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学习很多人都扛《爸爸去哪儿》,但是你有没有想过它为什么那么红火?下面这篇文章就给你解答。
Where Are We Going, Dad? presents a new generation of men who, in a break from Chinese tradition, now take an active role in their children's lives.
综艺节目《爸爸去哪儿》展现了打破中国传统的新时代男人积极参与到子女生活中的情景。
Five celebrity fathers and their children traipse around China, riding camels through the western deserts, fishing off the east coast, and selling vegetables for their bus fare home in remote southwestern Yunnan province. One dad doesn’t know how to do his daughter’s hair, but give him a couple of episodes—he’ll figure it out. Another one must survive with his son for three days in the desert, where, because neither can cook, the two only eat instant noodles.
五位星爸和他们的子女走遍大江南北,或而西部沙漠骑骆驼、东部海边捕鱼,或而远上西南的云南省为赚车费去卖菜。有位爸爸不会给女儿梳头,但若给他一些时间,应该能学会。还有一对父子必须在沙漠生活三天,因为都不太会做饭,父子俩只能吃泡面。
These story lines are part of Where Are We Going Dad? which, since its debut in October, has become one of China’s most popular television shows, averaging more than 600 million viewers each week (and more than 640 million downloads online). Sponsorship rights for the show’s second season sold for 312 million yuan (about $50 million), more than ten times higher than the rights to the first season. And searches for Where Are We Going Dad? turn up over 40 million hits on Sina Weibo, China’s Twitter.
以上都是《爸爸去哪儿》的部分情景。该节目从十月份首次播出以来,已迅速成为中国人气最旺的电视节目,每周有平均6亿人收看,且网络下载量也超过6.4亿。节目第二季的冠名权售价是3.12亿元(约0.5亿美元),比第一季的高出了十倍。同时关于《爸爸去哪儿》的搜索在新浪微博上就超过了4000万。
What accounts for the show’s popularity? The show features a new generation of Chinese fathers, who, as part of the country’s burgeoning middle class, have faced more exposure to modern child-rearing techniques such as taking an active role with their children.
是什么原因导致这档节目如此火爆?节目聚焦于中国新一代父亲——他们是新兴中产阶级,面临许多现代社会养育子女的问题,比如怎样和子女积极互动交流。
“In traditional Chinese culture, the conventional conception of parenthood is that the father is stern and the mother is kind. But on the show, we see fathers who are much gentler on their kids and more involved in their upbringing,” said Li Minyi, an associate professor of early childhood education at the leading Beijing Normal University. “This show raises an important question for modern Chinese society—what is the role of fathers in today’s China?”
“在中国传统文化中,人们对父母的固有观念就是‘严父慈母’。但从节目中,我们可以看到爸爸们对子女呵护有加,也很关心他们的成长。” 北京师范大学的学前教育副教授李敏谊这样表示。“这档节目向当今中国社会抛出了一个重要问题——在当今中国,父亲扮演着怎样的角色?”
Confucian tradition dictates that there is no human trait more important than filial piety: obeying your parents’ wishes and looking after them in their old age. But Chinese parents increasingly realize that discussing and respecting their children’s choices may be a more appropriate way to prepare them for modern society. “As they raise their children, parents are growing up at the same time,” said Wang Renping, a popular education expert, in an interview with the Qianjiang Evening News. “They cannot use parenting styles from 20 years ago to guide the development of children born 20 years later.”
儒学传统训诫:人性万般,孝道为先。我们应该遵从父母的意愿,并在父母年老时照顾他们。然而中国父母却越来越意识到,商讨并尊重子女的选择或许才是保证他们适应现代社会的恰当方式。“在孩子的教育过程中,父母是与之共同成长的,并不是父母以20年前的观念去指导20年后孩子的发展。” 著名教育专家王人平在接受《钱江晚报》的采访中说道。
Part of the appeal of Where Are We Going Dad? is the chance to peek into the lives of popular Chinese celebrities and their children. Audiences revel in watching the failed attempts of celebrity dads making dinner, braiding hair, and disciplining children—tasks often left to mothers in a society still influenced by the notion that “men rule outside and women rule inside.”
《爸爸去哪儿》的一大吸引力就是让人们有机会了解中国名人及其子女的生活。观众乐于看到星爸们不会煮饭、不知道怎么编 辫子和管教孩子——在这个仍然深受“男主外女主内”观念影响的社会,这些事情通常都是妈妈们做的。
The children—and their bumbling fathers—show remarkable candor. “I’m best at washing up, I can’t do anything else,” confides one dad to another as they squat, doing the dishes after everyone had eaten dinner. “My wife is great—she’s been raising our son for six years. I’m exhausted and it’s only been three days. I’m buying her a bunch of flowers when we go back,” confesses another.
这帮孩子以及他们笨手笨脚的老爸表现得相当坦率。“我最强的就是洗锅,别的干不了。” 某位爸爸蹲着告诉另一位。还有星爸感慨道:“真感谢老婆六年来辛苦带孩子,我就这么带三天就没辙了,回去该奖励朵大红花给我老婆。”
The popularity of the show is measured in more than just advertising revenue. T-shirts, jeans, jackets, accessories, suitcases, and backpacks used in the show are selling out on e-commerce websites, and featured locations have become travel hotspots, with fans eager to sleep in the same beds as the celebrities and their children. A spin-off movie may be released in conjunction with Chinese New Year, and government websites predict that the all-important civil servant interviews next year will feature questions about the show. Television stations across China have jumped on the bandwagon, launching talk shows and reality programs about the relationship between parents and children.
节目火爆仅从广告费收入上就可见一斑。那些节目中出现的T恤、牛仔裤、夹克、配饰、行李箱以及背包在各大网购网站上甚为畅销,而拍摄地点也成了旅游热地,粉丝们狂想睡一睡星爸萌娃们睡过的床。电影版《爸爸去哪儿》也有望在新年之际上映。据政府网站预计,就连明年重要的公务员考试也可能会涉及到这档节目秀。另外,中国各大电视台也都纷纷效仿,推出有关亲子关系的系列谈话节目和真人秀。
After each episode goes to air, the Chinese internet explodes with commentary on each celebrity’s parenting style. “The five fathers on the show all have very diverse parenting styles, which is great because it shows people there isn’t just one way to raise a child,” said Li Minyi.
随着每期剧集的播出,中国网站上到处都是针对每个星爸教育子女方式的评论。“节目中的五个星爸都各有招数,这样挺好,因为这让人们意识到教育子女的方式不止一种。”李敏谊说。
Zhang Liang, a cook turned supermodel, is an audience favorite for treating his son, Tiantian, more like a friend. Actor Guo Tao tries hard to communicate with his son, Shi Tou, but is seen as a more traditional Chinese father, and has been criticized online for being too harsh. The show’s most famous celebrity, Taiwanese race car driver-turned-actor Lin Zhiying, was originally praised as progressive and patient with his son Kimi. But as the season progressed, fans began to criticize him for raising a spoiled, undisciplined boy.
先前做过厨师后又成为模特的张亮,像朋友一样和儿子天天交流,因此深受观众喜爱。演员郭涛很努力地尝试跟儿子石头沟通,但表现得却更像传统型老爸,因此被网民批评“太严厉”。而节目中最有人气的明星——台湾赛车手兼演员林志颖,刚开始因对儿子Kimi非常积极耐心而大受好评,但随着节目播出,粉丝们开始抱怨他养了一个娇宠任性的孩子。
Even the People’s Daily, the official mouthpiece of the Chinese government, is pleased at the success of Where Are We Going, Dad?. “The deep affection on display in the show is heart-warming and ignites a desire in people to return home to loved ones,” it said in an op-ed. In 2012, the Ministry for Education issued, for the first time, a roadmap for teachers and parents about how to raise 3-6 year olds, indicating a growing emphasis on early childhood education.
就连中国政府的官方报刊《人民日报》也对《爸爸去哪儿》的成功大为赞赏,报道称:“节目中体现的浓浓亲情让人心存暖意,也点燃了人们心中回归家庭的渴求。”2012年,教育部首次印发了《3-6岁儿童学习与发展指南》,显示对早期儿童教育的愈加重视。
The success of Where Are We Going Dad?, adapted from a Korean show by Hunan Television, is especially remarkable considering China’s tightened regulations against foreign-sourced television. This year, Beijing banned foreign programs in prime-time (between 7 and 10 pm), and beginning in 2014 domestic satellite television channels will only be allowed to purchase the rights to one foreign program a year.
《爸爸去哪儿》是湖南卫视从韩国电视台引进制作的,在中国对国外电视资源的政策愈发严厉的背景下,其成功还是相当了不起的。今年,北京取消了黄金时段(晚上7:00-10:00)的外国节目;从2014年开始,国内卫星电视频道每年只能引进一档外国节目。
Hunan Television isn’t fazed. Where Are We Going Dad?, has thrived despite airing in an unfavorable time slot: 10-12 on Friday nights.
然而湖南卫视并未受影响。尽管周五晚上10:00-12:00的播出时间不占优势,《爸爸去哪儿》还是火遍了中国。
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歌曲介绍:《爸爸去哪儿》英文版歌曲由第六大街音乐工作室成员代芙妮填词, 阿摩司重新编曲制作并演唱。
Twinkle, twinkle, little star,How I wonder what you are.
See my daddy he looks so cool
Life with papa likes magic book
Lovely father cooks tasty food
Teaching me everything to do
Baby as you come ,my life becomes full
You make me alright when I m feeling blue
Connecting our home in a loving loop
Everything we are going through
Papa, papa, when shall we travel far?
Taking my telescope to see the star
Baby, baby, taking the map you drew
Follow me do as I do
I must be so strong to be your papa
I learn to do well from the very start
As time goes by you gradually grow up
Baby you are always my love
Papa, papa, when shall we travel far?
Taking my telescope to see the star
Baby, baby, taking the map you drew
Follow me do as I do
Funny papa runs very fast
You are mommy s and my superstar
You know why I love that cookie jar
You re the best man always in my heart
Papa , papa, when shall we travel far?
