become the most familiar strangers.
我们变成了世上最熟悉的陌生人。《乱世佳人》
It takes a strong man to save himself, and a great man to save another. —— The Shawshank Redemption
坚强的人只能救赎自己,伟大的人才能拯救他人。《肖申克的救赎》
Land is the only thing in the world worth working for, worth fighting for, worth dying for, because it’s the only thing that lasts.
土地是世界上唯一值得你去为之工作 , 为之战斗 , 为之牺牲的东西 , 因为它是唯一永恒的东西。《乱世佳人》
I figure life is a gift and I don’t intend on wasting it. You never know what hand you’re going to get dealt next. You learn to take life as it comes at you.
我觉得生命是一份礼物 , 我不想浪费它 , 你不会知道下一手牌会是什么 , 要学会接受生活。《泰坦尼克》
Everything that has a begin has an end.
世间万物有始皆有终。《黑客帝国》
Frankly , my dear , I don ' t give a damn.
坦白说,亲爱的,我一点也不在乎。(《乱世佳人》
You’re throwing away happiness with both hands, and reaching out for something that will never make you happy.
你把自己的幸福拱手相让 , 去追求一些根本不会让你幸福的东西。《乱世佳人》
The truth is out there.
真相在那里。《 X 档案》
I don’t know if we each have a destiny, or if we’re all just floating around accidental—like on a breeze.
我不懂我们是否有着各自的命运,还是只是到处随风飘荡 . 《阿甘正传》
Death smiles at us all. All a man can do is smiles back .
死神在向我们每个人微笑,我们所能做的只有回敬微笑。《角斗士》
You can ’ t change the past.
过去的事是不可以改变的。《狮子王》
Stupid is as stupid does.
蠢人做蠢事,也可理解为傻人有傻福。《阿甘正传》
I am someone else when I'm with you, someone more like myself. —— Original Sin
当我与你相处时,我变成了另外一个人,一个更像我自己的人。《原罪》
If you are ever in trouble, don’t try to be brave, just run, just run away.
你若遇上麻烦,不要逞强,你就跑,远远跑开。《阿甘正传》
The things you own, end up owing you.
你所拥有的东西最终拥有了你。《搏击俱乐部》
Get busy living or get busy dieing.
要么忙于活着,要么忙于死去。《肖申克的救赎》
Keep your friends close and your enemies closer.
跟朋友保持亲密,跟敌人更亲密。《越狱》
Fear can hold you prisoner. Hope can set you free.
恐惧让你沦为囚犯。希望可以感受自由。《肖申克的救赎》
It doesn't matter if the guy is perfect or the girl is perfect, as long as they are perfect for each other. —— Good Will Hunting
那个小伙子是否完美,或者那个姑娘是否完美都不重要,只要他们能珠联璧合。《骄阳似我》
It ’ s not the men in your life that counts , it ’ s the life in your men. —— I ’ m No Angel
并不是你生命中的男人有价值,而是你与男人在一起的生命。《我不是天使》
Of all the gin joints in all the towns in all the world , she walks into mine. —— Casablanca
世界上有那么多的城镇,城镇中有那么多的酒馆,她却走进了我的。《卡萨布兰卡》
Go ahead , make my day.
来吧,让我也高兴高兴。《拨云见日》
I think it's hard winning a war with words.
我认为纸上谈兵没什么作用。《乱世佳人》
Each in its own way was unforgettable. It would be difficult to …Rome. By all means, Rome. I will cherish my visit here in memory, as long as I live!
每一个城市都各具特色而令人难忘 , 很难…罗马 , 无疑是罗马 . 我会珍惜在这里的记忆 , 直到永远 ! 《罗马假日》
The world is a fine place and worth fighting for, I believe the second part. —— Seven
这个世界如此美好,值得人们为之奋斗,但我只信后半部分。《七宗罪》
Sam: That there's some good in this world, Mr. Frodo. And it's worth fighting for.
山姆:这世上一定存在着善良,值得我们奋战到底。《魔戒 2 :双塔奇兵》
Everyone has a little dirty laundry. —— Desperate Housewives
每个人都有一些不可告人的秘密。《绝望主妇》
Shed no tears for me, my glory lives forever!
不要为我流泪,我的荣誉将永远流传。《星球大战 2 》
Sometimes people think they lose things and they didn't really lose them. It just gets moved. —— the Six Sense
人们有时以为失去了什么,其实没有,只是被移开了。《第六感》
You had me at hello.
你一开口就征服了我!《加菲猫》
With great power there must come great responsibility —— SPIDER-MAN
有了多大的能力就会有多大的责任。《蜘蛛侠》
浏览量:2
下载量:0
时间:
下面是英文爱情电影经典台词:
1. Love means never having to say you are sorry. 爱意味着永不说后悔。《爱情故事》
2. Maybe I was a bird in another life.---If you're a bird, I am a bird. 我在前世也许是一只鸟。--如果你是一只鸟,那我也是一只鸟。《手札情缘》
3. You complete me......---Shut up! You had me at hello, you had me at hello. 你使我完美起来...--别这么说,第一次见 面时你就拥有了我,拥有了我。《甜心先生》
4. I love that you are the last person I want to talk to before I go to sleep at night. 我爱你是我晚上就寝前最想聊天的人。《当哈里遇到莎莉时》
5. I love you Molly. I always have.---Ditto. 我爱你,莫莉,我永远爱。--我也一样《幽灵》
6. Choose me. Marry me. Let me make you happy. 选我吧,娶我吧,让我给你幸福。《我最好朋友的婚礼》
7. Being with you is the only way I could hold the happy life. You are the girl of my dream and apparently I'm the one of yours. 只有跟你在一起,我才会有幸福的生活。你是我梦中的女孩。当然我也是你梦中的男孩。《初恋五十次》
8. There's only one person that makes me feel like I can fly. That's you. 世上只有一个人让我觉得我自己能够飞起来, 她就是你。《全民情圣》
9. You jump, I jump. 你跳,我就跳. 《泰坦尼克号》
10. All life is a game of luck. 生活本来就全靠运气。 《泰坦尼克号》
11. I love waking up in the morning and not knowing what’s going to happen, or who I’m going to meet, where I’m going to wind up. 我喜欢早上起来时一切都是未知的,不知会遇见什么人,会有什么样的结局。《泰坦尼克号》
12. I figure life is a gift and I don’t intend on wasting it. You never know what hand you’re going to get dealt next. You learn to take life as it comes at you. 我觉得生命是一份礼物,我不想浪费它,你不会知道下一手牌会是什么,要学会接受生活。《泰坦尼克号》
13. One is always on a strange road, watching strange scenery and listening to strange music. Then one day, you will find that the things you try hard to forget are already gone. 一个人总要走陌生的路,看陌生的风景, 听陌生的歌, 然后在某个不经意的瞬间, 你会发现, 原本是费尽心机想要忘记的事情真的就那么忘记了。《蓝莓之夜》
14. Happiness is not about being immortal nor having food or rights in one's hand. It’s about having each tiny wish come true, or having something to eat when you are hungry or having someone's love when you need love. 幸福,不是长生不老,不是大鱼大肉,不是权倾朝野。幸福是每一个微小的生活愿望达成。 当你想吃的时候有得 吃,想被爱的时候有人来爱你。《飞屋环游记》
15. Love is a lamp, while friendship is the shadow. When the lamp is off, you will find t he shadow everywhere. Friend is who can give you strength at last. 爱情是灯,友情是影子,当灯灭了,你会发现你的周围都是影子。朋友,是在最后可以给 你力量的人。《当哈利遇见莎莉》
16. I love you not for who you are, but for who I am with you. 我爱你不是因为你是谁,而是我在你面前可以是谁。《剪刀手爱德华》
17. Love makes man grow up or sink down. 爱情,要么让人成熟,要么让人堕落。《恋夏 500 天》
18. If you can hold something up and put it down, it is called weight-lifting; if you can hold something up but can never put it down, it’s called burden-bearing. Pitifully, mo st of people are bearing heavy burdens when they are in love. 举得起放得下的叫举重,举得起放不下的叫负重。可惜,大多数人的爱情,都是负重的。《如果能再爱一次》
