为您找到与文学的英语怎么说相关的共200个结果:
英国文学源远流长,经历了长期、复杂的发展演变过程。在这个过程中,文学本体以外的各种现实的、历史的、政治的、文化的力量对文学发生着影响。那么你知道英国文学用英语怎么说吗?接下来跟着读文网小编来学习一下吧。
英国文学作品选读 Selected Readings of British Literature
英国文学选读 selected readings in british literature
英国文学讲座 Lecture on English Lite
英国文学及写作 English Literature and Composition
中古时期英国文学 Old and Medieval British Literature
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文学包括诗歌、散文、小说、剧本、寓言童话等,是文化的重要表现形式,那么你知道文学用英语怎么说吗?下面跟读文网小编一起学习一下关于文学的英语知识吧。
晋太元中,武陵人捕鱼为业,缘溪行,忘路之远近。忽逢桃花林,夹岸数百步,中无杂树,芳草鲜美,落英缤纷;渔人甚异之。复前行,欲穷其林。林尽水源,便得一山。山有小口,仿佛若有光,便舍船,从口入。初极狭,才通人;复行数十步,豁然开朗。土地平旷,屋舍俨然。有良田美池,桑竹之属,阡陌交通,鸡犬相闻。其中往来种作,男女衣着,悉如外人;黄发垂髫,并怡然自乐。见渔人,乃大惊,问所从来;具答之。便要还家,设酒、杀鸡、作食。村中闻有此人,咸来问讯。自云:先世避秦时乱,率妻子邑人来此绝境,不复出焉;遂与外人间隔。问今是何世?乃不知有汉,无论魏、晋!此人一一为具言所闻,皆叹惋。余人各复延至其家,皆出酒食,停数日,辞去。此中人语云:“不足为外人道。”
During the reign of Taiyuan of Chin, there was a fisherman of Wuling. One day he was walking along a bank. After having gone a certain distance, he suddenly came upon a peach grove which extended along the bank for about a hundred yards. He noticed with surprise that the grove had a magic effect, so singularly free from the usual mingling of brushwood, while the beautifully grassy ground was covered with its rose petals. He went further to explore, and when he came to the end of the grove, he saw a spring which came from a cave in the hill, Having noticed that there seemed to be a weak light in the cave, he tied up his boat and decided to go in and explore. At first the opening was very narrow, barely wide enough for one person to go in. After a dozen steps, it opened into a flood of light. He saw before his eyes a wide, level valley, with houses and fields and farms. There were bamboos and mulberries; farmers were working and dogs and chickens were running about. The dresses of the men and women were like those of the outside world, and the old men and children appeared very happy and contented. They were greatly astonished to see the fisherman and asked him where he had come from. The fisherman told them and was invited to their homes, where wine was served and chicken was killed for dinner to entertain him. The villagers hearing of his coming all came to see him and to talk. They said that their ancestors had come here as refugees to escape from the tyranny of Tsin Shih-huang (builder of Great Wall) some six hundred years ago, and they had never left it. They were thus completely cut off from the world, and asked what was the ruling dynasty now. They had not even heard of the Han Dynasty (two centuries before to two centuries after Christ), not to speak of the Wei (third century A.D.) and the Chin (third and fourth centuries). The fisherman told them, which they heard with great amazement. Many of the other villagers then began to invite him to their homes by turn and feed him dinner and wine.After a few days, he took leave of them and left. The villagers begged him not to tell the people outside about their colony.
既出,得其船,便扶向路,处处志之。及郡下,诣太守,说如此。太守即遣人随其往,寻向所志,遂迷不复得路。南阳刘子骥,高尚士也,闻之,欣然规往,未果,寻病终。后遂无问津者。
The man found his boat and came back, marking with signs the route he had followed. He went to the magistrate’s office and told the magistrate about it. The latter sent someone to go with him and find the place. They looked for the signs but got lost and could never find it again. Liu Tsechi of Nanyang was a great idealist. He heard of this story, and planned to go and find it, but was taken ill and died before he could fulfill his wish. Since then, no one has gone in search of this place.
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下面是读文网小编整理的英语文学论文范文,希望对大家有帮助。
Being distinguished form many greatest American writers, Hemingway is noted for his writing style. Among all his work , The Old Man and the Sea is a typical one to his unique writing style and technique. The language is simple and natural on the surface , but actually deliberate and artificial. Sometimes the simple style is made a little different. The dialogue is combined with the realistic and the artificial. The simplicity is highly suggestive , and often reflects the strong undercurrent of emotion. Occasionally , the author uses some figures of speech. Hemingway’s style is related to his experience as a journalist, his learning form many famous writers, and most importantly, his conscientious effort in looking for a style of his own, The influence of his style is great all over the world. The Old Man and the Sea is full of facts, most of which comes form Hemingway’s own experience. So the way to use facts is a very important writing technique in this novel. The fact in the novel are selected and used as a device to make the fictional world accepted. In the forepart of the novel, the are used to show the quality of Santiago’s life, and are narrated simply and naturally; while in the latter part of the novel, they are used form inside Santiago’s own consciousness and form part of a whole scheme of the novel.