Taking my telescope to see the star
Baby, baby, taking the map you drew
Follow me do as I do
quduwenala~~~
Papa , papa, when shall we travel far?Taking my telescope to see the starBaby, baby, taking the map you drew
Follow me do as I do
Papa , papa, when shall we travel far?
I won t be afraid when sky s getting dark
Baby, baby, you really did so great
You are forever my sweet!
Twinkle, twinkle, little star,
How I wonder what you are.
Twinkle, twinkle, little star,
How I wonder what you are.
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歌曲介绍:《爸爸去哪儿》英文版歌曲由第六大街音乐工作室成员代芙妮填词, 阿摩司重新编曲制作并演唱。
Twinkle, twinkle, little star,How I wonder what you are.
See my daddy he looks so cool
Life with papa likes magic book
Lovely father cooks tasty food
Teaching me everything to do
Baby as you come ,my life becomes full
You make me alright when I m feeling blue
Connecting our home in a loving loop
Everything we are going through
Papa, papa, when shall we travel far?
Taking my telescope to see the star
Baby, baby, taking the map you drew
Follow me do as I do
I must be so strong to be your papa
I learn to do well from the very start
As time goes by you gradually grow up
Baby you are always my love
Papa, papa, when shall we travel far?
Taking my telescope to see the star
Baby, baby, taking the map you drew
Follow me do as I do
Funny papa runs very fast
You are mommy s and my superstar
You know why I love that cookie jar
You re the best man always in my heart
Papa , papa, when shall we travel far?
Taking my telescope to see the star
Baby, baby, taking the map you drew
Follow me do as I do
quduwenala~~~
Papa , papa, when shall we travel far?Taking my telescope to see the starBaby, baby, taking the map you drew
Follow me do as I do
Papa , papa, when shall we travel far?
I won t be afraid when sky s getting dark
Baby, baby, you really did so great
You are forever my sweet!
Twinkle, twinkle, little star,
How I wonder what you are.
Twinkle, twinkle, little star,
How I wonder what you are.
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在西方国家,每年的10月31日,有个“Halloween”,辞典解释为“The eve of All Saints'Day”,中文译作:“万圣节之夜”。万圣节是西方国家的传统节日。这一夜是一年中最“闹鬼”的一夜,所以也叫“鬼节”。西方国家在万圣节里有很多有趣的习俗,下面是读文网小编整理的万圣节的习俗英文版,欢迎大家阅读!
Halloween Halloween is an autumn holiday that Americans celebrate every year. It means "holy evening," and it comes every October 31, the even
ing before All Saints' Day. However, it is not really a church holiday, it is a holiday for children mainly.
Every autumn, when the vegetables are ready to eat, children pick large orange pumpkins. Then they cut faces in the pumpkins and put a burning candle inside. It looks as if there were a person looking out of the pumpkin! These lights are called jack-o'-lanterns, which means "Jack of the lantern".
The children also put on strange masks and frightening costumes every Halloween. Some children paint their faces to look like monsters. Then they carry boxes or bags from house to house. Every time they come to a new house, they say,"Trick or treat! Money or eat!" The grown-ups put treat-money or candy in their bags.
Not only children, but most grown-ups also love Halloween and Halloween parties because on this day,they can disguise themselves as personages or ghost as their imaginations will lead them. This bring them the satisfaction of being young.
万圣节前夕
万圣节前夕是美国人年年都会庆祝的秋季节日。它的意思是“神圣的夜晚”,在每年的10月31日,也就是万圣节前夜。但实际上这不是一个真正的宗教节日,而主要是孩子们的节日。
万圣节的英文介绍
每年秋天蔬菜成熟可以食用的时候,孩子们就会挑出大个儿的橙色南瓜。然后在南瓜上刻上一张脸,把一根点燃的蜡烛放在里面。看起来就好像有人在向南瓜外面张望。这些灯就叫做“iack-o'-lantems”,意思也就是“杰克的灯”。
每年万圣节前夕孩子们还戴上奇怪的面具,穿上吓人的服装。有些孩子把脸刷成怪物。然后他们拿着盒子或袋子挨家挨户串门。每来到一个新房子他们就说:“不款待就捣乱!给钱还是吃的!”大人们就会把用来招待的钱或糖放在他们的袋子里了。
不仅孩子,许多成年人也喜欢万圣节前夕和万圣节前夕晚会。因为这一天他们可以根据自己的想象把自己装扮成名流或幽灵。这会带给他们年轻的快感。
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《老人与海》是海明威于1951年在古巴写的一篇中篇小说,是海明威最著名的作品之一。下面是读文网小编整理的一些老人与海的英文版句子,欢迎大家阅读!
He did not remember when he had first started to talk aloud when he was by himself. He had sung when he was by himself in the old days and he had sung at night sometimes when he was alone steering on his watch in the smacks or in the turtle boats. He had probably started to talk aloud, when alone, when the boy had left. But he did not remember. When he and the boy fished together they usually spoke only when it was necessary. They talked at night or when they were storm-bound by bad weather. It was considered a virtue not to talk unnecessarily at sea and the old man had always considered it so and respected it. But now he said his thoughts aloud many times since there was no one that they could annoy.
他记不起他是什么时候第一次开始在独自待着的当儿自言自语的了。往年他独自待着时曾唱歌来着,有时候在夜里唱,那是在小渔船或捕海龟的小艇上值班掌舵时的事。他大概是在那孩子离开了他、他独自待着时开始自言自语的。不过他记不清了。他跟孩子一块儿捕鱼时,他们一般只在有必要时才说话。他们在夜间说话来着,要不,碰到坏天气,被暴风雨困在海上的时候。没有必要不在海上说话,被认为是种好规矩,老人一向认为的确如此,始终遵守它。可是这会儿他把心里想说的话说出声来有好几次了,因为没有旁人会受到他说话的打扰。
"If the others heard me talking out loud they would think that I am crazy," he said aloud. "But since I am not crazy, I do not care. And the rich have radios to talk to them in their boats and to bring them the baseball."
“要是别人听到我在自言自语,会当我发疯了,”他说出声来。“不过既然我没有发疯,我就不管,还是要说。有钱人在船上有收音机对他们谈话,还把棒球赛的消息告诉他们。”
Now is no time to think baseball, he thought. Now is the time to think of only one thing. That which I was born for. There might be a big one around that school, he thought. I picked up only a straggler from the albacore that were feeding. But they are working far out and fast. Everything that shows on the surface today travels very fast and to the north-east. Can that be the time of day? Or is it some sign of weather that I do not know?
现在可不是思量棒球赛的时刻,他想。现在只应该思量一桩事。就是我生来要干的那桩事。那个鱼群周围很可能有一条大的,他想。我只逮住了正在吃小鱼的金枪鱼群中一条失散的。可是它们正游向远方,游得很快。今天凡是在海面上露面的都游得很快,向着东北方向。难道一天的这个时辰该如此吗?要不,这是什么我不懂得的天气征兆?
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爸爸是对父亲的一种称呼,多用于口语,英语也是同样。以下是读文网小编为大家带来爸爸的英文单词,以供大家参阅!
1、这护士照顾这位病人彷佛在照顾她爸爸似的。
The nurse attends on the patient as if he were her father.
2、爸爸每天早上走路去上班。
Father walks to his office every morning.
3、在我祖父看来,我爸爸仍然是个小孩。
It seems to my grandfather that my father is still a child.
4、他爸爸坚持他们应该搬到乡下。
His father insisted that they (should) move to the country.
5、小男孩让爸爸带他出去。
The little boy asked his papa to take him outside.
6、我喜欢和爸爸一起下国际象棋。
I like to play chess with my father.
7、你可能发现你爸爸你也许发现你爸爸越老就越像个孩子。
You may find that your dad becomes more like a kid as he gets older.
8、爸爸很想你,爸爸很爱你。
So there is no need nitpicking.
9、这就是我的爸爸,我为有这样的好爸爸而自豪。
I am proud of having such a good father.
10、我爸爸常常提起我的祖母。
My father often speaks of my grandmother.
11、爸爸把车库地面用水冲洗干净了。
The garage floor was swilled down by father.
12、我爸爸花了三年时间半工半读, 上完了大学。
My father spent three years working his way through college.
13、爸爸用通条把火捅得更旺。
Father poked the fire with a poker.
14、像你这么大的年纪,我的爸爸死了,卖给童家里,吃残茶剩饭,还经常受骂挨打。
When I was your age my father died and I was sold to Tongs as maid. There I atethe cold leftovers every day and I was often scolded and beaten.
15、不是我们爸爸。
Not us dads.
16、她告诉他的爸爸和她的兄弟,可是没有人告诉我。
She told her dad and her brothers, but no one told me.
17、爸爸:但是你最后还是答应和我出去约会。
Dad: But you agreed to go out with me at last.
18、她一点也不像她的爸爸。
She is nothing like her father.
19、我们全都爱您,爸爸。
We all love you, dad.
20、爸爸,为什么他们必须离开我们?
Daddy, why do they have to leave?
21、等到爸爸和你都离开了我,剩我自己一个人的时候,那我怎么办呢?
And what shall I do when papa and you leave me, and I am by myself?
22、我皮夹里有一照片是爷爷、爸爸和我在一起照的。
I have a picture of Grandpa and Dad and me in my wallet.
23、当我爸爸在那件事之后否认她的时候,我知道他总有一天也会对我做同样的事情。
When my dad disowned her after that, I knew he’d do the same to me one day.
24、我有一个多好的爸爸啊!
What a good father I have!
25、不,妈妈,爸爸,我想让他和我们住在一起。
No, Mom and Dad, I want him to live with us.
26、我把它拿给爸爸看。
I showed it to Papa.
27、爸爸,为什麽他们必须离开我们?
Daddy, why do they have to leave?
28、为什么我们这些孩子该是爸爸整个的生活呢?