19. We all live in the past. We take a minute to know someone, one hour to like someone, and one day to love someone, but the whole life to forget someone. 我们每个人都生活在各自的过去中,人们会用一分钟的时间去认识一个人,用一小时的时间 去喜欢一个人,再用一天的时间去爱上一个人,到最后呢,却要用一辈子的时间去忘记一个人。《廊桥遗梦》
20. One may fall in love with many people during the lifetime. When you finally get you r own happiness, you will understand the previous sadness is kind of treasure, which makes you better to hold and cherish the people you love. 一个人一生可以爱上很多的人,等你获得真正属于你的幸福之后,你就会明白一起的伤痛其实是一种财富,它让你学会更好地去把握和珍惜你爱的人。《泰坦尼克号》
21. When you are young, you may want several love experiences. But as time goes o n, you will realize that if you really love someone, the whole life will not be enough. You need time to know, to forgive and to love. All this needs a very big mind. 年轻的时候会想要谈很多次恋爱,但是随着年龄的增长,终于领悟到爱一个人,就算用一辈 子的时间,还是会嫌不够。慢慢地去了解这个人,体谅这个人,直到爱上为止,是需要有非 常宽大的胸襟才行。《初恋 50 次》
22. When tomorrow turns in today, yesterday, and someday that no more important in your memory, we suddenly realize that we r pushed forward by time. This is not a train in still in which you may feel forward when another train goes by. It is the truth that we've all grown up. And we become different. 当明天变成了今天成为了昨天,最后成为记忆里不再重要的某一天,我们突然发现自己在不 知不觉中已被时间推着向前走,这不是静止火车里,与相邻列车交错时,仿佛自己在前进的错觉,而是我们真实的在成长,在这件事里成了另一个自己。《单身公寓》
23. If you leave me, please don't comfort me because each sewing has to meet stinging pain. 离开我就别安慰我,要知道每一次缝补也会遭遇穿刺的痛。《分手信》
24. Don’t forget the things you once you owned. Treasure the things you can’t get. Don't give up the things that belong to you and keep those lost things in memory. 曾经拥有的,不要忘记。不能得到的,更要珍惜。属于自己的,不要放弃。已经失去的,留 作回忆。《曾经》
25. I love and am used to keeping a distance with those changed things. Only in this way can I know what will not be abandoned by time. For example, when you love someone, changes are all around. Then I step backward and watching it silently, t hen I see the true feelings. 我喜欢并习惯了对变化的东西保持着距离,这样才会知道什么是最不会被时间抛弃的准则。 比如爱一个人,充满变数,我于是后退一步,静静的看着,直到看见真诚的感情。《西雅图夜未眠》
26. Good love makes you see the whole world from one person while bad love makes you abandon the whole world for one person. 好的爱情是你通过一个人看到整个世界,坏的爱情是你为了一个人舍弃世界。《两小无猜》
27. We shall always save a place for ourselves, only for ourselves. And then begin to love. Have no idea of what it is, who he is, how to love or how long it will be. Just wait for one love. Maybe no one will come out, but this kind of waiting is the love itself. 在自己面前,应该一直留有一个地方,独自留在那里。然后去爱。不知道是什么,不知道是 谁,不知道如何去爱, 也不知道可以爱多久。只是等待一次爱情,也许永远都没有人。可是, 这种等待,就是爱情本身。《冷山》
28. Is there anyone who hasn't suffered for the secret love? We always think that love is very heavy, heavy and could be the heaviest thing in the world. But one day, when you look back, you suddenly realize that it's always light, light. We all though t love was very deep, but in fact it's very thin. The deepest and heaviest love must grow up with the time. 有谁不曾为那暗恋而痛苦?我们总以为那份痴情很重,很重,是世上最重的重量。有一天,蓦然回首,我们才发现,它一直都是很轻,很轻的。我们以为爱的很深,很深,来日岁月, 会让你知道,它不过很浅,很浅。最深和最重的爱,必须和时日一起成长。《天使爱美丽》
29. In this world, only those men who really feel happy can give women happiness. 在这个世界上,只有真正快乐的男人,才能带给女人真正的快乐。《附注我爱你》
30. An unacceptable love needs no sorrow but time- sometime for forgetting. A badly-hurt heart needs no sympathy but understanding. 一段不被接受的爱情,需要的不是伤心,而是时间,一段可以用来遗忘的时间。一颗被深深 伤了的心,需要的不是同情,而是明白。《英国病人》
31. I know someone in the world is waiting for me, although I've no idea of who he is. But I feel happy every day for this. 我知道这世上有人在等我,尽管我不知道我在等谁。但是因为这样,我每天都非常快乐。《返老还童》
32. In your life, there will at least one time that you forget yourself for someone, asking for no result, no company, no ownership nor love. Just ask for meeting you in my most beautiful years. 一生至少该有一次,为了某个人而忘了自己,不求有结果,不求同行,不求曾经拥有,甚至 不求你爱我。只求在我最美的年华里,遇到你。《恋恋笔记本》
33. I don't think that when people grow up, they will become more broad-minded and can accept everything. Conversely, I think it's a selecting process, knowing what's the most important and what's the least. And then be a simple man. 我不觉得人的心智成熟是越来越宽容涵盖,什么都可以接受。相反,我觉得那应该是一个逐渐剔除的过程,知道自己最重要的是什么,知道不重要的东西是什么。而后,做一个简单的人。《阿甘正传》
34. When you feel hurt and your tears are gonna to drop. Please look up and have a look at the sky once belongs to us. If the sky is still vast, clouds are still clear, you shall not cry because my leave doesn't take away the world that belongs to you. 当你的心真的在痛,眼泪快要流下来的时候,那就赶快抬头看看,这片曾经属于我们的天空;当天依旧是那么的广阔,云依旧那么的潇洒,那就不应该哭,因为我的离去,并没有带走你的世界。《看得见风景的房间》
浏览量:2
下载量:0
时间:
有许多经典的电影,里面的一些唯美的英文台词让人印象深刻,今天读文网小编在这里为大家分享一些唯美英文电影经典台词,欢迎大家阅读!
1.Life was like a box of chocolates, you never know what you're gonna get. 生命就像一盒巧克力,结果往往出人意料。
2.Stupid is as stupid does.
蠢人做蠢事(也可理解为傻人有傻福)。
3.Miracles happen every day.
奇迹每天都在发生。
4.Jenny and I was like peas and carrots.
我和珍妮形影不离。
5.Have you given any thought to your future?
你有没有为将来打算过呢?
6.You just stay away from me please.
求你离开我。
7.If you are ever in trouble, don't try to be brave, just run, just run away. 你若遇上麻烦,不要逞强,你就跑,远远跑开。
8.It made me look like a duck in water.
它让我如鱼得水。
9.Death is just a part of life, something we're all destined to do.
死亡是生命的一部分,是我们注定要做的一件事。
10.I was messed up for a long time.
这些年我一塌糊涂。
11.I don't know if we each have a destiny, or if we're all just floating around accidentally——like on a breeze.
我不懂我们是否有着各自的命运,还是只是到处随风飘荡。
浏览量:3
下载量:0
时间:
想用qq签名表达自己的爱意的话,就不要错过下面读文网小编为大家带来爱情浪漫英文签名,欢迎大家收藏!
Your love is a dream, but a real pain.
你的爱是个梦,却有真实的痛。
Dare pick up your memories and I lost.
你和我的回忆丢了不敢捡。
we accept the love we think we deserve.
认为值得 所以接受 这就是爱情。
Do the most true to yourself, will mee.
做最真实的自己,才会遇到最该遇见的那个人。
I need to find my way back to the start.
我想要找到我来时的路,回到最初。
The most known person,the warmest partner.