Keywords: Facts; Simplicity; Artificial; Iceberg; Theory
中文摘要
在伟大的美国作家中,海明威以独特的写作风格而著称。在他所有的作品中,《老人与海》最能体现他独特的写作风格和手法。这部小说语言看似简单自然,其实包含了作者的精心揣摩和润色加工。有时为了突出某一部分,作者会采用长句代替短句。文中的对话内容真实、贴近生活,而表达形式则经过了艺术加工。小说简洁自然的语言背后隐藏了深刻的意义和感情。文中还运用了比喻、拟人等修辞手法,还名位的这种独特风格与他当过新闻记者的经历有关,这种风格对整个世界文坛产生了重要的影响。
《老人与海》这部小说运用了大量的事实,他们大多来自于作者亲身经历。海明威对这些事实精心选择,从而吸引读者的兴趣并使读者有一种身临其境的感觉。小说一开始用大量事实描写了主人公生活的环境,叙述风格简单自然,未加任何感情色彩。随着情节的发展,大量的事实主要被运用于主人公的心理活动中,而不是主要由作者来叙述。同时,这些事实构成了整个小说体系中不可缺少的一部分。
关键词:事实;简洁;加工;冰山理论#p#副标题#e#
Introduction
1. Writing characteristics of the Old Man and the Sea
1.1 Hemingway’s Writing Style and Techniques in The Old Man and the Sea
The Old Man and the Sea (1952) comes round at the finish of Hemingway’s writing career. With its vivid characterization, its simple language, and the profound implicating it carries, it stands out as one of the excellent books Hemingway’s former stature as the word’s preeminent novelist after Hemingway’s unsuccessful novel Across the River and into the trees (1950). The Old Man and the Sea earned its author the Pulitzer Prize in fiction for 1952, and was instrumental in winning him the Nobel Prize for Literature two years later. It is a short novel about Santiago, an old Cuban fisherman who has gone for 84 days without catch. Therefore the boy, Mandolin, who used to sail with him, is forced to leave him and catch in another ship. The old man insists on fishing alone and at last, he hooks an eighteen-foot, giant marlin, the largest he has ever known. But the fish is very powerful and disobedient. It tows the old man and his boat out to sea for 48 hours, with the old man bearing the whole weight of the fish through the line on his back. The old man, with little food and sleep, has to endure much pain and fights against his treacherous hand cramp. To his great excitement, on his third day at sea, he succeeds in drawing the weakened marlin to the surface and harpoons it. On his way home, he lashes marlin alongside his boat because it is too big to be pulled into the boat. But, unfortunately, the come across sharks in different numbers for four times. The old man fights to kill the sharks with as much might and many weapons as he can summon, but only to find a giant skeleton of his marlin left after his desperate defense. At last, Santiago, having lost what he fought for, reaches the shore and struggles to his shack. He falls into sound sleep, dreaming of Africa, and the lions again. His struggle wins him much respect.
Among many great American writers, Hemingway is famous for his objective and terse prose style. As the last novel Hemingway published in his life, The Old Man and the Sea typically reflects his unique writing style. This paper aims to discuss the writing style and techniques in The Old Man and the Sea. Of course, Hemingway has used many techniques in this novel, such as realism, the creation of suspense, monologue, etc. And this paper focuses especially on the language style and one of the important techniques-the way to use facts in this novel.
2.Writing of the Old Man and the Sea
2.1 Unique language style Old Man and the Sea
Hemingway is famous for his language. With much care and effort, he created a very influential and immediately recognizable style. “The style he created in his early work, such as In Our Time and The Sun also Rises, was almost too good. Like the style of certain painters, it tended to become a manner, rather than a flexible way of responding to experience and conveying fresh insights through words.” Among all his works, The Old Man and the Sea is the most typical one to his unique language style. Its language is simple and natural, and has the effect of directness, clarity and freshness. This is because Hemingway always manages to choose words “`concrete, specific, more commonly found, more Anglo-Saxon, casual and conversational.” He seldom uses adjectives and abstract nouns, and avoids complicated syntax. Hemingway’s strength lies in his short sentences and very specific details. His short sentences are powerfully loaded with the tension, which he sees in life. Where he does not use a simple and short sentence, he connects the various parts of the sentence in a straightforward and sequential way, often linked by “and”. In his task of creating real people, Hemingway uses dialogue as an effective device. It is presented in a form “as close to the dramatic as possible, with a minimum of explanatory comment.”Here is an example chosen from The Old Man and the Sea:
‘What do you have to eat?’ the boy asked.
‘No, I will eat at home. Do you want me to make the fire?’
‘No, I will make it later on. Or I may eat the rice cold.’