My father. Why should we children be his whole life?
29、爸爸是那么太虚弱,他昏倒了。
Father was so weak that he fainted.
看过爸爸英语翻译
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导语:《爸爸去哪儿》英文版歌曲由第六大街音乐工作室成员代芙妮填词, 阿摩司重新编曲制作并演唱。
Twinkle, twinkle, little star,
How I wonder what you are.
See my daddy he looks so cool
Life with papa likes magic book
Lovely father cooks tasty food
Teaching me everything to do
Baby as you come ,my life becomes full
You make me alright when I'm feeling blue
Connecting our home in a loving loop
Everything we are going through
Papa, papa, when shall we travel far?
Taking my telescope to see the star
Baby, baby, taking the map you drew
Follow me do as I do
I must be so strong to be your papa
I learn to do well from the very start
As time goes by you gradually grow up
Baby you are always my love
Papa, papa, when shall we travel far?
Taking my telescope to see the star
Baby, baby, taking the map you drew
Follow me do as I do
Funny papa runs very fast
You are mommy's and my superstar
You know why I love that cookie jar
You're the best man always in my heart
Papa , papa, when shall we travel far?
Taking my telescope to see the star
Baby, baby, taking the map you drew
Follow me do as I do
quduwenala
Papa, papa, when shall we travel far?
Taking my telescope to see the star
Baby, baby, taking the map you drew
Follow me do as I do
Papa , papa, when shall we travel far?
I won't be afraid when sky's getting dark
Baby, baby, you really did so great
You are forever my sweet!
Twinkle, twinkle, little star,
How I wonder what you are.
Twinkle, twinkle, little star,
How I wonder what you are.
词 吴梦知 叶圣涛
曲 叶圣涛
编曲 吕绍淳
制作人叶圣涛
吉他 倪芳来
Intro
Kimi : 爸爸 你会不会唱《小星星》啊?
林志颖 : 不会啊...
Kimi : 那我教你哦?
林志颖 : 好啊!
Kimi : Twinkle twinkle little star
How i wonder what you are
林志颖 : 你有跑调哦!
林志颖&Kimi :(一起笑)
A1
张悦轩 : 我的家里 有个人很酷
郭子睿 : 三头六臂 刀枪不入
王诗龄 : 他的手掌 也有一点粗
轩&睿&龄 : 牵着我学 会了走路
A2
郭 涛 : 谢谢你光顾 我的小怪物
张 亮 : 你是我写过 最美的情书
王岳伦 : 钮扣住一个 家的幸福
张&郭&王 : 爱着你呀 风雨无阻
B1
郭子睿&王诗龄&张悦轩 : 老爸 老爸 我们去哪里呀
有我在就天不怕地不怕
郭 涛&王岳伦&张 亮 : 宝贝 宝贝 我是你的大树
一生陪你看日出
A3
郭 涛 : 这是第一次 当你的老爸
张 亮 : 我们的心情 都有点复杂
王岳伦 : 你拼命发芽 我白了头发
张&郭&王 : 一起写下 一撇一捺
B2
郭子睿&王诗龄&张悦轩 : 老爸 老爸 我们去哪里呀
有我在就天不怕地不怕
郭 涛&王岳伦&张 亮 : 宝贝 宝贝 我是你的大树
一生陪你看日出
RAP 孩子
郭子睿 : 我的老爸 是个神话 (郭 涛:当然咯!)
王诗龄 : 搞定老妈 绝代风华 (王岳伦:哈哈!)
张悦轩 : 就算 有天你 掉光了牙 (张 亮:哎呦!)
睿&龄&轩: 我也可以 带你去 火辣辣 (郭&王&张:耶!)
B3
郭子睿&王诗龄&张悦轩 : 老爸 老爸 我们去哪里呀
有我在就天不怕地不怕
郭 涛&王岳伦&张 亮 : 宝贝 宝贝 我是你的大树
一生陪你看日
众 : 啦啦 啦啦 啦啦 啦
B4
郭子睿&王诗龄&张悦轩 : 老爸 老爸 我们去哪里呀
有我在就天不怕地不怕
郭 涛&王岳伦&张 亮 : 宝贝 宝贝 我是你的大树
一生陪你看日出
B5
郭子睿&王诗龄&张悦轩 :老爸 老爸 我们去哪里呀
你就是我的天大和地大
郭 涛&王岳伦&张 亮 :宝贝 宝贝 时间的手一挥
你是永远的珍贵
B6
大合唱 : 啦啦啦啦......
Ending
林志颖 : 一闪一闪亮晶晶
漫天都是小星星
林志颖&Kimi : Twinkle twinkle little star
How i wonder
林志颖 : 你又跑调咯!
林志颖&Kimi :(一起笑)
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《欢乐颂》是在1785年由德国诗人席勒所写的诗歌, 贝多芬为之谱曲,今天读文网小编为大家带来《欢乐颂》英文版歌词,希望大家喜欢!
That She Would Dishevel Her Hair
请她让她的金发散乱
Amarantba, sweet and fair,
美丽可爱的阿玛莲莎,
Ah, braid no more that shining hair:
别再编你光亮的金发吧!
As my curious hand or eye
既然我好奇的手和眼
Hovering round thee, let it 11y!
围着你打转,请任其飘散!
Let it fly as unconfined
任其无拘无束地飘扬,
As its calm ravisher the wind?
像被其迷住的和风那样;
Who hath left his darling East
它已离开心爱的东面,
To wanton o'er that spicy nest.
来这香喷喷的窝上游玩。
Every tress must be contest,
每绺金发须展现出来,
But neatly tangled at the best;
但是得绝美地绞在一块;
Like a clue of golden thread
就像金色的线一大团,
Most excellently revelled.
虽然有点乱却妙得非凡‘
Do not, then,wind up that light
所以,可别用缎带束起
In ribands, and o'ercloud in night,
那光明笼进夜的乌云里,
Like the Sun in's early ray;
就像凌晨太阳的光线;
But shake your head, and scatter day!
请把头一甩,撒出个白天!
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你知道爸爸爱你的英语怎么读吗?一起来学习一下吧!
1. Beneath it, scrawled in barely legible handwriting was " Love, Dad ".
再下面, 潦草地写着几个几乎从不出的字: “ 爱你, 爸爸 ”.
2. You know how much I love you daddyif you don't mind.
你知道我有多爱你,爸爸,如果你不介意.
3. I love you, Dad, Kitty said.
“我爱你, 爸爸, ”基蒂说道.
4. Daddy, mummy, I love you.
(爸爸, 妈妈, 我爱你. )
5. Daughter : Bye, daddy. I love you!
爸爸, 再见! 我爱你!
6. And they all loved you more. Samuel, Father, and my -- even my own wife.
但是他们都更爱你, 三弟, 爸爸, 甚至于 我自己的妻子.
7. Rob: Bye, Abby. We'll see you in the morning. Daddy and Mommy love you!
罗博: 再见, 阿比. 我们早上再见. 爸爸和妈妈都爱你!
8. Dad, your apple pie is my favorite dessert.
爸爸你做的苹果派是我最爱吃的甜点.
9. But you and ask them if they love their mommy and daddy.
但是你可以去问问看他们是否爱他们的爸爸和妈妈.
10. Thoreau is your dad's most favorite.
梭罗是你的爸爸心中的最爱.
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你知道爸爸的英语怎么读吗?一起来学习一下吧!
1. Lucy had strung a banner across the wall saying "Welcome Home Daddy".
露西在墙上挂了一条横幅,上面写着“欢迎爸爸回家”。
2. Daddy called and asked me to drop by his office.
爸爸打来电话让我去他办公室一趟。
3. There's always tons of scrap paper in Dad's office.
爸爸的办公室里总有大量的废纸。
4. "They play classic rock'n"roll,' states her boyfriend, "My dad digs them too."
“他们演奏经典摇滚乐,”她的男朋友说道,“我爸爸也喜欢他们。”
5. My father would occasionally go to his Masonic lodge.
我爸爸偶尔会到他的共济会分会那里去。
6. They hit it off straight away, Daddy and Walter.
爸爸和沃尔特很快就一见如故。
7. "Daddy! I came second in history" — "Well done, sweetheart!"
“爸爸!我的历史得了第二名。”——“考得好,亲爱的!”
8. Philip paced the floor, a typically nervous expectant father.
菲利普在地板上踱来踱去,一副典型的神经紧张的准爸爸形象。
9. Was your daddy heartbroken when they got a divorce?
他们离婚时你爸爸是不是很伤心?
10. Dad spoils me. He loves me. He sticks up for me.
爸爸很宠我,很爱我。他总是护着我。
11. I looked at Pop and he had big tears in his eyes.
我看着爸爸,他眼睛里泪光盈盈。
12. My father would go nuts if he saw bruises on me.
如果我爸爸看到我脸上有伤痕,他会气疯的。
13. Oh, please, Dad, just this once don't be cheap.
哦,求求你,爸爸,就这一回,别抠门儿了。
14. Father's flat in Paris wasn't nearly as grand as this.
爸爸在法国的公寓远不如这处宽敞。
15. "Dad?" — "What?" — "Can I have the car tonight?"
“爸爸?”——“什么事?”——“我今晚能用车吗?”
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爸爸,对父亲的一种称呼,多用于口语,现代人大多数是叫爸爸。下面读文网小编为大家带来爸爸的英文说法及关于父亲的英文阅读,供大家参考学习。
Dear Dad,
亲爱的爸爸,
Today I was at the shopping mall and I spent a lot of time reading the Father’s Day cards. They all had a special message that in some way or another reflected how I feel about you. Yet as I selected and read, and selected and read again, it occurred to me that not a single card said what I really want to say to you.
今天我在商场花了很长时间阅读那些写满父亲节寄语的卡片。那些卡片上面的文字很特别,也或多或少地表达出了我对您的感受。但当我反复挑选阅读时,我发现没有一张卡片能明确表达我想对您说的话。
You’ll soon be 84 years old, Dad, and you and I will have had 55 Father’s Days together. I haven’t always been with you on Father’s Day nor have I been with you for all of your birthdays. It wasn’t because I didn’t want to be with you. I’ve always been with you in my heart but sometimes life gets in the way.