最懂的人,最暖的伴。
爱情浪漫英文签名相关
浏览量:2
下载量:0
时间:
闪电是天空中云层放电时所产生的闪光,还被用以比喻快速。那么你知道闪电用英语怎么说吗?接下来跟着读文网小编来学习一下有关于闪电的英文相关知识吧。
sheet lightning;
片状闪电
chain(ed) lightning;
链状闪电
make a lightning attack;
闪电进攻
浏览量:4
下载量:0
时间:
口渴就是口干想喝水,这是人的一个正常的生理反应,那么你知道口渴用英语怎么说吗?下面欢迎大家跟着读文网小编一起来学习口渴的英文相关知识吧。
总是口渴 Always Thirsty
我口渴 I am getting thirsty
感觉口渴 Feeling thirsty
不口渴 not thirsty
浏览量:3
下载量:0
时间:
经济永远是不退潮流的一个热门话题,有关经济学的英文语录你看过哪些呢。下面读文网小编为大家带来精选的经济学双语版阅读,欢迎大家阅读学习。
Missouri calls for an economic truce with Kansas
密苏苏里提出与肯萨斯达成经济休战协定
I hear the tax breaks are good in Kansas
听说肯萨斯州有好的税收减免政策
MISSOURI and Kansas are old rivals. In the 1850s thousands of Missourians rode into Kansas,seized polling stations at gunpoint and fraudulently elected pro-slavery candidates. The effortsof these “border ruffians” were a prelude to the civil war.
密苏苏里和肯萨斯是一对老冤家。在1850年代,千万密苏苏里人涌入肯萨斯州,抢占他们枪口下的投票站,公然欺骗地投选支持奴隶制的候选人。这些边境恶棍的努力同样阻止了内战的爆发。
Today the rivalry is less bloody. Both states offer tax incentives to lure in companies fromelsewhere. Because they share a large metropolitan region, Kansas City, many firms qualifyfor such breaks simply by shifting a mile or two over the border.
如今的对抗少了点血腥。双方都拿出税费刺激计划,吸引四面八方的公司。由于大都市肯萨斯城横跨两州,许多公司为了有资格拿到这样的税收减免,会通常把公司移一两英里跨过边界。
Looking at the biggest type of sweetener, the Hall Family Foundation, a charity, estimates thatover the past five years the two state governments have forgone $217m in taxes. Some 3,289jobs have been tempted across the metropolitan border to Kansas; Missouri has won 2,824jobs back. Kansas can therefore claim to be “winning”. But local reports suggest that CBIZ, aKansan consulting firm, is considering moving to Missouri; that would erase this lead.
霍尔家族基金会慈善组织推测,在过去的五年间,两州政府分别放弃了2亿1700万的税收。肯萨斯州吸引了大约3289个职位,密苏苏里州则抢到了2824个,因此肯萨斯可以说是胜利的一方。但当地媒体表示,肯萨咨询公司CBIZ有意移到密苏苏里州,如果一旦成功,领先将会不复存在。
None of this border-ruffianry creates new jobs. Locals gripe that when, for example, AMCTheatre recently moved its headquarters out of downtown Kansas City, Missouri, its staff simplyhad a longer commute to work. Sly James, the mayor of Kansas City, Missouri, describes thenew border war as “short-sighted”. Kevin Collison, a reporter for the Kansas City Star, calls it“cannibalistic”.
边境恶棍们并没有创造新的就业机会。当地人抱怨称,最近AMC电影院从密苏苏里肯萨斯城市中心迁走时,只不过它的员工们花费在上下班的时间更长了些。该市市长斯莱·詹姆斯认为这是一场没有远见的边境之战。肯萨斯城星光的一名记者Kevin Collision称之为自相残杀。
A few years ago local business leaders from 17 companies, including Sprint and Hallmark Cards,wrote to Jay Nixon, the governor of Missouri, and Sam Brownback, his counterpart in Kansas,to warn them that the rift was harming the area. In the past month, a truce has started tolook likelier. Majorities in the Missouri House and Senate have approved versions of a bill thatwould bar incentives for businesses near the border to hop over it. The catch, though, is thatthis law will go into effect only if Kansas reciprocates. There is a two-year window for a deal tobe done.
几年前,包括来自Sprint和Hallmark Cards在内的当地17家公司的总裁们向密苏苏里州长杰·尼克森联同肯萨斯州州长萨姆·布朗巴克写信警告这种裂痕正危害着这个地方。过去数月里,双方好像可以签署一份休战协定。多数密苏苏里议员同意签署一项法案旨在禁止边界贸易刺激方案。然而该方案有一缺陷,要想该法案有效,必须得到肯萨斯州同样的做法。在达成协议之前有两年的窗口期。
Missouri Senator Ryan Silvey, a Republican who is sponsoring the Senate version of the bill,says he is confident the House will soon pick up and pass his version. Over in Kansas, MrBrownback is guardedly optimistic. He says he has thought for some time that “ceasefirenegotiations” were needed, and that this bill is a “necessary condition for us to negotiate”. MrBrownback says that ceasefire discussions ought to consider all the tools used to encourageeconomic development on both sides of the border. These would include income and propertytaxes.
密苏苏里州民主党议员莱恩·希尔威尔支持这项法案,他表示对国会审议通过这样法案有信心。而肯萨斯州方面,布朗巴克对此保持着谨慎的乐观,他说停火谈判的必要性已经在他脑子里有一段时间了,这部法案为我们谈判提供了必要的条件。停火谈判应该考虑边界双方共同的经济发展刺激方式。这其中就包括财产和所得税。
It is difficult to understand why either state would want to continue throwing money at ascheme that benefits only the companies that move. Mr Silvey explains: “When people feel likethey are locked in competition they just want to win, even when the competition is stupid.”Since Missouri's annual budget is $26 billion to Kansas's $14 billion, some Missourians ask whytheir state does not simply outspend its neighbour to win the war. Mr Silvey says that if anagreement is not reached in the next few years, his colleagues will want to “go with bothbarrels” and steal more business from Kansas. Move quickly Kansas, or the border ruffians mayyet ride again.
我们仍然弄不清楚,为什么苏肯两州会继续撒钱来支持只有迁移的企业才会受益的方案。希尔威尔解释道,当人们感觉到自己受困于竞争,他们总是很想赢,尽管这是一场傻傻的斗。相比140亿美元的年度预算,密苏苏里州每年有达260亿美元预算。一些密苏苏里人问,为什么就不能仅仅靠相对高的预算来赢得胜利。他指出,如果未来几年内仍达成协议,他的同僚们会带着枪,从肯萨斯州抢些生意。肯萨斯快快行动!边境恶棍又要来了!#p#副标题#e#
浏览量:4
下载量:0
时间:
《假如给我三天光明》是作者海伦·凯勒的自传,被誉为“世界文学史上无与伦比的杰作”。她以自己的经历告诫人们应珍惜生命,珍惜造物主赐予的一切。如果你想欣赏一下这篇经典名作的话,那么就不要错过下面读文网小编为大家带来假如给我三天光明完整英文版及中文翻译,希望大家喜欢!
All of us have read thrilling stories in which the hero had only a limited and specified time to live. Sometimes it was as long as a year; sometimes as short as twenty-four hours.
But always we were interested in discovering just how the doomed man chose to spend his last days or his last hours. I speak, of course, of free men who have a choice, not condemned criminals whose sphere of activities is strictly delimited.
Such stories set us thinking, wondering what we should do under similar circumstances. What events, what experiences, what associations should we crowd into those last hours as mortal beings? What happiness should we find in reviewing the past, what regrets?
Sometimes I have thought it would be an excellent rule to live each day as if we should die tomorrow. Such an attitude would emphasize sharply the values of life. We should live each day with a gentleness, a vigor, and a keenness of appreciation which are often lost when time stretches before us in the constant panorama of more days and months and years to come. There are those, of course, who would adopt the Epicurean motto of "Eat, drink, and be merry," but most people would be chastened by the certainty of impending death.
In stories the doomed hero is usually saved at the last minute by some stroke of fortune, but almost always his sense of values is changed. he becomes more appreciative of the meaning of life and its permanent spiritual values. It ahs often been noted that those who live, or have lived, in the shadow of death bring a mellow sweetness to everything they do.