Here we can see that such interpolations as “he said” have frequently been omitted and the words are very colloquial. Thus the speech comes to the reader as if he were listening. Hemingway has captured the immediacy of dialogue skillfully and has made the economical speech connotative. But it is good to note that Hemingway’s style is deliberate and artificial, and is never as natural as it seems to be. The reasons are as follows. Firstly, in some specific moments, in order to stand out by contrast and to describe an important turning point or climax, the style is made a little different:
He took all his pain and what was left of his long gone pride and he put it against the fish’s agony and the fish came over on to his side and swam gently on his side, his bill almost touching the planking of the skiff, and started to pass the boat, long, deep, wide, silver and barred with purple and interminable in the water. The language in this one-sentence paragraph is different from other parts of the novel. Kenneth Graham has commented that the sentence builds up its parts in a carefully laborious sequence-“all his pain and what was left of his strength and his long gone pride”. It emulates the movement of the exhausted marlin and the physical strain of the old man. And it mounts to a heavy crescendo in the very un-prosaic inversion of adjectives-“long, deep, wide”-ending in the virtually poetic cadence, “interminable in the water.”The dialogue, too, is combined with the realistic and the artificial. Usually the content contains and the expression contains the artificial. In The Old Man and the Sea, the language style is very peculiar from Hemingway’s other writings. This is because the novel is an English version of the Spanish that Santiago and Mandolin would speak in real life. “Since we are meant to realize that Santiago and Mandolin could not possibly speak like this, since English is not his tongue anyway, we are more likely to accept other artificialities of the dialogue. Using the device of a pretended ‘translation’, which would be bound to stilt in any case, Hemingway can ‘poetize’ the dialogue as he wishes.”The speakers are distanced from readers to a certain degree. And while their language taking on a kind of epic dignity, it does not lose its convincingness. Even slightly strange exchanges like the following become fairly acceptable. For example:#p#副标题#e#
‘You’re my alarm clock’, the boy said.
‘Age is my alarm clock’, the old man said. ‘Why do old man wake so early? Is it to have one longer day?’
‘I don’t know’, the boy said. ‘All I know is that young boys sleep late and hard’.
‘I can remember it’, the old man said. ‘ I’ll waken you in time.’
The simple sentences and the repeated rhythms hit at the profundities that the surface of the language tries to ignore. Its simplicity is highly suggestive and connotative, and often reflects the strong undercurrent of emotion. Indeed, the more closely the reader watches, the less rough and simple the characters appear. In Death in the Afternoon, Hemingway uses an effective metaphor to describe his writing style: If a writer of the prose knows enough about what he is writing about, he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an iceberg is due to only one-eighth of it being above water.Among all the works of Hemingway, the saga of Santiago is thought as the most typical one to this Iceberg Theory. The author seldom expresses his own feelings directly, nor does he make any comments or explanations. On the contrary, he tries to narrate and describe things objectively and blend his own feelings harmoniously to the natural narration and description this gives readers a pictures compression, from which-the 1/8 of the iceberg above water, they can learn the implying meaning and feelings of the author- 7/8 of the iceberg under water. When Hemingway said of this story, “I tried to make a real old man, a real sea and real sharks”, he then went on to say, “But if I made them good and true enough they would mean many things.” So this novel has a great and significance conveyed by a compressed action. The core of the novel’s action is fishing. To the hero, fishing is not simply of contest in life. It contains profound philosophic meaning. In addition, two details-the baseball match and the hand wresting with the Negro, like fishing, symbolize the contention in life. They compensate and enrich the inner meaning of the main plot of fishing. So the simplicity of the novel is highly suggestive.
2.2 The Old Man and the Sea Writing Methods
Occasionally, the author uses such figures of speech as metaphor, personification, etc to describe details. Hemingway likes to us natural things to make metaphors. For example, he describes Santiago’s eyes as “the same color as the sea and were cheerful and undefeated.”The metaphor reveals that the old man is closely linked with nature. At the beginning of the novel, a simile is used: “the sail was patched with flour sacks and, furled, it looked like the flag of permanent defeat.” Here Santiago’s eyes are contrasted with the patched sail, which symbolize defeat, as reveals Santiago’s unyielding character. So Hemingway has formed of narrative and dialogue, though natural and simple on the surface, is actually deliberated and artificial. It combines elements that are realistic with elements that are stylized and heightened. How Hemingway has formed such a writing style? The reason is related to his own experiences. “His use of short sentences and paragraphs and vigorous and positive language, and the deliberate avoidance of gorgeous adjectives are some of the traces of his early journalistic practices.” After leaving school at 17, he went to the Kansas City Star, which was one of the best newspapers in America at that time. He served as its eager and energetic reporter. As a journalist, Hemingway trained himself in the economy of expression. He once said that, during his working in Star, he had to learn to use simple sentences, which is very useful to him; and that the experience of working as a journalist would not do harm to a young writer, instead it is very helpful if he could cast it off timely. He laid stress on “speaking” with facts and objected groundless concoction in writing. His descriptions of details are full of factuality, and are as precise as news reports.
3.The import on Hemingway’s Old Man and the Sea
The influence of Hemingway’s language style is great. In the latter part of his life, Hemingway was known as “Papa Hemingway.” It refers mainly to his contribution to the development of a new writing style in America-the colloquial style. His simple word, short sentences and vividly colloquial language purity American novel. In England, which Miss Storm Jameson discussing “The Craft of the Novelist” in the January 1934 issue of The English Review, she advanced an explanation of Hemingway’s popularity:
It is this simplicity, this appeal to our crudest interests, which explains Hemingway’s success…In English at least his success has been largely with the intellectuals. Thy have praised his simplicity, his directness…When Hemingway’s death was reported on 3 July 1961, the obituary in The Tines pronounced pontifically: No history of the literature of our time will be able to ignore his achievement or his far-reaching influence…his last masterpiece, The Old Man and The Sea, he remained a solitary both in achievement and style…And Hemingway’s influence as a stylist was “neatly expressed in the praise of the Noble Prize Committee about ‘his powerful style-forming mastery of the art’ of writing modern fiction.”