爸爸,您很快就84岁了,并且我和您将共度第55个父亲节。无论父亲节还是您的生日,我并非总是陪在您身边。而这并不是因为我不想陪伴您。我的心一直在您身畔,可奈何人生世事变幻。
You know, Dad, there was a time when we were not only separated by the generation gap but completely polarized by it. You stood on one side of the Great Divide and I on the other, father and daughter split apart by age and experience, opinions, hairstyles, cosmetics, clothing, curfews, music, and boys.
爸爸,您知道的,有段时间我们完全被时代代沟阻隔。您站在沟壑一边,而我在另一边。父女生生被年龄、经验、意见、发式、化妆、服饰、晚归、音乐和男友等因素分开。
The Father-Daughter Duel of ’54 shifted into high gear when you taught me to drive the old Dodge and I decided I would drive the ‘54 Chevy whether you liked it or not. The police officer who escorted me home after you reported the Chevy stolen late one evening was too young to understand father-daughter politics and too old to have much tolerance for a snotty 16 year old. You were so decent about it, Dad, and I think that was probably what made it the worst night of my life.
那时,您教我开那部道奇旧车,可我却不顾您是否同意执意要开那辆雪佛兰54,也由此,我们的争执开始白热化。您报警说雪佛兰车被盗的那晚,护送我回家的警察到家太年轻,根本不懂我们父女俩之间的政治斗争,可他也不小了,竟然对一个16岁的流鼻涕的小孩没有足够耐心。爸爸,您对这件事处理得很体面,但我想那可能是我一生中最糟糕的一个夜晚吧。
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《安妮日记》是安妮·弗兰克遇难前两年藏身密室时写下的生活和情感的记录。今天读文网小编为大家带来安妮日记英文版摘抄,欢迎大家阅读!
MONDAY, JUNE 15, 1942
I had my birthday party on Sunday afternoon. The Rin Tin Tin movie was a big hit with my classmates. I got two brooches, a bookmark and two books. I'll start by saying a few things about my school and my class, beginning with the students.
Betty Bloemendaal looks kind of poor, and I think she probably is. She lives on some obscure street in West Amsterdam, and none of us know where it is. She does very well at school, but that's because she works so hard, not because she's so smart. She's pretty quiet.
Jacqueline van Maarsen is supposedly my best friend, but I've never had a real friend. At first I thought Jacque would be one, but I was badly mistaken.
D.Q.* [* Initials have been assigned at random to those persons who prefer to remain anonymous.] is a very nervous girl who's always forgetting things, so the teachers keep assigning her extra homework as punishment. She's very kind, especially to G.Z.
E.S. talks so much it isn't funny. She's always touching your hair or fiddling with your buttons when she asks you something. They say she can't stand me, but I don't care, since I don't like her much either.
Henny Mets is a nice girl with a cheerful disposition, except that she talks in a loud voice and is really childish when we're playing outdoors. Unfortunately, Henny has a girlfriend named Beppy who's a bad influence on her because she's dirty and vulgar.
J.R. - I could write a whole book about her. J. is a detestable, sneaky, stuck-up, two-faced gossip who thinks she's so grown-up. She's really got Jacque under her spell, and that's a shame. J. is easily offended, bursts into tears at the slightest thing and, to top it all off, is a terrible show-off. Miss J. always has to be right. She's very rich, and has a closet full of the most adorable dresses that are way too old for her. She thinks she's gorgeous, but she's not. J. and I can't stand each other.
Ilse Wagner is a nice girl with a cheerful disposition, but she's extremely fInicky and can spend hours moaning and groaning about something. Ilse likes me a lot. She's very smart, but lazy.
Hanneli Goslar, or Lies as she's called at school, is a bit on the strange side. She's usually shy -- outspoken at horne, but reserved around other people. She blabs whatever you tell her to her mother. But she says what she thinks, and lately I've corne to appreciate her a great deal.
Nannie van Praag-Sigaar is small, funny and sensible. I think she's nice. She's pretty smart. There isn't much else you can say about Nannie. Eefje de Jong is, in my opinion, terrific. Though she's only twelve, she's quite the lady. She acts as if I were a baby. She's also very helpful, and I like her.
G.Z. is the prettiest girl in our class. She has a nice face, but is kind of dumb. I think they're going to hold her back a year, but of course I haven't told her that.
COMMENT ADDED BY ANNE AT A LATER DATE: To my areat surprise, G.Z. wasn't held back a year after all.
And sitting next to G.Z. is the last of us twelve girls, me.
There's a lot to be said about the boys, or maybe not so much after all.
Maurice Coster is one of my many admirers, but pretty much of a pest. Sallie Springer has a filthy mind, and rumor has it that he's gone all the way. Still, I think he's terrific, because he's very funny.
Emiel Bonewit is G.Z.'s admirer, but she doesn't care. He's pretty boring. Rob Cohen used to be in love with me too, but I can't stand him anymore. He's an obnoxious, two-faced, lying, sniveling little goof who has an awfully high opinion of himself.
Max van de Velde is a farm boy from Medemblik, but eminently suitable, as Margot would say.
Herman Koopman also has a filthy mind, just like Jopie de Beer, who's a terrible flirt and absolutely girl-crazy.
Leo Blom is Jopie de Beer's best friend, but has been ruined by his dirty mind.
Albert de Mesquita came from the Montessori School and skipped a grade. He's really smart.
Leo Slager came from the same school, but isn't as smart.
Ru Stoppelmon is a short, goofy boy from Almelo who transferred to this school in the middle of the year.
C.N. does whatever he's not supposed to.
Jacques Kocernoot sits behind us, next to C., and we (G. and I) laugh ourselves silly.
Harry Schaap is the most decent boy in our class. He's nice.
Werner Joseph is nice too, but all the changes taking place lately have made him too quiet, so he seems boring. Sam Salomon is one of those tough guys from across the tracks. A real brat. (Admirer!)
Appie Riem is pretty Orthodox, but a brat too.
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《假如给我三天光明》是作者海伦·凯勒的自传,被誉为“世界文学史上无与伦比的杰作”。她以自己的经历告诫人们应珍惜生命,珍惜造物主赐予的一切。如果你想欣赏一下这篇经典名作的话,那么就不要错过下面读文网小编为大家带来假如给我三天光明完整英文版及中文翻译,希望大家喜欢!
All of us have read thrilling stories in which the hero had only a limited and specified time to live. Sometimes it was as long as a year; sometimes as short as twenty-four hours.
But always we were interested in discovering just how the doomed man chose to spend his last days or his last hours. I speak, of course, of free men who have a choice, not condemned criminals whose sphere of activities is strictly delimited.
Such stories set us thinking, wondering what we should do under similar circumstances. What events, what experiences, what associations should we crowd into those last hours as mortal beings? What happiness should we find in reviewing the past, what regrets?
Sometimes I have thought it would be an excellent rule to live each day as if we should die tomorrow. Such an attitude would emphasize sharply the values of life. We should live each day with a gentleness, a vigor, and a keenness of appreciation which are often lost when time stretches before us in the constant panorama of more days and months and years to come. There are those, of course, who would adopt the Epicurean motto of "Eat, drink, and be merry," but most people would be chastened by the certainty of impending death.
In stories the doomed hero is usually saved at the last minute by some stroke of fortune, but almost always his sense of values is changed. he becomes more appreciative of the meaning of life and its permanent spiritual values. It ahs often been noted that those who live, or have lived, in the shadow of death bring a mellow sweetness to everything they do.
Most of us, however, take life for granted. We know that one day we must die, but usually we picture that day as far in the future. When we are in buoyant health, death is all but unimaginable. We seldom think of it. The days stretch out in an endless vista. So we go about our petty tasks, hardly aware of our listless attitude toward life.
The same lethargy, I am afraid, characterizes the use of all our faculties and senses. Only the deaf appreciate hearing, only the blind realize the manifold blessings that lie in sight. Particularly does this observation apply to those who have lost sight and hearing in adult life. But those who have never suffered impairment of sight or hearing seldom make the fullest use of these blessed faculties. Their eyes and ears take in all sights and sounds hazily, without concentration and with little appreciation. It is the same old story of not being grateful for what we have until we lose it, of not being conscious of health until we are ill.
I have often thought it would be a blessing if each human being were stricken blind and deaf for a few days at some time during his early adult life. Darkness would make him more appreciative of sight; silence would tech him the joys of sound.
Now and them I have tested my seeing friends to discover what they see. Recently I was visited by a very good friends who hadjust returned from a long walk in the woods, and I asked her what she had observed.. "Nothing in particular, " she replied. I might have been incredulous had I not been accustomed to such reposes, for long ago I became convinced that the seeing see little.
How was it possible, I asked myself, to walk for an hour through the woods and see nothing worthy of note? I who cannot see find hundreds of things to interest me through mere touch. I feel the delicate symmetry of a leaf. I pass my hands lovingly about the smooth skin of a silver birch, or the rough, shaggy bark of a pine. In the spring I touch the branches of trees hopefully in search of a bud the first sign of awakening Nature after her winter's sleep. I feel the delightful, velvety texture of a flower, and discover its remarkable convolutions; and something of the miracle of Nature is revealed to me. Occasionally, if I am very fortunate, I place my hand gently on a small tree and feel the happy quiver of a bird in full song. I am delighted to have the cool waters of a brook rush thought my open finger. To me a lush carpet of pine needles or spongy grass is more welcome than the most luxurious Persian rug. To me the page ant of seasons is a thrilling and unending drama, the action of which streams through my finger tips.