Most of us, however, take life for granted. We know that one day we must die, but usually we picture that day as far in the future. When we are in buoyant health, death is all but unimaginable. We seldom think of it. The days stretch out in an endless vista. So we go about our petty tasks, hardly aware of our listless attitude toward life.
The same lethargy, I am afraid, characterizes the use of all our faculties and senses. Only the deaf appreciate hearing, only the blind realize the manifold blessings that lie in sight. Particularly does this observation apply to those who have lost sight and hearing in adult life. But those who have never suffered impairment of sight or hearing seldom make the fullest use of these blessed faculties. Their eyes and ears take in all sights and sounds hazily, without concentration and with little appreciation. It is the same old story of not being grateful for what we have until we lose it, of not being conscious of health until we are ill.
I have often thought it would be a blessing if each human being were stricken blind and deaf for a few days at some time during his early adult life. Darkness would make him more appreciative of sight; silence would tech him the joys of sound.
Now and them I have tested my seeing friends to discover what they see. Recently I was visited by a very good friends who hadjust returned from a long walk in the woods, and I asked her what she had observed.. "Nothing in particular, " she replied. I might have been incredulous had I not been accustomed to such reposes, for long ago I became convinced that the seeing see little.
How was it possible, I asked myself, to walk for an hour through the woods and see nothing worthy of note? I who cannot see find hundreds of things to interest me through mere touch. I feel the delicate symmetry of a leaf. I pass my hands lovingly about the smooth skin of a silver birch, or the rough, shaggy bark of a pine. In the spring I touch the branches of trees hopefully in search of a bud the first sign of awakening Nature after her winter's sleep. I feel the delightful, velvety texture of a flower, and discover its remarkable convolutions; and something of the miracle of Nature is revealed to me. Occasionally, if I am very fortunate, I place my hand gently on a small tree and feel the happy quiver of a bird in full song. I am delighted to have the cool waters of a brook rush thought my open finger. To me a lush carpet of pine needles or spongy grass is more welcome than the most luxurious Persian rug. To me the page ant of seasons is a thrilling and unending drama, the action of which streams through my finger tips.
At times my heart cries out with longing to see all these things. If I can get so much pleasure from mere touch, how much more beauty must be revealed by sight. Yet, those who have eyes apparently see little. the panorama of color and action which fills the world is taken for granted. It is human, perhaps, to appreciate little that which we have and to long for that which we have not, but it is a great pity that in the world of light the gift of sight is used only as a mere conveniences rather than as a means of adding fullness to life.
If I were the president of a university I should establish a compulsory course in "How to Use Your Eyes". The professor would try to show his pupils how they could add joy to their lives by really seeing what passes unnoticed before them. He would try to awake their dormant and sluggish faculties.
Perhaps I can best illustrate by imagining what I should most like to see if I were given the use of my eyes, say, for just three days. And while I am imagining, suppose you, too, set your mind to work on the problem of how you would use your own eyes if you had only three more days to see. If with the on-coming darkness of the third night you knew that the sun would never rise for you again, how would you spend those three precious intervening days? What would you most want to let your gaze rest upon?
I, naturally, should want most to see the things which have become dear to me through my years of darkness. You, too, would want to let your eyes rest on the things that have become dear to you so that you could take the memory of them with you into the night that loomed before you.
If, by some miracle, I were granted three seeing days, to be followed by a relapse into darkness, I should divide the period into three parts.
The First Day
On the first day, I should want to see the people whose kindness and gentleness and companionship have made my life worth living. First I should like to gaze long upon the face of my dear teacher, Mrs. Anne Sullivan Macy, who came to me when I was a child and opened the outer world to me. I should want not merely to see the outline of her face, so that I could cherish it in my memory, but to study that face and find in it the living evidence of the sympathetic tenderness and patience with which she accomplished the difficult task of my education. I should like to see in her eyes that strength of character which has enabled her to stand firm in the face of difficulties, and that compassion for all humanity which she has revealed to me so often.
I do not know what it is to see into the heart of a friend through that "Window of the soul", the eye. I can only "see" through my finger tips the outline of a face. I can detect laughter, sorrow, and many other obvious emotions. I know my friends from the feel of their faces. But I cannot really picture their personalities by touch. I know their personalities, of course, through other means, through the thoughts they express to me, through whatever of their actions are revealed to me. But I am denied that deeper understanding of them which I am sure would come through sight of them, through watching their reactions to various expressed thoughts and circumstances, through noting the immediate and fleeting reactions of their eyes and countenance.
Friends who are near to me I know well, because through the months and years they reveal themselves to me in all their phases; but of casual friends I have only an incomplete impression, an impression gained from a handclasp, from spoken words which I take from their lips with my finger tips, or which they tap into the palm of my hand.
How much easier, how much more satisfying it is for you who can see to grasp quickly the essential qualities of another person by watching the subtleties of expression, the quiver of a muscle, the flutter of a hand. But does it ever occur to you to use your sight to see into the inner nature of a friends or acquaintance/ Do not most of you seeing people grasp casually the outward features of a face and let it go at that?
For instance can you describe accurately the faces of five good friends? some of you can, but many cannot. As an experiment, I have questioned husbands of long standing about the color of their wives' eyes, and often they express embarrassed confusion and admit that they do not know. And, incidentally, it is a chronic complaint of wives that their husbandsdo not notice new dresses, new hats, and changes in household arrangements.
The eyes of seeing persons soon become accustomed to the routine of their surroundings, and they actually see only the startling and spectacular. But even in viewing the most spectacular sights the eyes are lazy. Court records reveal every day how inaccurately "eyewitnesses" see. A given event will be "seen" in several different ways by as many witnesses. Some see more than others, but few see everything that is within the range of their vision.
Oh, the things that I should see if I had the power of sight for just three days!
The first day would be a busy one.
I should call to me all my dear friends and look long into their faces, imprinting upon my mind the outward evidences of the beauty that is within them. I should let my eyes rest, too, on the face of a baby, so that I could catch a vision of the eager, innocent beauty which precedes the individual's consciousness of the conflicts which life develops.
And I should like to look into the loyal, trusting eyes of my dogs - the grave, canny little Scottie, Darkie, and the stalwart, understanding Great Dane, Helga, whose warm, tender , and playful friendships are so comforting to me.
On that busy first day I should also view the small simple things of my home. I want to see the warm colors in the rugs under my feet, the pictures on the walls, the intimate trifles that transform a house into home. My eyes would rest respectfully on the books in raised type which I have read, but they would be more eagerly interested in the printed books which seeing people can read, for during the long night of my life the books I have read and those which have been read to me have built themselves into a great shining lighthouse, revealing to me the deepest channels of human life and the human spirit.
In the afternoon of that first seeing day. I should take a long walk in the woods and intoxicate my eyes on the beauties of the world of Nature trying desperately to absorb in a few hours the vast splendor which is constantly unfolding itself to those who can see. On the way home from my woodland jaunt my path would lie near a farm so that I might see the patient horses ploughing in the field 9perhaps I should see only a tractor!) and the serene content of men living close to the soil. And I should pray for the glory of a colorful sunset.
When dusk had fallen, I should experience the double delight of being able to see by artificial light which the genius of man has created to extend the power of his sight when Nature decrees darkness.
In the night of that first day of sight, I should not be able to sleep, so full would be my mind of the memories of the day.
The Second Day
The next day - the second day of sight - I should arisewith the dawn and see the thrilling miracle by which night is transformed into day. I should behold with awe the magnificent panorama of light with which the sun awakens the sleeping earth.
This day I should devote to a hasty glimpse of the world, past and present. I should want to see the pageant of man's progress, the kaleidoscope of the ages. How can so much be compressed into one day? Through the museums, of course. Often I have visited the New York Museum of Natural History to touch with my hands many of the objects there exhibited, butI have longed to see with my eyes the condensed history of the earth and its inhabitants displayed there - animals and the races of men pictured in their native environment; gigantic carcasses of dinosaurs and mastodons which roamed the earth long before man appeared, with his tiny stature and powerful brain, to conquer the animal kingdom; realistic presentations of the processes of development in animals, in man, and in the implements which man has used to fashion for himself a secure home on this planet; and a thousand and one other aspects of natural history.