Apart from the language style, which The Old Man and the Sea is famous for, the writing techniques in this novel are also worth paying close attention to. A very important one of them is the way to use facts. The main events of the story seem to be based on a real incident, which is described by Hemingway in an article about fishing in the Gulf Stream in Esquire for April 1936. So the novel of full facts, such as the habit of fish, the technique of catching marlin, the weather, the sea, and so on. But the power of the novel lies in the way to use these facts. Firstly the facts are selected. “Hemingway’s old man, boy, sea, fish, and sharks are not so much built up in our minds, detail by detail, facts by facts, as drive into our mind by the force and the sympathy with which the author himself shares in their imaginary existence.” Like any realist, he relies on selection. When the giant marlin finally surfaces, his tail “was higher than a big scythe blade and a very pale lavender above the dark blue water.” Sargasso weed is bleached and yellow by day; Tuna are silver when they jump out if the water, but blue-backed and gold-sides when swimming. Hemingway never described them with excessively, but choose some effective ones. He uses them with a sense of how colors shift and change in their relationship. Without selection, there can be no intensity, and compression.
4.The philosophical significance Old Man and The Sea
4.1The Old Man and The Sea by the message to people’s moods#p#副标题#e#
Secondly, the facts are used as a device to make the fictional word accepted. The novel is not simply a manual for us to study the technique to catch a fish or how to survive in a boat. The author tries to implicate people’s imagination in what is happening by appealing to our love of practical knowledge. This shows “the facts are fundamentally a device, a technique of reassuring our sense of everyday values.”So they can help to make us accept more readily what the author has invented and made more dramatic than in everyday life. Still take the use of color as example: The clouds over the land now rose like mountains and the coast was only a long green line with the gray-blue hills behind it. The water was a dark blue now, so dark that it was almost purple. As he looked down into it he saw the red sifting of the plankton in the dark water and the strange light the sun made now. These facts show readers the process of fishing, which mostly comes from the author’s own experience. From these facts, which are vivid, precise and terse, readers can learn a lot about how to catch a fish and can also feel as if they themselves were catching a fish. Then they will have the sense that what the author describes is real and believable. Therefore, as Kenneth Graham has said, many facts in the novel about fishing and about the sea have a double function: they satisfy people’s sense of the real word. And this is what underlies Hemingway’s famous statement that his intention was always to convey to the reader “the way it was.”
4.2The influence of the Old Man and the Sea
All in all, Hemingway’s language in The Old Man and the Sea is simple and natural on the surface, but actually deliberate and artificial. “The language is rarely emotional. Rather, it controls emotions: it holds them in.”The forming of this distinct style is related to Hemingway’s own experience. And the influence of this style is not only within America but also all over the world. The facts in the novel are selected and used as a device to make the fictional world accepted. Unlike other novelists who add allegorical meanings to their facts, Hemingway uses the facts simply and naturally, without any emotion. In the latter part of the novel, instead of being narrated by the author, the facts are used from inside Santiago’s own consciousness, and form part of a whole scheme of the novel. Besides what have been mentioned above, other techniques in The Old Man and the Sea, such as realism, monologue, the creation of suspense and so on, are also very successful. All these show Hemingway’s superb artistic attainments as a Nobel Prize winner.
Bibliography
1. Chang Yaoxin, “Chapter 14” in A Survey of American Literature. TianJin: Nankai University Press, 1987
2. Kenneth Graham, “commentary” in York Notes: The Old Man and the Sea. Beijing: world Publishing Corporation, 1991
3. Ernest Hemingway, The Old Man and the Sea. Beijing: world Publishing Corporation, 1998
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下面是读文网小编整理的美国的移民文学,欢迎大家阅读!