At times my heart cries out with longing to see all these things. If I can get so much pleasure from mere touch, how much more beauty must be revealed by sight. Yet, those who have eyes apparently see little. the panorama of color and action which fills the world is taken for granted. It is human, perhaps, to appreciate little that which we have and to long for that which we have not, but it is a great pity that in the world of light the gift of sight is used only as a mere conveniences rather than as a means of adding fullness to life.
If I were the president of a university I should establish a compulsory course in "How to Use Your Eyes". The professor would try to show his pupils how they could add joy to their lives by really seeing what passes unnoticed before them. He would try to awake their dormant and sluggish faculties.
Perhaps I can best illustrate by imagining what I should most like to see if I were given the use of my eyes, say, for just three days. And while I am imagining, suppose you, too, set your mind to work on the problem of how you would use your own eyes if you had only three more days to see. If with the on-coming darkness of the third night you knew that the sun would never rise for you again, how would you spend those three precious intervening days? What would you most want to let your gaze rest upon?
I, naturally, should want most to see the things which have become dear to me through my years of darkness. You, too, would want to let your eyes rest on the things that have become dear to you so that you could take the memory of them with you into the night that loomed before you.
If, by some miracle, I were granted three seeing days, to be followed by a relapse into darkness, I should divide the period into three parts.
The First Day
On the first day, I should want to see the people whose kindness and gentleness and companionship have made my life worth living. First I should like to gaze long upon the face of my dear teacher, Mrs. Anne Sullivan Macy, who came to me when I was a child and opened the outer world to me. I should want not merely to see the outline of her face, so that I could cherish it in my memory, but to study that face and find in it the living evidence of the sympathetic tenderness and patience with which she accomplished the difficult task of my education. I should like to see in her eyes that strength of character which has enabled her to stand firm in the face of difficulties, and that compassion for all humanity which she has revealed to me so often.
I do not know what it is to see into the heart of a friend through that "Window of the soul", the eye. I can only "see" through my finger tips the outline of a face. I can detect laughter, sorrow, and many other obvious emotions. I know my friends from the feel of their faces. But I cannot really picture their personalities by touch. I know their personalities, of course, through other means, through the thoughts they express to me, through whatever of their actions are revealed to me. But I am denied that deeper understanding of them which I am sure would come through sight of them, through watching their reactions to various expressed thoughts and circumstances, through noting the immediate and fleeting reactions of their eyes and countenance.
Friends who are near to me I know well, because through the months and years they reveal themselves to me in all their phases; but of casual friends I have only an incomplete impression, an impression gained from a handclasp, from spoken words which I take from their lips with my finger tips, or which they tap into the palm of my hand.
How much easier, how much more satisfying it is for you who can see to grasp quickly the essential qualities of another person by watching the subtleties of expression, the quiver of a muscle, the flutter of a hand. But does it ever occur to you to use your sight to see into the inner nature of a friends or acquaintance/ Do not most of you seeing people grasp casually the outward features of a face and let it go at that?
For instance can you describe accurately the faces of five good friends? some of you can, but many cannot. As an experiment, I have questioned husbands of long standing about the color of their wives' eyes, and often they express embarrassed confusion and admit that they do not know. And, incidentally, it is a chronic complaint of wives that their husbandsdo not notice new dresses, new hats, and changes in household arrangements.
The eyes of seeing persons soon become accustomed to the routine of their surroundings, and they actually see only the startling and spectacular. But even in viewing the most spectacular sights the eyes are lazy. Court records reveal every day how inaccurately "eyewitnesses" see. A given event will be "seen" in several different ways by as many witnesses. Some see more than others, but few see everything that is within the range of their vision.
Oh, the things that I should see if I had the power of sight for just three days!
The first day would be a busy one.
I should call to me all my dear friends and look long into their faces, imprinting upon my mind the outward evidences of the beauty that is within them. I should let my eyes rest, too, on the face of a baby, so that I could catch a vision of the eager, innocent beauty which precedes the individual's consciousness of the conflicts which life develops.
And I should like to look into the loyal, trusting eyes of my dogs - the grave, canny little Scottie, Darkie, and the stalwart, understanding Great Dane, Helga, whose warm, tender , and playful friendships are so comforting to me.
On that busy first day I should also view the small simple things of my home. I want to see the warm colors in the rugs under my feet, the pictures on the walls, the intimate trifles that transform a house into home. My eyes would rest respectfully on the books in raised type which I have read, but they would be more eagerly interested in the printed books which seeing people can read, for during the long night of my life the books I have read and those which have been read to me have built themselves into a great shining lighthouse, revealing to me the deepest channels of human life and the human spirit.
In the afternoon of that first seeing day. I should take a long walk in the woods and intoxicate my eyes on the beauties of the world of Nature trying desperately to absorb in a few hours the vast splendor which is constantly unfolding itself to those who can see. On the way home from my woodland jaunt my path would lie near a farm so that I might see the patient horses ploughing in the field 9perhaps I should see only a tractor!) and the serene content of men living close to the soil. And I should pray for the glory of a colorful sunset.
When dusk had fallen, I should experience the double delight of being able to see by artificial light which the genius of man has created to extend the power of his sight when Nature decrees darkness.
In the night of that first day of sight, I should not be able to sleep, so full would be my mind of the memories of the day.
The Second Day
The next day - the second day of sight - I should arisewith the dawn and see the thrilling miracle by which night is transformed into day. I should behold with awe the magnificent panorama of light with which the sun awakens the sleeping earth.
This day I should devote to a hasty glimpse of the world, past and present. I should want to see the pageant of man's progress, the kaleidoscope of the ages. How can so much be compressed into one day? Through the museums, of course. Often I have visited the New York Museum of Natural History to touch with my hands many of the objects there exhibited, butI have longed to see with my eyes the condensed history of the earth and its inhabitants displayed there - animals and the races of men pictured in their native environment; gigantic carcasses of dinosaurs and mastodons which roamed the earth long before man appeared, with his tiny stature and powerful brain, to conquer the animal kingdom; realistic presentations of the processes of development in animals, in man, and in the implements which man has used to fashion for himself a secure home on this planet; and a thousand and one other aspects of natural history.
I wonder how many readers of this article have viewed this panorama of the face of living things as pictured in that inspiring museum. Many, of course, have not had the opportunity, but I am sure that many who have had the opportunity have not made use of it. there, indeed, is a place to use your eyes. You who see can spend many fruitful days there, but I with my imaginary three days of sight, could only take a hasty glimpse, and pass on.
My next stop would be the Metropolitan Museum of Art, for just as the Museum of Natural History reveals the material aspects of the world, so does the Metropolitan show the myriad facets of the human spirit. Throughout the history of humanity the urge to artistic expression has been almost as powerful as the urge for food, shelter, and procreation. And here , in the vast chambers of the Metropolitan Museum, is unfolded before me the spirit of Egypt, Greece, and Rome, as expressed in their art. I know well through my hands the sculptured gods and goddesses of the ancient Nile-land. I have felt copies of Parthenon friezes, and I have sensed the rhythmic beauty of charging Athenian warriors. Apollos and Venuses and the Winged Victory of Samothrace are friends of my finger tips. The gnarled, bearded features of Homer are dear to me, for he, too, knew blindness.
My hands have lingered upon the living marble of roman sculpture as well as that of later generations. I have passed my hands over a plaster cast of Michelangelo's inspiring and heroic Moses; I have sensed the power of Rodin; I have been awed by the devoted spirit of Gothic wood carving. These arts which can be touched have meaning for me, but even they were meant to be
seen rather than felt, and I can only guess at the beauty which remains hidden from me. I can admire the simple lines of a Greek vase, but its figured decorations are lost to me.
So on this, my second day of sight, I should try to probe into the soul of man through this art. The things I knew through touch I should now see. More splendid still, the whole magnificent world of painting would be opened to me, from the Italian Primitives, with their serene religious devotion, to the Moderns, with their feverish visions. I should look deep into the canvases of Raphael, Leonardo da Vinci, Titian, Rembrandt. I should want to feast my eyes upon the warm colors of Veronese, study the mysteries of E1 Greco, catch a new vision of Nature from Corot. Oh, there is so much rich meaning and beauty in the art of the ages for you who have eyes to see!
Upon my short visit to this temple of art I should not be able to review a fraction of that great world of art which is open to you. I should be able to get only a superficial impression. Artists tell me that fordeep and true appreciation of art one must educated the eye. One must learn through experience to weigh the merits of line, of composition, of form and color. If I had eyes, how happily would I embark upon so fascinating a study! Yet I am told that, to many of you who have eyes to see, the world of art is a dark night,unexplored and unilluminated.
It would be with extreme reluctance that I should leave the Metropolitan Museum, which contains the key to beauty -- a beauty so neglected. Seeing persons, however, do not need a metropolitan to find this key to beauty. The same key lies waiting in smaller museums, and in books on the shelves of even small libraries. But naturally, in my limited time of imaginary sight, I should choose the place where the key unlocks the greatest treasures in the shortest time.
The evening of my second day of sight I should spend at a theatre or at the movies. Even now I often attend theatrical performances of all sorts, but the action of the play must be spelled into my hand by a companion. But how I should like to see with my own eyes the fascinating figure of Hamlet, or the gusty Falstaff amid colorful Elizabethan trappings! How I should like to follow each movement of the graceful Hamlet, each strut of the hearty Falstaff! And since I could see only one play, I should be confronted by a many-horned dilemma, for there are scores of plays I should want to see. You who have eyes can see any you like. How many of you, I wonder, when you gaze at a play, a movie, or any spectacle, realize and give thanks for the miracle of sight which enables you to enjoy its color , grace, and movement?
I cannot enjoy the beauty of rhythmic movement except in a sphere restricted to the touch of my hands. I can vision only dimly the grace of a Pavlowa, although I know something of the delight of rhythm, for often I can sense the beat of music as it vibrates through the floor. I can well imagine that cadenced motion must be one of the most pleasing sights in the world. I have been able to gather something of this by tracing with my fingers the lines in sculptured marble; if this static grace can be so lovely, how much more acute must be the thrill of seeing grace in motion.