I wonder how many readers of this article have viewed this panorama of the face of living things as pictured in that inspiring museum. Many, of course, have not had the opportunity, but I am sure that many who have had the opportunity have not made use of it. there, indeed, is a place to use your eyes. You who see can spend many fruitful days there, but I with my imaginary three days of sight, could only take a hasty glimpse, and pass on.
My next stop would be the Metropolitan Museum of Art, for just as the Museum of Natural History reveals the material aspects of the world, so does the Metropolitan show the myriad facets of the human spirit. Throughout the history of humanity the urge to artistic expression has been almost as powerful as the urge for food, shelter, and procreation. And here , in the vast chambers of the Metropolitan Museum, is unfolded before me the spirit of Egypt, Greece, and Rome, as expressed in their art. I know well through my hands the sculptured gods and goddesses of the ancient Nile-land. I have felt copies of Parthenon friezes, and I have sensed the rhythmic beauty of charging Athenian warriors. Apollos and Venuses and the Winged Victory of Samothrace are friends of my finger tips. The gnarled, bearded features of Homer are dear to me, for he, too, knew blindness.
My hands have lingered upon the living marble of roman sculpture as well as that of later generations. I have passed my hands over a plaster cast of Michelangelo's inspiring and heroic Moses; I have sensed the power of Rodin; I have been awed by the devoted spirit of Gothic wood carving. These arts which can be touched have meaning for me, but even they were meant to be
seen rather than felt, and I can only guess at the beauty which remains hidden from me. I can admire the simple lines of a Greek vase, but its figured decorations are lost to me.
So on this, my second day of sight, I should try to probe into the soul of man through this art. The things I knew through touch I should now see. More splendid still, the whole magnificent world of painting would be opened to me, from the Italian Primitives, with their serene religious devotion, to the Moderns, with their feverish visions. I should look deep into the canvases of Raphael, Leonardo da Vinci, Titian, Rembrandt. I should want to feast my eyes upon the warm colors of Veronese, study the mysteries of E1 Greco, catch a new vision of Nature from Corot. Oh, there is so much rich meaning and beauty in the art of the ages for you who have eyes to see!
Upon my short visit to this temple of art I should not be able to review a fraction of that great world of art which is open to you. I should be able to get only a superficial impression. Artists tell me that fordeep and true appreciation of art one must educated the eye. One must learn through experience to weigh the merits of line, of composition, of form and color. If I had eyes, how happily would I embark upon so fascinating a study! Yet I am told that, to many of you who have eyes to see, the world of art is a dark night,unexplored and unilluminated.
It would be with extreme reluctance that I should leave the Metropolitan Museum, which contains the key to beauty -- a beauty so neglected. Seeing persons, however, do not need a metropolitan to find this key to beauty. The same key lies waiting in smaller museums, and in books on the shelves of even small libraries. But naturally, in my limited time of imaginary sight, I should choose the place where the key unlocks the greatest treasures in the shortest time.
The evening of my second day of sight I should spend at a theatre or at the movies. Even now I often attend theatrical performances of all sorts, but the action of the play must be spelled into my hand by a companion. But how I should like to see with my own eyes the fascinating figure of Hamlet, or the gusty Falstaff amid colorful Elizabethan trappings! How I should like to follow each movement of the graceful Hamlet, each strut of the hearty Falstaff! And since I could see only one play, I should be confronted by a many-horned dilemma, for there are scores of plays I should want to see. You who have eyes can see any you like. How many of you, I wonder, when you gaze at a play, a movie, or any spectacle, realize and give thanks for the miracle of sight which enables you to enjoy its color , grace, and movement?
I cannot enjoy the beauty of rhythmic movement except in a sphere restricted to the touch of my hands. I can vision only dimly the grace of a Pavlowa, although I know something of the delight of rhythm, for often I can sense the beat of music as it vibrates through the floor. I can well imagine that cadenced motion must be one of the most pleasing sights in the world. I have been able to gather something of this by tracing with my fingers the lines in sculptured marble; if this static grace can be so lovely, how much more acute must be the thrill of seeing grace in motion.
One of my dearest memories is of the time when Joseph Jefferson allowed me to touch his face and hands as he went through some of the gestures and speeches of his beloved Rip Van Winkle. I was able to catch thus a meager glimpse of the world of drama, and I shall never forget the delight of that moment. But, oh, how much I must miss, and how much pleasure you seeing ones can derive from watching and hearing the interplay of speech and movement in the unfolding of a dramatic performance! If I could see only one play, I should know how to picture in mymind the action of a hundred plays which I have read or had transferred to me through the medium of the manual alphabet.
So, through the evening of my second imaginary day of sight, the great fingers of dramatic literature would crowd sleep from my eyes.
The Third Day
The following morning, I should again greet the dawn, anxious to discover new delights, for I am sure that, for those who have eyes which really see, the dawn of each day must be a perpetually new revelation of beauty.
This, according to the terms of my imagined miracle, is to be my third and last day of sight. I shall have no time to waste in regrets or longings; there is too much to see. The first day I devoted to my friends, animate and inanimate. The second revealed to me the history of man and Nature. Today I shall spend in the workaday world of the present, amid the haunts of men going about the business of life. And where can one find so many activities and conditions of men as in New York? So the city becomes my destination.
I start from my home in the quiet little suburb of Forest Hills, Long Island. Here , surrounded by green lawns, trees, and flowers, are neat little houses, happy with the voices and movements of wives and children, havens of peaceful rest for men who toil in the city. I drive across the lacy structure of steel which spans the East River, and I get a new and startling vision of the power and ingenuity of the mind of man. Busy boasts chug and scurry about the river - racy speed boat, stolid, snorting tugs. If I had long days of sight ahead, I should spend many of them watching the delightful activity upon the river.
I look ahead, and before me rise the fantastic towers of New York, a city that seems to have stepped from the pages of a fairy story. What an awe-inspiring sight, these glittering spires. these vast banks of stone and steel-structures such as the gods might build for themselves! This animated picture is a part of the lives of millions of people every day.
How many, I wonder, give it so much as a seconds glance? Very few, I fear, Their eyes are blind to this magnificent sight because it is so familiar to them.
I hurry to the top of one of those gigantic structures, the Empire State Building, for there , a short time ago, I "saw" the city below through the eyes of my secretary. I am anxious to compare my fancy with reality. I am sure I should not be disappointed in the panorama spread out before me, for to me it would be a vision of another world.
Now I begin my rounds of the city. First, I stand at a busy corner, merely looking at people, trying by sight of them to understand something of their live. I see smiles, and I am happy. I see serious determination, and I am proud, I see suffering, and I am compassionate.
I stroll down Fifth Avenue. I throw my eyes out of focus, so that I see no particular object but only a seething kaleidoscope of colors. I am certain that the colors of women's dresses moving in a throng must be a gorgeous spectacle of which I should never tire. But perhaps if I had sight I should be like most other women -- too interested in styles and the cut of individual dresses to give much attention to the splendor of color in the mass. And I am convinced, too, that I should become an inveterate window shopper, for it must be a delight to the eye to view the myriad articles of beauty on display.
From Fifth Avenue I make a tour of the city-to Park Avenue, to the slums, to factories, to parks where children play. I take a stay-at-home trip abroad by visiting the foreign quarters. Always my eyes are open wide to all the sights of both happiness and misery so that I may probe deep and add to my understanding of how people work and live. my heart is full of the images of people and things. My eye passes lightly over no single trifle; it strives to touch and hold closely each thing its gaze rests upon. Some sights are pleasant, filling the heart with happiness; but some are miserably pathetic. To these latter I do not shut my eyes, for they, too, are part of life. To close the eye on them is to close the heart and mind.
My third day of sight is drawing to an end. Perhaps there are many serious pursuits to which I should devote the few remaining hours, but I am afraid that on the evening of that last day I should again run away to the theater, to a hilariously funny play, so that I might appreciate the overtones of comedy in the human spirit.