在我初来美国求学之时,华裔移民很少。当时美国的中国移民名额只限105个。今日情势不同,中国移民名额的限制早于肯尼迪总统时期取消。移民大量增多,也令文学爱好者增多,因之产生了“移民文学”一说。
五六十年以前,在美华人既少,知识分子更不多,没有中文刊物,写作者不得不将稿件寄往台湾香港等地去发表,著名者如聂华苓、于梨华等的作品被称为“留学生文学”。而美国的所谓“移民文学”其实是指外裔移民用英文写作所发表的作品。
年轻时我也尝试过用英文写作,目标是最具声誉的文学杂志《纽约客》。多次遭退稿失望后,某日我突然发现《纽约客》发表了数篇署名C.Y.Lee的有关中国故事,艳羡不已。后来我获悉C.Y.Lee的中文名字是黎锦扬,是上世纪30年代中国电影明星黎明晖的亲属。不久,他又写了《花鼓歌》(Flower Drum Song)出书成名,甚至被改编为歌舞剧在百老汇上演,也曾被改编为电影。可惜的是,他其后所写几部小说不能畅销,终而默默无闻。
谈到美国移民文学作家,最著名的我可举出两个。一是《洛丽塔》作者纳博科夫(V.Nabokov),他的母语是俄语,用英文写作并不容易,但是《洛丽塔》文笔雅俗共赏,他被捧成为美国文坛明星。另一是波兰裔的柯辛斯基(J.Kosinski),他以二战难民身份逃来美国,以英文小说《上了漆的鸟》(The Painted Bird)出名,甚至当过国际笔会美国分会主席。可是后来有人著文揭露,他的想象力虽极为丰富,但英文程度不足,小说乃雇人捉刀写成。此秘密泄露后,柯辛斯基郁郁不乐,终而自杀身亡。
华裔作家中最著名的当然是汤婷婷与谭恩美两位。她们二位不但拥有大群读者,而且甚受评论家赞赏。但她们是第二代移民,出生于美国,英文不成问题。受注意者是她们著作的题材。她们写自己的母亲,以及母亲所讲的中国传统神怪故事。谭恩美最近新作是《救鱼出水》(Saving Fish From Drowing),又获好评,立即升入畅销书榜。评论家称扬它的内容已脱出以中国人为背景的圈子。
移民文学作家中印度裔出名的很多,但他们在印度所受的是英文教育,他们的英文写作能力无异于汤婷婷、谭恩美。华裔第二代移民作家近来很不少,另有一位值得一提的是任璧莲,她的作品也颇获好评,但尚未能登上畅销书榜。
因而我要在这里特别一提中英文俱佳的哈金。如纳博科夫一样,他来了美国只不过几年,就能写出英文小说《等待》而获美国重要文学奖。他在美国的声名较获得诺贝尔文学奖的高行健尤高,我想我们一些“移民文学”作家的最后愿望应该还是能像哈金一样的用英文作品打入美国主流社会。
美国的文学 相关
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名词解释:诺贝尔文学奖,诺贝尔在1895年11月27日写下遗嘱,捐献全部财产3122万余瑞典克朗设立基金,每年把利息作为奖金,授予“一年来对人类作出最大贡献的人”。根据他的遗嘱,瑞典政府于同年建立“诺贝尔基金会”,负责把基金的年利息按五等分授予,文学奖就是其中之一。你知道怎么用英语表达吗?
Chinese author Mo Yan has been awarded the 2012 Nobel Prize for literature.
A prolific author, Mo has published dozens of short stories, with his first work published in 1981.
The Swedish Academy praised his work which "with hallucinatory realism merges folk tales, history and the contemporary".
The 57-year-old is the first Chinese resident to win the prize. Chinese-born Gao Xingjian was honoured in 2000, but is a French citizen.
中国作家莫言获2012年诺贝尔文学奖。
莫言发表了多部小说,第一部作品发表于1981年。
瑞典文学院称赞他的作品“以幻觉现实主义融合了民间故事、历史和当代”。
57岁的莫言是首位获得诺贝尔文学奖的中国籍作家。华裔作家高行健也曾在2000年获此殊荣,不过他是法国公民。
“诺贝尔文学奖”在文中的表达是Nobel Prize for literature,也可以说成Nobel Prize in literature或Nobel Literature Prize。莫言是笔名,原名为管谟业,其作品深受hallucinatory realism(幻觉现实主义)影响,其代表作及作品英译名如下:
《红高粱》 Red Sorghum
《檀香刑》 Sandalwood Death
《丰乳肥臀》 Big Breasts and Wide Hips
《酒国》 The Republic of Wine
《生死疲劳》 Life And Death Are Wearing Me Out
《蛙》Frog
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下面是读文网小编整理英语国家概况:美国文学精讲,欢迎大家阅读!
Literature,Architecture and Music 文学,建筑和音乐
1)Major American Writers and their works
① Bejamin Franklin(1706-1790)本杰明.富兰克林: theonly writer in the colonial period. Works: PoorRichard'S Almanac, which is an annual collection ofproverbs.
殖民地时期的作家。作品:《穷理查年鉴》,一本年度谚语集。
② Washington Irving(1803-1882) 华盛顿 欧文: AHistory of New Youk纽约外史; The Sketch Book最著名的作品为《见闻札记》,his most famous book, contians “Rip Van Winkle”《瑞普.凡.温克尔》and“The Legend of Sleepy Hollow”《睡谷的传说》
③Ralph Waldo Emerson(1803-1882) 爱默生:the leader of the movement oftranscendentalism.超验 主义运动的领导者Works:Nature,(论自然) Self-reliance(论自助),Representative Men(代表人物), English Traits and Poems (英国人的性格和诗).
③ Nathaniel Hawthorne(1804-1864) 霍桑:The Scarlet Letter红字
⑤Mark Twain1835-1910)马克吐温: The Celebrated Jumping Frog(《著名的跳蛙》,成名之作) ;The Adventures of Tom Sawyer(a boy book)汤姆.索亚历险记; The Adventures of HuckleberryFinn(his master work)哈克贝利.芬历险记,则是他最杰出著作; Atramp Abroad浪迹海外, Life on theMississippi密西西比河上, The Golded Age 镀金时代and Innocents Abroad异乡奇遇。
⑥Walt Whitman(1819-1892) 沃尔特. 惠特曼: the first to explore fully the possibilities of freeverse(探索自由诗体可能性的第一人). Leaves of Grass(his masterpiece)草叶集, EmilyDickinson(1830-1886) 艾米丽. 狄更生:Death was one of the great themes of her work死亡是她作品的重要主题之一
⑦Theordor Dreiser(1871-1945)西奥多.德莱塞: the representative of naturalists in whose worksreported truthfully and objectively the life in the slums.自然主义代表,在他们的作品里对贫民窟的生活进行了真实而客观的报道。 Works:Trilogy of Desire(欲望三部曲); An American Tragedy(美国的悲剧—被公认为最佳作品,which is considered to be his best)
⑧T.S Eliot(1888-1965);won the Nobel Prize for literature in 1946
⑨Emest hemingway(1899-1967)海明威; was awarded the Nobel Prize 诺贝尔文学奖for literaturein 1954. A Farewell to Arms永别了,武器; For Whom the Bell Tolls(the two about the first andsecond world war); 丧钟为谁而鸣(关于一、二战的2篇小说)Old Man and the Sea(hisrepresentative book)老人与海(代表作).