One of my dearest memories is of the time when Joseph Jefferson allowed me to touch his face and hands as he went through some of the gestures and speeches of his beloved Rip Van Winkle. I was able to catch thus a meager glimpse of the world of drama, and I shall never forget the delight of that moment. But, oh, how much I must miss, and how much pleasure you seeing ones can derive from watching and hearing the interplay of speech and movement in the unfolding of a dramatic performance! If I could see only one play, I should know how to picture in mymind the action of a hundred plays which I have read or had transferred to me through the medium of the manual alphabet.
So, through the evening of my second imaginary day of sight, the great fingers of dramatic literature would crowd sleep from my eyes.
The Third Day
The following morning, I should again greet the dawn, anxious to discover new delights, for I am sure that, for those who have eyes which really see, the dawn of each day must be a perpetually new revelation of beauty.
This, according to the terms of my imagined miracle, is to be my third and last day of sight. I shall have no time to waste in regrets or longings; there is too much to see. The first day I devoted to my friends, animate and inanimate. The second revealed to me the history of man and Nature. Today I shall spend in the workaday world of the present, amid the haunts of men going about the business of life. And where can one find so many activities and conditions of men as in New York? So the city becomes my destination.
I start from my home in the quiet little suburb of Forest Hills, Long Island. Here , surrounded by green lawns, trees, and flowers, are neat little houses, happy with the voices and movements of wives and children, havens of peaceful rest for men who toil in the city. I drive across the lacy structure of steel which spans the East River, and I get a new and startling vision of the power and ingenuity of the mind of man. Busy boasts chug and scurry about the river - racy speed boat, stolid, snorting tugs. If I had long days of sight ahead, I should spend many of them watching the delightful activity upon the river.
I look ahead, and before me rise the fantastic towers of New York, a city that seems to have stepped from the pages of a fairy story. What an awe-inspiring sight, these glittering spires. these vast banks of stone and steel-structures such as the gods might build for themselves! This animated picture is a part of the lives of millions of people every day.
How many, I wonder, give it so much as a seconds glance? Very few, I fear, Their eyes are blind to this magnificent sight because it is so familiar to them.
I hurry to the top of one of those gigantic structures, the Empire State Building, for there , a short time ago, I "saw" the city below through the eyes of my secretary. I am anxious to compare my fancy with reality. I am sure I should not be disappointed in the panorama spread out before me, for to me it would be a vision of another world.
Now I begin my rounds of the city. First, I stand at a busy corner, merely looking at people, trying by sight of them to understand something of their live. I see smiles, and I am happy. I see serious determination, and I am proud, I see suffering, and I am compassionate.
I stroll down Fifth Avenue. I throw my eyes out of focus, so that I see no particular object but only a seething kaleidoscope of colors. I am certain that the colors of women's dresses moving in a throng must be a gorgeous spectacle of which I should never tire. But perhaps if I had sight I should be like most other women -- too interested in styles and the cut of individual dresses to give much attention to the splendor of color in the mass. And I am convinced, too, that I should become an inveterate window shopper, for it must be a delight to the eye to view the myriad articles of beauty on display.
From Fifth Avenue I make a tour of the city-to Park Avenue, to the slums, to factories, to parks where children play. I take a stay-at-home trip abroad by visiting the foreign quarters. Always my eyes are open wide to all the sights of both happiness and misery so that I may probe deep and add to my understanding of how people work and live. my heart is full of the images of people and things. My eye passes lightly over no single trifle; it strives to touch and hold closely each thing its gaze rests upon. Some sights are pleasant, filling the heart with happiness; but some are miserably pathetic. To these latter I do not shut my eyes, for they, too, are part of life. To close the eye on them is to close the heart and mind.
My third day of sight is drawing to an end. Perhaps there are many serious pursuits to which I should devote the few remaining hours, but I am afraid that on the evening of that last day I should again run away to the theater, to a hilariously funny play, so that I might appreciate the overtones of comedy in the human spirit.
At midnight my temporary respite from blindness would cease, and permanent night would close in on me again. Naturally in those three short days I should not have seen all I wanted to see. Only when darkness had again descended upon me should I realize how much I had left unseen. But my mind would be so crowded with glorious memories that I should have little time for regrets. Thereafter the touch of every object would bring a glowing memory of how that object looked.
Perhaps this short outline of how I should spend three days of sight does not agree with the program you would set for yourself if you knew that you were about to be stricken blind. I am, however, sure that if you actually faced that fate your eyes would open to things you had never seen before, storing up memories for the long night ahead. You would use your eyes as never before. Everything you saw would become dear to you. Your eyes would touch and embrace every object that came within your range of vision. Then, at last, you would really see, and a new world of beauty would open itself before you.
I who am blind can give one hint to those who see -- one admonition to those who would make full use of the gift of sight: Use your eyes as if tomorrow you would be stricken blind.
And the same method can be applied to the other senses. Hear the music of voices, the song of a bird, the mighty strains of an orchestra, as if you would be stricken deaf tomorrow.
Touch each object you want to touch as if tomorrow your tactile sense would fail. Smell the perfume of flowers, taste with relish each morsel, as if tomorrow you could never s
mell and taste again. Make the most of every sense: glory in all the facets of pleasure and beauty which the world reveals to you through the several means of contact which Nature provides. But of all the senses, I am sure that sight must be the most delightful.#p#副标题#e#
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小红帽是德国童话作家格林的童话《小红帽》中的人物,故事版本多达一百多个,是如今家户喻晓的经典童话故事,成了不少小朋友最喜欢的睡前故事之一。下面读文网小编为大家带来小红帽童话故事双语版,欢迎大家阅读。
Once upon a time there was a sweet little girl. Everyone who saw her liked her, but most of all her grandmother, who did not know what to give the child next. Once she gave her a little cap made of red velvet. Because it suited her so well, and she wanted to wear it all the time, she came to be known as Little Red Cap.
One day her mother said to her, "Come Little Red Cap. Here is a piece of cake and a bottle of wine. Take them to your grandmother. She is sick and weak, and they will do her well. Mind your manners and give her my greetings. Behave yourself on the way, and do not leave the path, or you might fall down and break the glass, and then there will be nothing for your grandmother. And when you enter her parlor, don't forget to say 'Good morning,' and don't peer into all the corners first."
"I'll do everything just right," said Little Red Cap, shaking her mother's hand.
The grandmother lived out in the woods, a half hour from the village. When Little Red Cap entered the woods a wolf came up to her. She did not know what a wicked animal he was, and was not afraid of him.
"Good day to you, Little Red Cap."
"Thank you, wolf."
"Where are you going so early, Little Red Cap?"
"To grandmother's."
"And what are you carrying under your apron?"
"Grandmother is sick and weak, and I am taking her some cake and wine. We baked yesterday, and they should be good for her and give her strength."
"Little Red Cap, just where does your grandmother live?"
"Her house is good quarter hour from here in the woods, under the three large oak trees. There's a hedge of hazel bushes there. You must know the place," said Little Red Cap.
The wolf thought to himself, "Now that sweet young thing is a tasty bite for me. She will taste even better than the old woman. You must be sly, and you can catch them both."
He walked along a little while with Little Red Cap, then he said, "Little Red Cap, just look at the beautiful flowers that are all around us. Why don't you go and take a look? And I don't believe you can hear how beautifully the birds are singing. You are walking along as though you were on your way to school. It is very beautiful in the woods."
Little Red Cap opened her eyes and when she saw the sunbeams dancing to and fro through the trees and how the ground was covered with beautiful flowers, she thought, "If a take a fresh bouquet to grandmother, she will be very pleased. Anyway, it is still early, and I'll be home on time." And she ran off the path into the woods looking for flowers. Each time she picked one she thought that she could see an even more beautiful one a little way off, and she ran after it, going further and further into the woods. But the wolf ran straight to the grandmother's house and knocked on the door.
"Who's there?"
"Little Red Cap. I'm bringing you some cake and wine. Open the door."
"Just press the latch," called out the grandmother. "I'm too weak to get up."
The wolf pressed the latch, and the door opened. He stepped inside, went straight to the grandmother's bed, and ate her up. Then he put on her clothes, put her cap on his head, got into her bed, and pulled the curtains shut.
Little Red Cap had run after the flowers. After she had gathered so many that she could not carry any more, she remembered her grandmother, and then continued on her way to her house. She found, to her surprise, that the door was open. She walked into the parlor, and everything looked so strange that she thought, "Oh, my God, why am I so afraid? I usually like it at grandmother's."
She called out, "Good morning!" but received no answer.
Then she went to the bed and pulled back the curtains. Grandmother was lying there with her cap pulled down over her face and looking very strange.
"Oh, grandmother, what big ears you have!"
"All the better to hear you with."
"Oh, grandmother, what big eyes you have!"
"All the better to see you with."
"Oh, grandmother, what big hands you have!"
"All the better to grab you with!"
"Oh, grandmother, what a horribly big mouth you have!"
"All the better to eat you with!"
The wolf had scarcely finished speaking when he jumped from the bed with a single leap and ate up poor Little Red Cap. As soon as the wolf had satisfied his desires, he climbed back into bed, fell asleep, and began to snore very loudly.
A huntsman was just passing by. He thought, "The old woman is snoring so loudly. You had better see if something is wrong with her."
He stepped into the parlor, and when he approached the bed, he saw the wolf lying there. "So here I find you, you old sinner," he said. "I have been hunting for you a long time."
He was about to aim his rifle when it occurred to him that the wolf might have eaten the grandmother, and that she still might be rescued. So instead of shooting, he took a pair of scissors and began to cut open the wolf's belly. After a few cuts he saw the red cap shining through., and after a few more cuts the girl jumped out, crying, "Oh, I was so frightened! It was so dark inside the wolf's body!"
And then the grandmother came out as well, alive but hardly able to breathe. Then Little Red Cap fetched some large stones. She filled the wolf's body with them, and when he woke up and tried to run away, the stones were so heavy that he immediately fell down dead.