At midnight my temporary respite from blindness would cease, and permanent night would close in on me again. Naturally in those three short days I should not have seen all I wanted to see. Only when darkness had again descended upon me should I realize how much I had left unseen. But my mind would be so crowded with glorious memories that I should have little time for regrets. Thereafter the touch of every object would bring a glowing memory of how that object looked.
Perhaps this short outline of how I should spend three days of sight does not agree with the program you would set for yourself if you knew that you were about to be stricken blind. I am, however, sure that if you actually faced that fate your eyes would open to things you had never seen before, storing up memories for the long night ahead. You would use your eyes as never before. Everything you saw would become dear to you. Your eyes would touch and embrace every object that came within your range of vision. Then, at last, you would really see, and a new world of beauty would open itself before you.
I who am blind can give one hint to those who see -- one admonition to those who would make full use of the gift of sight: Use your eyes as if tomorrow you would be stricken blind.
And the same method can be applied to the other senses. Hear the music of voices, the song of a bird, the mighty strains of an orchestra, as if you would be stricken deaf tomorrow.
Touch each object you want to touch as if tomorrow your tactile sense would fail. Smell the perfume of flowers, taste with relish each morsel, as if tomorrow you could never s
mell and taste again. Make the most of every sense: glory in all the facets of pleasure and beauty which the world reveals to you through the several means of contact which Nature provides. But of all the senses, I am sure that sight must be the most delightful.#p#副标题#e#
浏览量:2
下载量:0
时间:
小红帽是德国童话作家格林的童话《小红帽》中的人物,故事版本多达一百多个,是如今家户喻晓的经典童话故事,成了不少小朋友最喜欢的睡前故事之一。下面读文网小编为大家带来小红帽童话故事双语版,欢迎大家阅读。
Once upon a time there was a sweet little girl. Everyone who saw her liked her, but most of all her grandmother, who did not know what to give the child next. Once she gave her a little cap made of red velvet. Because it suited her so well, and she wanted to wear it all the time, she came to be known as Little Red Cap.
One day her mother said to her, "Come Little Red Cap. Here is a piece of cake and a bottle of wine. Take them to your grandmother. She is sick and weak, and they will do her well. Mind your manners and give her my greetings. Behave yourself on the way, and do not leave the path, or you might fall down and break the glass, and then there will be nothing for your grandmother. And when you enter her parlor, don't forget to say 'Good morning,' and don't peer into all the corners first."
"I'll do everything just right," said Little Red Cap, shaking her mother's hand.
The grandmother lived out in the woods, a half hour from the village. When Little Red Cap entered the woods a wolf came up to her. She did not know what a wicked animal he was, and was not afraid of him.
"Good day to you, Little Red Cap."
"Thank you, wolf."
"Where are you going so early, Little Red Cap?"
"To grandmother's."
"And what are you carrying under your apron?"
"Grandmother is sick and weak, and I am taking her some cake and wine. We baked yesterday, and they should be good for her and give her strength."
"Little Red Cap, just where does your grandmother live?"
"Her house is good quarter hour from here in the woods, under the three large oak trees. There's a hedge of hazel bushes there. You must know the place," said Little Red Cap.
The wolf thought to himself, "Now that sweet young thing is a tasty bite for me. She will taste even better than the old woman. You must be sly, and you can catch them both."
He walked along a little while with Little Red Cap, then he said, "Little Red Cap, just look at the beautiful flowers that are all around us. Why don't you go and take a look? And I don't believe you can hear how beautifully the birds are singing. You are walking along as though you were on your way to school. It is very beautiful in the woods."
Little Red Cap opened her eyes and when she saw the sunbeams dancing to and fro through the trees and how the ground was covered with beautiful flowers, she thought, "If a take a fresh bouquet to grandmother, she will be very pleased. Anyway, it is still early, and I'll be home on time." And she ran off the path into the woods looking for flowers. Each time she picked one she thought that she could see an even more beautiful one a little way off, and she ran after it, going further and further into the woods. But the wolf ran straight to the grandmother's house and knocked on the door.
"Who's there?"
"Little Red Cap. I'm bringing you some cake and wine. Open the door."
"Just press the latch," called out the grandmother. "I'm too weak to get up."
The wolf pressed the latch, and the door opened. He stepped inside, went straight to the grandmother's bed, and ate her up. Then he put on her clothes, put her cap on his head, got into her bed, and pulled the curtains shut.
Little Red Cap had run after the flowers. After she had gathered so many that she could not carry any more, she remembered her grandmother, and then continued on her way to her house. She found, to her surprise, that the door was open. She walked into the parlor, and everything looked so strange that she thought, "Oh, my God, why am I so afraid? I usually like it at grandmother's."
She called out, "Good morning!" but received no answer.
Then she went to the bed and pulled back the curtains. Grandmother was lying there with her cap pulled down over her face and looking very strange.
"Oh, grandmother, what big ears you have!"
"All the better to hear you with."
"Oh, grandmother, what big eyes you have!"
"All the better to see you with."
"Oh, grandmother, what big hands you have!"
"All the better to grab you with!"
"Oh, grandmother, what a horribly big mouth you have!"
"All the better to eat you with!"
The wolf had scarcely finished speaking when he jumped from the bed with a single leap and ate up poor Little Red Cap. As soon as the wolf had satisfied his desires, he climbed back into bed, fell asleep, and began to snore very loudly.
A huntsman was just passing by. He thought, "The old woman is snoring so loudly. You had better see if something is wrong with her."
He stepped into the parlor, and when he approached the bed, he saw the wolf lying there. "So here I find you, you old sinner," he said. "I have been hunting for you a long time."
He was about to aim his rifle when it occurred to him that the wolf might have eaten the grandmother, and that she still might be rescued. So instead of shooting, he took a pair of scissors and began to cut open the wolf's belly. After a few cuts he saw the red cap shining through., and after a few more cuts the girl jumped out, crying, "Oh, I was so frightened! It was so dark inside the wolf's body!"
And then the grandmother came out as well, alive but hardly able to breathe. Then Little Red Cap fetched some large stones. She filled the wolf's body with them, and when he woke up and tried to run away, the stones were so heavy that he immediately fell down dead.
The three of them were happy. The huntsman skinned the wolf and went home with the pelt. The grandmother ate the cake and drank the wine that Little Red Cap had brought. And Little Red Cap thought, "As long as I live, I will never leave the path and run off into the woods by myself if mother tells me not to."
They also tell how Little Red Cap was taking some baked things to her grandmother another time, when another wolf spoke to her and wanted her to leave the path. But Little Red Cap took care and went straight to grandmother's. She told her that she had seen the wolf, and that he had wished her a good day, but had stared at her in a wicked manner. "If we hadn't been on a public road, he would have eaten me up," she said.
"Come," said the grandmother. "Let's lock the door, so he can't get in."
Soon afterward the wolf knocked on the door and called out, "Open up, grandmother. It's Little Red Cap, and I'm bringing you some baked things."
They remained silent, and did not open the door. Gray-Head crept around the house several times, and finally jumped onto the roof. He wanted to wait until Little Red Cap went home that evening, then follow her and eat her up in the darkness. But the grandmother saw what he was up to. There was a large stone trough in front of the house.
"Fetch a bucket, Little Red Cap," she said to the child. "Yesterday I cooked some sausage. Carry the water that I boiled them with to the trough." Little Red Cap carried water until the large, large trough was clear full. The smell of sausage arose into the wolf's nose. He sniffed and looked down, stretching his neck so long that he could no longer hold himself, and he began to slide. He slid off the roof, fell into the trough, and drowned. And Little Red Cap returned home happily, and no one harmed her.
浏览量:25
下载量:0
时间:
《丑小鸭》是安徒生的经典童话故事之一,写了一只天鹅蛋在鸭群中破壳后,因相貌怪异,让同类鄙弃,历经千辛万苦、重重磨难之后长成了白天鹅。下面读文网小编为大家带来丑小鸭童话故事英文版及翻译,欢迎大家阅读欣赏!