2)Harlem Renaissance(哈莱姆复兴) and black writing in American literature:
In the 1920s, Black Litrature developed into an upsurge which has come to be known as theHarlem Renaissace.20世纪20年代, 黑人文学蓬勃发展,后来被称为‘哈莱姆复兴’。LangstonHughes(1899-1967) 休斯 (masterpiece: The Weary Blues困倦的BLUES) and RichardWright(1908-1960) 赖特(masterpiece: Native Son土生子) were the major figures of thoseBlack writers.
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I lost my sight when I was four years old by falling off a box car in a freight yard in Atlantic City and landing on my head. Now I am thirty-two. I can vaguely remember the brightness of sunshine and what red color is. It would be wonderful to see again, but a calamity can do strange things to people.
It occurred to me the other day that I might not have come to love life as I do if I hadn’t been blind. I believe in life now. I am not so sure that I would have believed in it so deeply, otherwise. I don’t mean that I would prefer to go without my eyes. I simply mean that the loss of them made me appreciate the more what I had left.
Life, I believe, asks a continuous series of adjustments to reality. The more readily a person is able to make these adjustments, the more meaningful his own private world becomes. The adjustment is never easy. I was bewildered and afraid. But I was lucky. My parents and my teachers saw something in me —a potential to live, you might call it ——which I didn’t see, and they made me want to fight it out with blindness.
The hardest lesson I had to learn was to believe in myself. That was basic. If I hadn’t been able to do that, I would have collapsed and become a chair rocker on the front porch for the rest of my life. When I say belief in myself I am not talking about simply the kind of self-confidence that helps me down an unfamiliar staircase alone. That is part of it. But I mean something bigger than that: an assurance that I am, despite imperfections, a real, positive person that somewhere in the sweeping, intricate pattern of people there is a special place where I can make myself fit.
It took me years to discover and strengthen this assurance. It had to start with the most elementary things. Once a man gave me an indoor baseball, I thought he was mocking me and I was hurt. “I can’t use this,” I said. “Take it with you,” he urged me,” and roll it around. “The words stuck in my head.” Roll it around!” By rolling the ball I could hear where it went. This gave me an idea how to achieve a goal I had thought impossible: playing baseball. At Philadelphia’s Overbrook School for the Blind I invented a successful variation of baseball. We called it ground ball.
All my life I have set ahead of is a series of goals and then tried to reach them, one at a time. I had to learn my limitations. It was no good to try for something I knew at the start was wildly out of reach because that only invited the bitterness of failure. I would fail sometimes anyway but on the average I made progress.
4岁那年在大西洋城,我从货场一辆火车上摔下来,头先着地,于是双目失明。现在我已经32岁了。我还模糊地记得阳光是多么灿烂,红色是多么鲜艳。能恢复视觉固然好,但灾难也能对人产生奇妙的作用。
有一天我突然想到,倘若我不是盲人,我或许不会变得像现在这样热爱生活。现在我相信生活,但我不能肯定如果自己是明眼人,会不会像现在这样深深地相信生活。这并不意味着我宁愿成为盲人,而只是意味着失去视力使我更加珍惜自己其他的能力。
我认为,生活要求人不断地自我调整以适应现实。人愈能及时地进行调整,他的个人世界便愈有意义。调整决非易事。我曾感到茫然害怕,但我很幸运,父母和老师在我身上发现了某种东西——可以称之为活下去的潜力吧——而我自己却没有发现。他们激励我誓与失明拼搏到底。
我必须学会的最艰难的一课就是相信自己,这是基本条件。如做不到这一点,我的精神就会崩溃,只能坐在前门廊的摇椅中度过余生。相信自己并不仅仅指支持我独自走下陌生的楼梯的那种自信,那是一部分。我指的是大事:是坚信自己虽然有缺陷,却是一个真正的有进取心的人;坚信在芸芸众生错综复杂的格局当中,自有我可以安身立命的一席之地。
我花了很长时间才树立并不断加强这一信念。这要从最简单的事做起。有一次一个人给我一个室内玩的棒球,我以为他在嘲笑我,心里很难受。“我不能使这个。”我说。“你拿去,”他竭力劝我,“在地上滚。”他的话在我脑子里生了根。“在地上滚!” 滚球使我听见它朝哪儿滚动。我马上想到一个我曾认为不可能达到的目标:打棒球。在费城的奥弗布鲁克盲人学校,我发明了一种很受人欢迎的棒球游戏,我们称它为地面球。
我这一辈子给自己树立了一系列目标,然后努力去达到,一次一个。我必须了解自己能力有限,若开始就知道某个目标根本达不到却硬要去实现,那不会有任何好处,因为那只会带来失败的苦果。我有时也失败过,但一般来说总有进步。
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硕士研究生考研英语完型填空题及答案(2024)
为了让考研的同学更高效地复习考研英语,小编考研频道已经整理出了2024年考研英语完型填空试题和答案。如果你正在准备考研,不妨了解一下这些资料,希望它们能对你的备考有所帮助。
考研的考场分配根据考生的所在地以及报考学校等进行安排,在职人员考研时,考场一般都会分配在户籍所在地或工作单位所在地。
考研报考同一学校的考生理论上是分配在一个考点,甚至是同一考场的。考研报考同一学校的相同专业和不同专业是一起考试的。因为考研的考点、考场分配是实行统一管理,采取统一分配的原则,便于管理。
考研考场还有另外的分配方法,是划分考研的考场、考点时先按照各省、各市进行统一划分,然后是按照学校进行划分,再次是按照专业进行划分。
总之就是考研考场怎么分配对于考生的影响不大,考生只需要按照准考证所指示的前往指定考点进行考试即可,并且携带相关证件。
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考研英语2024备考复习技巧
考研英语分为英语一,英语二。考研英语一和英语二的题型都有英语知识运用、阅读理解和写作。以下是小编为大家收集的关于考研英语2024备考复习技巧的相关内容,供大家参考!