The three of them were happy. The huntsman skinned the wolf and went home with the pelt. The grandmother ate the cake and drank the wine that Little Red Cap had brought. And Little Red Cap thought, "As long as I live, I will never leave the path and run off into the woods by myself if mother tells me not to."
They also tell how Little Red Cap was taking some baked things to her grandmother another time, when another wolf spoke to her and wanted her to leave the path. But Little Red Cap took care and went straight to grandmother's. She told her that she had seen the wolf, and that he had wished her a good day, but had stared at her in a wicked manner. "If we hadn't been on a public road, he would have eaten me up," she said.
"Come," said the grandmother. "Let's lock the door, so he can't get in."
Soon afterward the wolf knocked on the door and called out, "Open up, grandmother. It's Little Red Cap, and I'm bringing you some baked things."
They remained silent, and did not open the door. Gray-Head crept around the house several times, and finally jumped onto the roof. He wanted to wait until Little Red Cap went home that evening, then follow her and eat her up in the darkness. But the grandmother saw what he was up to. There was a large stone trough in front of the house.
"Fetch a bucket, Little Red Cap," she said to the child. "Yesterday I cooked some sausage. Carry the water that I boiled them with to the trough." Little Red Cap carried water until the large, large trough was clear full. The smell of sausage arose into the wolf's nose. He sniffed and looked down, stretching his neck so long that he could no longer hold himself, and he began to slide. He slid off the roof, fell into the trough, and drowned. And Little Red Cap returned home happily, and no one harmed her.
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英国的教育体系经过几百年的沿革,相当的完善和复杂,这里就有它的英文版介绍。下面读文网小编为大家带来英国教育体系英文简介,希望对你有所帮助!
英国教育体系总体来说分为三个阶段: 义务教育(Compulsory Education),延续教育(Further Education)和高等教育(Higher Education)。
一、义务教育 (Compulsory Education)
英国的学生从四岁开始接受义务教育,享受全免费的国家福利,学校甚至还提供免费的午餐,所有的家长必须把自己的孩子送到学校读书。小学教育一般持续到11岁,然后进入中学。英国的中学不分初中高中,从中一(Form 1)到中五(Form 5)共五年的时间。
二、延续教育(Further Education)
延续教育是英国教育体系中最有特色也最精彩的部分,它是继小学(Primary)中学(Secondary)教育之后的“第三级教育”(Tertiary)。为进入高等教育或者就业打下基础。也是中国的高中学生留学英国的关键阶段。一般来说接受延续教育的学生介于16和18岁之间。它分为两种体系:学业路线(Academic Route)和职业路线(Vocational Route)。学业路线着重于培养学术研究方面的人才,职业路线则结合社会各层面的职业需要,培养在各种行业中具有专门技能和知识的人才。这两种体系在英国受到同等的重视。
三、高等教育(Higher Education)
顾名思义,高等教育是英国教育体系中的高级阶段,它包括:
本科(Bachelor Degree)
研究生(Master Degree)
博士生(Doctorial Degree)
高级国家文凭(HND-Higher National Diploma)。
高等教育通常都是由大学(University)提供,但许多学院(College)也提供Bachelor和HND课程。
看了英国教育体系英文版介绍这篇文章
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《丑小鸭》是安徒生的经典童话故事之一,写了一只天鹅蛋在鸭群中破壳后,因相貌怪异,让同类鄙弃,历经千辛万苦、重重磨难之后长成了白天鹅。下面读文网小编为大家带来丑小鸭童话故事英文版及翻译,欢迎大家阅读欣赏!
It was so beautiful out on the country, it was summer- the wheat fields were golden, the oats were green, and down among the green meadows the hay was stacked. There the stork minced about on his red legs, clacking away in Egyptian, which was the language his mother had taught him. Round about the field and meadow lands rose vast forests, in which deep lakes lay hidden. Yes, it was indeed lovely out there in the country.
In the midst of the sunshine there stood an old manor house that had a deep moat around it. From the walls of the manor right down to the water's edge great burdock leaves grew, and there were some so tall that little children could stand upright beneath the biggest of them. In this wilderness of leaves, which was as dense as the forests itself, a duck sat on her nest, hatching her ducklings. She was becoming somewhat weary, because sitting is such a dull business and scarcely anyone came to see her. The other ducks would much rather swim in the moat than waddle out and squat under the burdock leaf to gossip with her.
But at last the eggshells began to crack, one after another. "Peep, peep!" said the little things, as they came to life and poked out their heads.
"Quack, quack!" said the duck, and quick as quick can be they all waddled out to have a look at the green world under the leaves. Their mother let them look as much as they pleased, because green is good for the eyes.
"How wide the world is," said all the young ducks, for they certainly had much more room now than they had when they were in their eggshells.
"Do you think this is the whole world?" their mother asked. "Why it extends on and on, clear across to the other side of the garden and right on into the parson's field, though that is further than I have ever been. I do hope you are all hatched," she said as she got up. "No, not quite all. The biggest egg still lies here. How much longer is this going to take? I am really rather tired of it all," she said, but she settled back on her nest.
"Well, how goes it?" asked an old duck who came to pay her a call.
"It takes a long time with that one egg," said the duck on the nest. "It won't crack, but look at the others. They are the cutest little ducklings I've ever seen. They look exactly like their father, the wretch! He hasn't come to see me at all."
"Let's have a look at the egg that won't crack," the old duck said. "It's a turkey egg, and you can take my word for it. I was fooled like that once myself. What trouble and care I had with those turkey children, for I may as well tell you, they are afraid of the water. I simply could not get them into it. I quacked and snapped at them, but it wasn't a bit of use. Let me see the egg. Certainly, it's a turkey egg. Let it lie, and go teach your other children to swim."
"Oh, I'll sit a little longer. I've been at it so long already that I may as well sit here half the summer."
"Suit yourself," said the old duck, and away she waddled.
At last the big egg did crack. "Peep," said the young one, and out he tumbled, but he was so big and ugly.
The duck took a look at him. "That's a frightfully big duckling," she said. "He doesn't look the least like the others. Can he really be a turkey baby? Well, well! I'll soon find out. Into the water he shall go, even if I have to shove him in myself."
Next day the weather was perfectly splendid, and the sun shone down on all the green burdock leaves. The mother duck led her whole family down to the moat. Splash! she took to the water. "Quack, quack," said she, and one duckling after another plunged in. The water went over their heads, but they came up in a flash, and floated to perfection. Their legs worked automatically, and they were all there in the water. Even the big, ugly gray one was swimming along.
"Why, that's no turkey," she said. "See how nicely he uses his legs, and how straight he holds himself. He's my very own son after all, and quite good-looking if you look at him properly. Quack, quack come with me. I'll lead you out into the world and introduce you to the duck yard. But keep close to me so that you won't get stepped on, and watch out for the cat!"
Thus they sallied into the duck yard, where all was in an uproar because two families were fighting over the head of an eel. But the cat got it, after all.
"You see, that's the way of the world." The mother duck licked her bill because she wanted the eel's head for herself. "Stir your legs. Bustle about, and mind that you bend your necks to that old duck over there. She's the noblest of us all, and has Spanish blood in her. That's why she's so fat. See that red rag around her leg? That's a wonderful thing, and the highest distinction a duck can get. It shows that they don't want to lose her, and that she's to have special attention from man and beast. Shake yourselves! Don't turn your toes in. A well-bred duckling turns his toes way out, just as his father and mother do-this way. So then! Now duck your necks and say quack!"
They did as she told them, but the other ducks around them looked on and said right out loud, "See here! Must we have this brood too, just as if there weren't enough of us already? And-fie! what an ugly-looking fellow that duckling is! We won't stand for him." One duck charged up and bit his neck.
"Let him alone," his mother said. "He isn't doing any harm."
"Possibly not," said the duck who bit him, "but he's too big and strange, and therefore he needs a good whacking."
"What nice-looking children you have, Mother," said the old duck with the rag around her leg. "They are all pretty except that one. He didn't come out so well. It's a pity you can't hatch him again."
"That can't be managed, your ladyship," said the mother. "He isn't so handsome, but he's as good as can be, and he swims just as well as the rest, or, I should say, even a little better than they do. I hope his looks will improve with age, and after a while he won't seem so big. He took too long in the egg, and that's why his figure isn't all that it should be." She pinched his neck and preened his feathers. "Moreover, he's a drake, so it won't matter so much. I think he will be quite strong, and I'm sure he will amount to something."
"The other ducklings are pretty enough," said the old duck. "Now make yourselves right at home, and if you find an eel's head you may bring it to me."
So they felt quite at home. But the poor duckling who had been the last one out of his egg, and who looked so ugly, was pecked and pushed about and made fun of by the ducks, and the chickens as well. "He's too big," said they all. The turkey gobbler, who thought himself an emperor because he was born wearing spurs, puffed up like a ship under full sail and bore down upon him, gobbling and gobbling until he was red in the face. The poor duckling did not know where he dared stand or where he dared walk. He was so sad because he was so desperately ugly, and because he was the laughing stock of the whole barnyard.
So it went on the first day, and after that things went from bad to worse. The poor duckling was chased and buffeted about by everyone. Even his own brothers and sisters abused him. "Oh," they would always say, "how we wish the cat would catch you, you ugly thing." And his mother said, "How I do wish you were miles away." The ducks nipped him, and the hens pecked him, and the girl who fed them kicked him with her foot.
So he ran away; and he flew over the fence. The little birds in the bushes darted up in a fright. "That's because I'm so ugly," he thought, and closed his eyes, but he ran on just the same until he reached the great marsh where the wild ducks lived. There he lay all night long, weary and disheartened.
When morning came, the wild ducks flew up to have a look at their new companion. "What sort of creature are you?" they asked, as the duckling turned in all directions, bowing his best to them all. "You are terribly ugly," they told him, "but that's nothing to us so long as you don't marry into our family."
Poor duckling! Marriage certainly had never entered his mind. All he wanted was for them to let him lie among the reeds and drink a little water from the marsh.
There he stayed for two whole days. Then he met two wild geese, or rather wild ganders-for they were males. They had not been out of the shell very long, and that's what made them so sure of themselves.
"Say there, comrade," they said, "you're so ugly that we have taken a fancy to you. Come with us and be a bird of passage. In another marsh near-by, there are some fetching wild geese, all nice young ladies who know how to quack. You are so ugly that you'll completely turn their heads."
Bing! Bang! Shots rang in the air, and these two ganders fell dead among the reeds. The water was red with their blood. Bing! Bang! the shots rang, and as whole flocks of wild geese flew up from the reeds another volley crashed. A great hunt was in progress. The hunters lay under cover all around the marsh, and some even perched on branches of trees that overhung the reeds. Blue smoke rose like clouds from the shade of the trees, and drifted far out over the water.
The bird dogs came splash, splash! through the swamp, bending down the reeds and the rushes on every side. This gave the poor duckling such a fright that he twisted his head about to hide it under his wing. But at that very moment a fearfully big dog appeared right beside him. His tongue lolled out of his mouth and his wicked eyes glared horribly. He opened his wide jaws, flashed his sharp teeth, and - splash, splash - on he went without touching the duckling.
"Thank heavens," he sighed, "I'm so ugly that the dog won't even bother to bite me."
He lay perfectly still, while the bullets splattered through the reeds as shot after shot was fired. It was late in the day before things became quiet again, and even then the poor duckling didn't dare move. He waited several hours before he ventured to look about him, and then he scurried away from that marsh as fast as he could go. He ran across field and meadows. The wind was so strong that he had to struggle to keep his feet.
Late in the evening he came to a miserable little hovel, so ramshackle that it did not know which way to tumble, and that was the only reason it still stood. The wind struck the duckling so hard that the poor little fellow had to sit down on his tail to withstand it. The storm blew stronger and stronger, but the duckling noticed that one hinge had come loose and the door hung so crooked that he could squeeze through the crack into the room, and that's just what he did.
Here lived an old woman with her cat and her hen. The cat, whom she called "Sonny," could arch his back, purr, and even make sparks, though for that you had to stroke his fur the wrong way. The hen had short little legs, so she was called "Chickey Shortleg." She laid good eggs, and the old woman loved her as if she had been her own child.
In the morning they were quick to notice the strange duckling. The cat began to purr, and the hen began to cluck.
"What on earth!" The old woman looked around, but she was short-sighted, and she mistook the duckling for a fat duck that had lost its way. "That was a good catch," she said. "Now I shall have duck eggs-unless it's a drake. We must try it out." So the duckling was tried out for three weeks, but not one egg did he lay.
In this house the cat was master and the hen was mistress. They always said, "We and the world," for they thought themselves half of the world, and much the better half at that. The duckling thought that there might be more than one way of thinking, but the hen would not hear of it.
"Can you lay eggs?" she asked
"No."
"Then be so good as to hold your tongue."
The cat asked, "Can you arch your back, purr, or make sparks?"
"No."
"Then keep your opinion to yourself when sensible people are talking."
The duckling sat in a corner, feeling most despondent. Then he remembered the fresh air and the sunlight. Such a desire to go swimming on the water possessed him that he could not help telling the hen about it.
"What on earth has come over you?" the hen cried. "You haven't a thing to do, and that's why you get such silly notions. Lay us an egg, or learn to purr, and you'll get over it."
"But it's so refreshing to float on the water," said the duckling, "so refreshing to feel it rise over your head as you dive to the bottom."
"Yes, it must be a great pleasure!" said the hen. "I think you must have gone crazy. Ask the cat, who's the wisest fellow I know, whether he likes to swim or dive down in the water. Of myself I say nothing. But ask the old woman, our mistress. There's no one on earth wiser than she is. Do you imagine she wants to go swimming and feel the water rise over her head?"
"You don't understand me," said the duckling.
"Well, if we don't, who would? Surely you don't think you are cleverer than the cat and the old woman-to say nothing of myself. Don't be so conceited, child. Just thank your Maker for all the kindness we have shown you. Didn't you get into this snug room, and fall in with people who can tell you what's what? But you are such a numbskull that it's no pleasure to have you around. Believe me, I tell you this for your own good. I say unpleasant truths, but that's the only way you can know who are your friends. Be sure now that you lay some eggs. See to it that you learn to purr or to make sparks."
"I think I'd better go out into the wide world," said the duckling.
"Suit yourself," said the hen.
So off went the duckling. He swam on the water, and dived down in it, but still he was slighted by every living creature because of his ugliness.
Autumn came on. The leaves in the forest turned yellow and brown. The wind took them and whirled them about. The heavens looked cold as the low clouds hung heavy with snow and hail. Perched on the fence, the raven screamed, "Caw, caw!" and trembled with cold. It made one shiver to think of it. Pity the poor little duckling!
One evening, just as the sun was setting in splendor, a great flock of large, handsome birds appeared out of the reeds. The duckling had never seen birds so beautiful. They were dazzling white, with long graceful necks. They were swans. They uttered a very strange cry as they unfurled their magnificent wings to fly from this cold land, away to warmer countries and to open waters. They went up so high, so very high, that the ugly little duckling felt a strange uneasiness come over him as he watched them. He went around and round in the water, like a wheel. He craned his neck to follow their course, and gave a cry so shrill and strange that he frightened himself. Oh! He could not forget them-those splendid, happy birds. When he could no longer see them he dived to the very bottom. and when he came up again he was quite beside himself. He did not know what birds they were or whither they were bound, yet he loved them more than anything he had ever loved before. It was not that he envied them, for how could he ever dare dream of wanting their marvelous beauty for himself? He would have been grateful if only the ducks would have tolerated him-the poor ugly creature.
The winter grew cold - so bitterly cold that the duckling had to swim to and fro in the water to keep it from freezing over. But every night the hole in which he swam kept getting smaller and smaller. Then it froze so hard that the duckling had to paddle continuously to keep the crackling ice from closing in upon him. At last, too tired to move, he was frozen fast in the ice.
Early that morning a farmer came by, and when he saw how things were he went out on the pond, broke away the ice with his wooden shoe, and carried the duckling home to his wife. There the duckling revived, but when the children wished to play with him he thought they meant to hurt him. Terrified, he fluttered into the milk pail, splashing the whole room with milk. The woman shrieked and threw up her hands as he flew into the butter tub, and then in and out of the meal barrel. Imagine what he looked like now! The woman screamed and lashed out at him with the fire tongs. The children tumbled over each other as they tried to catch him, and they laughed and they shouted. Luckily the door was open, and the duckling escaped through it into the bushes, where he lay down, in the newly fallen snow, as if in a daze.
But it would be too sad to tell of all the hardships and wretchedness he had to endure during this cruel winter. When the warm sun shone once more, the duckling was still alive among the reeds of the marsh. The larks began to sing again. It was beautiful springtime.
Then, quite suddenly, he lifted his wings. They swept through the air much more strongly than before, and their powerful strokes carried him far. Before he quite knew what was happening, he found himself in a great garden where apple trees bloomed. The lilacs filled the air with sweet scent and hung in clusters from long, green branches that bent over a winding stream. Oh, but it was lovely here in the freshness of spring!
From the thicket before him came three lovely white swans. They ruffled their feathers and swam lightly in the stream. The duckling recognized these noble creatures, and a strange feeling of sadness came upon him.
"I shall fly near these royal birds, and they will peck me to bits because I, who am so very ugly, dare to go near them. But I don't care. Better be killed by them than to be nipped by the ducks, pecked by the hens, kicked about by the hen-yard girl, or suffer such misery in winter."
So he flew into the water and swam toward the splendid swans. They saw him, and swept down upon him with their rustling feathers raised. "Kill me!" said the poor creature, and he bowed his head down over the water to wait for death. But what did he see there, mirrored in the clear stream? He beheld his own image, and it was no longer the reflection of a clumsy, dirty, gray bird, ugly and offensive. He himself was a swan! Being born in a duck yard does not matter, if only you are hatched from a swan's egg.
He felt quite glad that he had come through so much trouble and misfortune, for now he had a fuller understanding of his own good fortune, and of beauty when he met with it. The great swans swam all around him and stroked him with their bills.
Several little children came into the garden to throw grain and bits of bread upon the water. The smallest child cried, "Here's a new one," and the others rejoiced, "yes, a new one has come." They clapped their hands, danced around, and ran to bring their father and mother.
And they threw bread and cake upon the water, while they all agreed, "The new one is the most handsome of all. He's so young and so good-looking." The old swans bowed in his honor.
Then he felt very bashful, and tucked his head under his wing. He did not know what this was all about. He felt so very happy, but he wasn't at all proud, for a good heart never grows proud. He thought about how he had been persecuted and scorned, and now he heard them all call him the most beautiful of all beautiful birds. The lilacs dipped their clusters into the stream before him, and the sun shone so warm and so heartening. He rustled his feathers and held his slender neck high, as he cried out with full heart: "I never dreamed there could be so much happiness, when I was the ugly duckling."#p#副标题#e#
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想找一些简单又有个性的英文句子来做qq签名吗?下面读文网小编为大家带简单个性英文签名,希望大家喜欢!
Life is a on return journey.
人生是一段没有退路的旅程。
Home is where the heart is.
心在的地方就是家。
Life is tough, my darling, but so are you.
生活很艰难,但是宝贝,你也很坚强。
When it has is lost, brave to give up.
当拥有已经是失去,就勇敢的放弃。
Don't let the fear for losing keep you from trying.
别因为害怕失败而停止尝试。
Real dream is the other shore of reality.
真正的梦就是现实的彼岸。
Sometimes you have to give up on someone in order to respect yourself.
有时候我们必须放弃一些人,来成全自己的自尊。
There is no elevator to success. You have to take the stairs.
成功没有电梯,只有一步一个脚印。
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