It was so beautiful out on the country, it was summer- the wheat fields were golden, the oats were green, and down among the green meadows the hay was stacked. There the stork minced about on his red legs, clacking away in Egyptian, which was the language his mother had taught him. Round about the field and meadow lands rose vast forests, in which deep lakes lay hidden. Yes, it was indeed lovely out there in the country.
In the midst of the sunshine there stood an old manor house that had a deep moat around it. From the walls of the manor right down to the water's edge great burdock leaves grew, and there were some so tall that little children could stand upright beneath the biggest of them. In this wilderness of leaves, which was as dense as the forests itself, a duck sat on her nest, hatching her ducklings. She was becoming somewhat weary, because sitting is such a dull business and scarcely anyone came to see her. The other ducks would much rather swim in the moat than waddle out and squat under the burdock leaf to gossip with her.
But at last the eggshells began to crack, one after another. "Peep, peep!" said the little things, as they came to life and poked out their heads.
"Quack, quack!" said the duck, and quick as quick can be they all waddled out to have a look at the green world under the leaves. Their mother let them look as much as they pleased, because green is good for the eyes.
"How wide the world is," said all the young ducks, for they certainly had much more room now than they had when they were in their eggshells.
"Do you think this is the whole world?" their mother asked. "Why it extends on and on, clear across to the other side of the garden and right on into the parson's field, though that is further than I have ever been. I do hope you are all hatched," she said as she got up. "No, not quite all. The biggest egg still lies here. How much longer is this going to take? I am really rather tired of it all," she said, but she settled back on her nest.
"Well, how goes it?" asked an old duck who came to pay her a call.
"It takes a long time with that one egg," said the duck on the nest. "It won't crack, but look at the others. They are the cutest little ducklings I've ever seen. They look exactly like their father, the wretch! He hasn't come to see me at all."
"Let's have a look at the egg that won't crack," the old duck said. "It's a turkey egg, and you can take my word for it. I was fooled like that once myself. What trouble and care I had with those turkey children, for I may as well tell you, they are afraid of the water. I simply could not get them into it. I quacked and snapped at them, but it wasn't a bit of use. Let me see the egg. Certainly, it's a turkey egg. Let it lie, and go teach your other children to swim."
"Oh, I'll sit a little longer. I've been at it so long already that I may as well sit here half the summer."
"Suit yourself," said the old duck, and away she waddled.
At last the big egg did crack. "Peep," said the young one, and out he tumbled, but he was so big and ugly.
The duck took a look at him. "That's a frightfully big duckling," she said. "He doesn't look the least like the others. Can he really be a turkey baby? Well, well! I'll soon find out. Into the water he shall go, even if I have to shove him in myself."
Next day the weather was perfectly splendid, and the sun shone down on all the green burdock leaves. The mother duck led her whole family down to the moat. Splash! she took to the water. "Quack, quack," said she, and one duckling after another plunged in. The water went over their heads, but they came up in a flash, and floated to perfection. Their legs worked automatically, and they were all there in the water. Even the big, ugly gray one was swimming along.
"Why, that's no turkey," she said. "See how nicely he uses his legs, and how straight he holds himself. He's my very own son after all, and quite good-looking if you look at him properly. Quack, quack come with me. I'll lead you out into the world and introduce you to the duck yard. But keep close to me so that you won't get stepped on, and watch out for the cat!"
Thus they sallied into the duck yard, where all was in an uproar because two families were fighting over the head of an eel. But the cat got it, after all.
"You see, that's the way of the world." The mother duck licked her bill because she wanted the eel's head for herself. "Stir your legs. Bustle about, and mind that you bend your necks to that old duck over there. She's the noblest of us all, and has Spanish blood in her. That's why she's so fat. See that red rag around her leg? That's a wonderful thing, and the highest distinction a duck can get. It shows that they don't want to lose her, and that she's to have special attention from man and beast. Shake yourselves! Don't turn your toes in. A well-bred duckling turns his toes way out, just as his father and mother do-this way. So then! Now duck your necks and say quack!"
They did as she told them, but the other ducks around them looked on and said right out loud, "See here! Must we have this brood too, just as if there weren't enough of us already? And-fie! what an ugly-looking fellow that duckling is! We won't stand for him." One duck charged up and bit his neck.
"Let him alone," his mother said. "He isn't doing any harm."
"Possibly not," said the duck who bit him, "but he's too big and strange, and therefore he needs a good whacking."
"What nice-looking children you have, Mother," said the old duck with the rag around her leg. "They are all pretty except that one. He didn't come out so well. It's a pity you can't hatch him again."
"That can't be managed, your ladyship," said the mother. "He isn't so handsome, but he's as good as can be, and he swims just as well as the rest, or, I should say, even a little better than they do. I hope his looks will improve with age, and after a while he won't seem so big. He took too long in the egg, and that's why his figure isn't all that it should be." She pinched his neck and preened his feathers. "Moreover, he's a drake, so it won't matter so much. I think he will be quite strong, and I'm sure he will amount to something."
"The other ducklings are pretty enough," said the old duck. "Now make yourselves right at home, and if you find an eel's head you may bring it to me."
So they felt quite at home. But the poor duckling who had been the last one out of his egg, and who looked so ugly, was pecked and pushed about and made fun of by the ducks, and the chickens as well. "He's too big," said they all. The turkey gobbler, who thought himself an emperor because he was born wearing spurs, puffed up like a ship under full sail and bore down upon him, gobbling and gobbling until he was red in the face. The poor duckling did not know where he dared stand or where he dared walk. He was so sad because he was so desperately ugly, and because he was the laughing stock of the whole barnyard.
So it went on the first day, and after that things went from bad to worse. The poor duckling was chased and buffeted about by everyone. Even his own brothers and sisters abused him. "Oh," they would always say, "how we wish the cat would catch you, you ugly thing." And his mother said, "How I do wish you were miles away." The ducks nipped him, and the hens pecked him, and the girl who fed them kicked him with her foot.
So he ran away; and he flew over the fence. The little birds in the bushes darted up in a fright. "That's because I'm so ugly," he thought, and closed his eyes, but he ran on just the same until he reached the great marsh where the wild ducks lived. There he lay all night long, weary and disheartened.
When morning came, the wild ducks flew up to have a look at their new companion. "What sort of creature are you?" they asked, as the duckling turned in all directions, bowing his best to them all. "You are terribly ugly," they told him, "but that's nothing to us so long as you don't marry into our family."
Poor duckling! Marriage certainly had never entered his mind. All he wanted was for them to let him lie among the reeds and drink a little water from the marsh.
There he stayed for two whole days. Then he met two wild geese, or rather wild ganders-for they were males. They had not been out of the shell very long, and that's what made them so sure of themselves.
"Say there, comrade," they said, "you're so ugly that we have taken a fancy to you. Come with us and be a bird of passage. In another marsh near-by, there are some fetching wild geese, all nice young ladies who know how to quack. You are so ugly that you'll completely turn their heads."
Bing! Bang! Shots rang in the air, and these two ganders fell dead among the reeds. The water was red with their blood. Bing! Bang! the shots rang, and as whole flocks of wild geese flew up from the reeds another volley crashed. A great hunt was in progress. The hunters lay under cover all around the marsh, and some even perched on branches of trees that overhung the reeds. Blue smoke rose like clouds from the shade of the trees, and drifted far out over the water.
The bird dogs came splash, splash! through the swamp, bending down the reeds and the rushes on every side. This gave the poor duckling such a fright that he twisted his head about to hide it under his wing. But at that very moment a fearfully big dog appeared right beside him. His tongue lolled out of his mouth and his wicked eyes glared horribly. He opened his wide jaws, flashed his sharp teeth, and - splash, splash - on he went without touching the duckling.
"Thank heavens," he sighed, "I'm so ugly that the dog won't even bother to bite me."
He lay perfectly still, while the bullets splattered through the reeds as shot after shot was fired. It was late in the day before things became quiet again, and even then the poor duckling didn't dare move. He waited several hours before he ventured to look about him, and then he scurried away from that marsh as fast as he could go. He ran across field and meadows. The wind was so strong that he had to struggle to keep his feet.