1、考研英语二的总考试时长是180分钟。
2、第一部分的20个选择题,可以安排20分钟。
3、第二部分的A节安排75分钟,B节安排25分钟。预计总时长是100分钟。
4、第三部分的英译汉,安排20分钟。
5、第四部分的Part A安排15分钟,Part B安排25分钟。预计总时长是40分钟。
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2023年成人高考专升本英语真题及答案(详解)
成人高考,作为一项国家级的大型考试,承载着无数考生的梦想和期望。经过一上午努力奋斗,2023年10月份成人高考英语科目已经考完,下面小编为大家整理了2023年成人高考专升本英语真题及答案,这些都是由考生回忆整理的,仅供参考!
成人高考英语是必考科目,相对四级英语来说,成考英语的难度要低一些,介于三级到四级之间。很多成考生都没有长期的学习英语,所以刚开始学习难度可能会比较大,但是不用担心,只要坚持学习一段时间,慢慢的我们的学习能力就会加强的。
学习英语尽量开口说,就算记生词也是。把握正确念法,才能帮助记住一个单词。多找文章大声朗诵。成考英语学习没有捷径,学会学习,才能更好地提高复习效率。成人高考属于成人教育的一种,考生几乎都是在职人士,国家自然会有所考量,作为国家选拔人才的一种方式,成人高考采用宽进严出的方式,考试难度并不大。
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义务教育教科书北师大版英语(三年级起点)三年级上册高清
义务教育教科书·英语(三年级起点)三年级上册是人民教育出版社出版的,为了帮助 大家更好的学习。以下是小编为大家收集的关于义务教育教科书北师大版英语(三年级起点)三年级上册的相关内容,供大家参考!
北师大版义务教育教科书·数学·一年级·下册
北师大版义务教育教科书·数学·二年级·下册
北师大版义务教育教科书·数学·三年级·上册
北师大版义务教育教科书·数学·四年级·上册
北师大版义务教育教科书·数学·五年级·上册
北师大版义务教育教科书·数学·六年级·上册
北师大版义务教育教科书·语文·一年级·上册
北师大版义务教育教科书·语文·二年级·上册
北师大版义务教育教科书·语文·三年级·上册
北师大版义务教育教科书·语文·四年级·上册
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人教PEP版小学3年级英语上册(电子课本)
人教版PEP版的教材设计更加科学,提倡“以话为主,以书为辅”的教学理念,更侧重实践,让学生在实践中学习,而人教版则更侧重说说,让学生在许多练习中掌握英语的基本知识和技能。以下是小编为大家收集的关于人教PEP版小学3年级英语上册的相关内容,供大家参考!
(1) 祈使句有两种类型,一种是以动词原形开头,在动词原形之前加do (但只限于省略第二人称主语的句子)。
Take this seat.
Do be careful.
否定结构:
Don't move.
Don't be late.
(2) 第二种祈使句以let开头。
Let 的反意疑问句
a、 Let's 包括说话者
Let's have another try,shall we / shan't we?
= Shall we have another try?
b、Let us 不包括说话者
Let us have another try,will you / won't you?
= Will you please let us have another try?
否定结构:
Let's not talk of that matter.
Let us not talk of that matter.
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人教PEP版三年级上册英语电子课本教材(完整版)
人教版PEP版的教材设计更加科学,提倡“以话为主,以书为辅”的教学理念,更侧重实践,让学生在实践中学习,而人教版则更侧重说说,让学生在许多练习中掌握英语的基本知识和技能。以下是小编为大家收集的关于人教PEP版三年级上册英语电子课本教材的相关内容,供大家参考!
问候和自我介绍:在第一部分,学生学习如何用英语问候和进行自我介绍,包括基本的问候语、介绍自己和问候他人的常见语句。
数字和颜色:在这个单元,学生们学会用英语数数和描述颜色,课程包括数数1到100,如何描述颜色以及练习颜色相关的游戏和绘画活动。
家庭和朋友:在这个单元中,学生们学习介绍自己的家庭成员和朋友。
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如今人工智能影响着我们生活的方方面面,知道以人工智能影响生活为题的英语作文要怎么写吗?下面读文网小编为大家整理人工智能影响生活英语作文,希望对你有所帮助!
How artificial intelligence changes our life
Artificial intelligence is developing quicker than before. I believe one day, artificial intelligence will be one of the most important concepts likes mobile, car and house. The artificial intelligence may change our life.Firstly, may be we need't do housework any more. The robot can wash the dishes, clean the floor and even help us make the bed. Secondly, the artificial intelligence could be a search website like google, baidu. When we have any trouble, just ask it the question and it will give you the suitable answer. Thirdly, we will not come to school only stay at home to learn from the robot. Fourly, the artificial intelligence will be used as the war, which makes the world become more dangerous than before and this is the outcoming as well. Finally, I guess may be the artificial intelligence can make love with human and help them deliver child.I think the era of artificial intelligence will come sooner and later.
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英语写作对于提高我们的英语能力十分重要,那么你想知道a picnic这篇的英语作文要怎么写吗?下面读文网小编为大家带来a picnic英语作文范文,欢迎大家学习!
It was a sunny day.We decided to have a picnic outside the city.In the morning,we took an early bus to Nanhui.It was quite a colorful world.There were green trees,orange leaves,red peach blossoms.At noon,we reached the place,we sat by the river bank and took out a lot of things,such as bread,orange juice,apples,cakes,eggs and so on.But all of a sudden,it began to rain.Unluckily there was no shelter nearby.We had to take a bus to go back home in a hurry.
What an unforgettable picnic it was!
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饮食健康很重要,那么以a healthy diet为题的英语作文到底要怎么写呢?下面读文网小编为大家整理a healthy diet英语作文篇篇范文,希望对你有所帮助!
Last night, I ate a lot of food, such as KTC and ice cream, before I slept, I ate some cold food in the fridge. At midnight, I felt my stomach hurt badly, my family was woke up, they sent me to the hospital. After seeing the doctor, he told me that I had eaten too much food, what’s more, the food was not healthy, so it hurt my stomach. Since then, I realized that I should not eat the rubbish food often, I should keep the healthy diet. Now my diet is regular, I won’t take in much food before sleeping, my body is becoming healthy. In the morning, I eat an egg and make sure I take in enough vitamins. Even when I see the rubbish food is tempting, I take no hesitation to say no to them. I am so proud of myself.
昨晚,我吃了很多事物,比如肯德基和冰淇淋,在睡觉前,我吃了一些在冰箱里面的冷食物。半夜里,我觉得胃疼得厉害,我的家人被吵醒了,他们把我送到了医院。看过了医生以后,医生告诉我吃了太多的东西,而且,吃的都是不健康的食物,因此我的胃才会那么疼。打从那时起,我意识到自己不能经常吃垃圾食品,我应该保持健康的饮食。现在我的饮食很健康,我不会在睡觉前吃很多东西,我的身体变得健康。早上,我吃了一个鸡蛋,确保我吸收足够的营养。即使当我看到很诱惑的垃圾食品时,我也毫不犹豫地说不。我为自己感到自豪。
#p#副标题#e#
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很多同学都不知道以accident为题的英语作文要怎么写,所以下面读文网小编为大家带来accident英语作文,欢迎大家学习!
I was on my home to school yesterday. Suddenly I saw a boy riding a bike past me quickly. He run so fast that he hit a bike at the corning. They both fell on the ground. Luckily they didn't hurt badly. And they didn't quarel. I though we should pay more attention to our safety. We shouldn't rode too fast.
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现代人的周末过得越来越忙碌,即使是周末也并不都是自己的休闲时光,下面读文网小编为大家带来A busy week英语作文范文,希望对大家有所帮助!
I had a busy weekend last week.
On saturday morning,I do my home work.My home workis very diffcult,SO i wrote it for ages. On saturday afternoon,I went to the library with my mother and go shopping.At night,I watch TV show. On sunday morning,Iplayed with my classmate.On sunday afternoon,I play computer games and wacthed a basketball.
That's my busy weekend,I am very busy but I'm happy!
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很多同学都想知道advertisement这篇英语作文到底要怎么写,那么下面读文网小编为大家整理advertisement英语作文篇范文,希望对你有所帮助!
as we know,the advertisement plays an very important role in our life.the advertisement can be found in everywhere,such as the TV,newspapers,magzines,internet and so on.the advertisement is necessasy part of our life.
the advertisement is good for our life and makes sense for us.the commercial advertisement can make us to understand information ofthe producets we need in time and conveniently.Therefore,we can have enough time to consider whether we should buy or not.at the same time,the advertiser can get a lot profit through the advertisement,which can promote their commodides.in addition,some advertisements can make us feel happy,because they are funny and creative.some advertisements can also call up public to concern some issues,suce as the environment problem,social problem.
each coin has two sides.the advertisement also has its shortcomes.some advertisers make so many advertisements that some persons believe them deeply.for instance,some products advertisements are advertised truely and beautifully,many peole who don't have enough ability to differ whether they are true or false.if they think they are true,they may be cheated.in addition,some people harm others rupataion through the advertisement for money.
in summary,we should make full use of the advertisement to creat one better life,ues its advantage well and consider its advantage.
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