Late in the evening he came to a miserable little hovel, so ramshackle that it did not know which way to tumble, and that was the only reason it still stood. The wind struck the duckling so hard that the poor little fellow had to sit down on his tail to withstand it. The storm blew stronger and stronger, but the duckling noticed that one hinge had come loose and the door hung so crooked that he could squeeze through the crack into the room, and that's just what he did.
Here lived an old woman with her cat and her hen. The cat, whom she called "Sonny," could arch his back, purr, and even make sparks, though for that you had to stroke his fur the wrong way. The hen had short little legs, so she was called "Chickey Shortleg." She laid good eggs, and the old woman loved her as if she had been her own child.
In the morning they were quick to notice the strange duckling. The cat began to purr, and the hen began to cluck.
"What on earth!" The old woman looked around, but she was short-sighted, and she mistook the duckling for a fat duck that had lost its way. "That was a good catch," she said. "Now I shall have duck eggs-unless it's a drake. We must try it out." So the duckling was tried out for three weeks, but not one egg did he lay.
In this house the cat was master and the hen was mistress. They always said, "We and the world," for they thought themselves half of the world, and much the better half at that. The duckling thought that there might be more than one way of thinking, but the hen would not hear of it.
"Can you lay eggs?" she asked
"No."
"Then be so good as to hold your tongue."
The cat asked, "Can you arch your back, purr, or make sparks?"
"No."
"Then keep your opinion to yourself when sensible people are talking."
The duckling sat in a corner, feeling most despondent. Then he remembered the fresh air and the sunlight. Such a desire to go swimming on the water possessed him that he could not help telling the hen about it.
"What on earth has come over you?" the hen cried. "You haven't a thing to do, and that's why you get such silly notions. Lay us an egg, or learn to purr, and you'll get over it."
"But it's so refreshing to float on the water," said the duckling, "so refreshing to feel it rise over your head as you dive to the bottom."
"Yes, it must be a great pleasure!" said the hen. "I think you must have gone crazy. Ask the cat, who's the wisest fellow I know, whether he likes to swim or dive down in the water. Of myself I say nothing. But ask the old woman, our mistress. There's no one on earth wiser than she is. Do you imagine she wants to go swimming and feel the water rise over her head?"
"You don't understand me," said the duckling.
"Well, if we don't, who would? Surely you don't think you are cleverer than the cat and the old woman-to say nothing of myself. Don't be so conceited, child. Just thank your Maker for all the kindness we have shown you. Didn't you get into this snug room, and fall in with people who can tell you what's what? But you are such a numbskull that it's no pleasure to have you around. Believe me, I tell you this for your own good. I say unpleasant truths, but that's the only way you can know who are your friends. Be sure now that you lay some eggs. See to it that you learn to purr or to make sparks."
"I think I'd better go out into the wide world," said the duckling.
"Suit yourself," said the hen.
So off went the duckling. He swam on the water, and dived down in it, but still he was slighted by every living creature because of his ugliness.
Autumn came on. The leaves in the forest turned yellow and brown. The wind took them and whirled them about. The heavens looked cold as the low clouds hung heavy with snow and hail. Perched on the fence, the raven screamed, "Caw, caw!" and trembled with cold. It made one shiver to think of it. Pity the poor little duckling!
One evening, just as the sun was setting in splendor, a great flock of large, handsome birds appeared out of the reeds. The duckling had never seen birds so beautiful. They were dazzling white, with long graceful necks. They were swans. They uttered a very strange cry as they unfurled their magnificent wings to fly from this cold land, away to warmer countries and to open waters. They went up so high, so very high, that the ugly little duckling felt a strange uneasiness come over him as he watched them. He went around and round in the water, like a wheel. He craned his neck to follow their course, and gave a cry so shrill and strange that he frightened himself. Oh! He could not forget them-those splendid, happy birds. When he could no longer see them he dived to the very bottom. and when he came up again he was quite beside himself. He did not know what birds they were or whither they were bound, yet he loved them more than anything he had ever loved before. It was not that he envied them, for how could he ever dare dream of wanting their marvelous beauty for himself? He would have been grateful if only the ducks would have tolerated him-the poor ugly creature.
The winter grew cold - so bitterly cold that the duckling had to swim to and fro in the water to keep it from freezing over. But every night the hole in which he swam kept getting smaller and smaller. Then it froze so hard that the duckling had to paddle continuously to keep the crackling ice from closing in upon him. At last, too tired to move, he was frozen fast in the ice.
Early that morning a farmer came by, and when he saw how things were he went out on the pond, broke away the ice with his wooden shoe, and carried the duckling home to his wife. There the duckling revived, but when the children wished to play with him he thought they meant to hurt him. Terrified, he fluttered into the milk pail, splashing the whole room with milk. The woman shrieked and threw up her hands as he flew into the butter tub, and then in and out of the meal barrel. Imagine what he looked like now! The woman screamed and lashed out at him with the fire tongs. The children tumbled over each other as they tried to catch him, and they laughed and they shouted. Luckily the door was open, and the duckling escaped through it into the bushes, where he lay down, in the newly fallen snow, as if in a daze.
But it would be too sad to tell of all the hardships and wretchedness he had to endure during this cruel winter. When the warm sun shone once more, the duckling was still alive among the reeds of the marsh. The larks began to sing again. It was beautiful springtime.
Then, quite suddenly, he lifted his wings. They swept through the air much more strongly than before, and their powerful strokes carried him far. Before he quite knew what was happening, he found himself in a great garden where apple trees bloomed. The lilacs filled the air with sweet scent and hung in clusters from long, green branches that bent over a winding stream. Oh, but it was lovely here in the freshness of spring!
From the thicket before him came three lovely white swans. They ruffled their feathers and swam lightly in the stream. The duckling recognized these noble creatures, and a strange feeling of sadness came upon him.
"I shall fly near these royal birds, and they will peck me to bits because I, who am so very ugly, dare to go near them. But I don't care. Better be killed by them than to be nipped by the ducks, pecked by the hens, kicked about by the hen-yard girl, or suffer such misery in winter."
So he flew into the water and swam toward the splendid swans. They saw him, and swept down upon him with their rustling feathers raised. "Kill me!" said the poor creature, and he bowed his head down over the water to wait for death. But what did he see there, mirrored in the clear stream? He beheld his own image, and it was no longer the reflection of a clumsy, dirty, gray bird, ugly and offensive. He himself was a swan! Being born in a duck yard does not matter, if only you are hatched from a swan's egg.
He felt quite glad that he had come through so much trouble and misfortune, for now he had a fuller understanding of his own good fortune, and of beauty when he met with it. The great swans swam all around him and stroked him with their bills.
Several little children came into the garden to throw grain and bits of bread upon the water. The smallest child cried, "Here's a new one," and the others rejoiced, "yes, a new one has come." They clapped their hands, danced around, and ran to bring their father and mother.
And they threw bread and cake upon the water, while they all agreed, "The new one is the most handsome of all. He's so young and so good-looking." The old swans bowed in his honor.
Then he felt very bashful, and tucked his head under his wing. He did not know what this was all about. He felt so very happy, but he wasn't at all proud, for a good heart never grows proud. He thought about how he had been persecuted and scorned, and now he heard them all call him the most beautiful of all beautiful birds. The lilacs dipped their clusters into the stream before him, and the sun shone so warm and so heartening. He rustled his feathers and held his slender neck high, as he cried out with full heart: "I never dreamed there could be so much happiness, when I was the ugly duckling."#p#副标题#e#
浏览量:4
下载量:0
时间:
想给自己找一个好看的带翻译的英文网名吗?下面读文网小编为大带来好看的英文网名带翻译,希望大家喜欢!
゛Memor°情若寒ご
嘲笑°oneself
Passerby 过路人
Animai°情兽
北纬scenery┃
妖媚□Sunshine
幻灭The pupL▎
Be shallow. 浅浅
矢心 Hor2°
浮华之海Photogra
窒息旳痛,Scott。
Johnathon 水星
Kolten 莫尔滕
Wayne 韦恩
Zain 扎因
Rayan 拉扬
Keenan 基南
浏览量:4
下载量:0
时间: