为您找到与Maya英文版相关的共176个结果:
歌手介绍:小麦来自音乐之都英国伦敦,并在那里闯出了名堂。不过从他的身上确能找出那么一点点的小不同。在英国有很多青年人组上乐队自弹自唱吸引众多人的目光,但是小麦的音乐目标却不只这些。 与著名的制作人David Brant一起泡在录音棚中一年多,创作了多首歌曲。
Stewart Mac I Love You
Lyrics:
There was once a broken man
Who walked a lonely road
And gave up all his dreams
I was once this broken man
Stared into the sun
And just refuse to see
I was lost amongst the clouds that wouldn’t fade
I was looking for an answer
I was searching but I didn’t take the time
I was down and
Out and feeling so afraid
I love you
The way that you turn me round
And chase away my blues
I love you
The way that you change my world
When I’m with you
Love may come and love may go
But now it’s here to stay
Forever and a day
And when I see you smile
I fall into your eyes
To never fade way
I need you here to make the dark clouds drift away
And to make the mornings bright again
I’m right here for you there’s nothing more to say
I’m just happy that you’re mine and here to stay
I love you
The way that you turn me round
And chase away my blues
I love you
The way that you change my world
When I’m with you
It doesn’t matter where we’re from and where we are going
As long as you’re with me all the way
And the nights are long and lonely and
I’m waking up
To find a brighter day
I love you
The way that you turn me round
And chase away my blues
I love you
The way that you change my world
When I’m with you
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歌手介绍:from Moldova(摩尔多瓦,前苏联加盟共和国,邻罗马尼亚,成员三人:Dan Balan,Arsenie Toderas,Radu Sirbu,70s底80s初生。02年在罗马尼亚一举成名。 其轻舞曲Dragostea Din Tei(罗马尼亚语:椴树下的爱)风靡欧洲,横扫欧洲多国单曲金榜,目前在BBC排第8 2005年1月,Dan、Arsenie和Radu宣布O-Zone解散,他们决定专注于各自的独立事业。此后,Dan在美国和他的乐队“Balan”做摇滚乐,Arsenie转向德国并改名为Arsenium,而Radu同样开始他个人的职业生涯。
最早这首歌是O-Zone唱的罗马尼亚语的Dragostea Din Tei.
后来O-Zone有唱过一个英文版的,歌名改成了Ma Ya Hi.不过传唱最广的还是罗马尼亚语版的.
英文版歌词:
Ma Ya Hi
O Zone
Mai a hee
Mai a hoo
Mai a ha
Mai a ha ha
Mai a hee
Mai a hoo
Mai a ha
Mai a ha ha
Mai a hee (Ma mai ah)
Mai a hoo (Ma mai ah)
Mai a ha (Ma mai ah)
Mai a ha ha
Mai a hee (Ma mai ah)
Mai a hoo (Ma mai ah)
Mai a ha (Ma mai ah)
Mai a ha ha
Hello
Salute
It's me; your Duke
And I've made something that's real
To show you how I feel
Hello
Heeello
It's me
Picasso I will paint
My words of love
With your name on every wall
When you leave my colors fade to gray
Oo ah oo ah ai
Oo ah oo ah oo ah ai
Every word of love I used to say
Now I paint it everyday
When you leave my colors fade to gray
A little lonely stain
All my colors fade away
Every word of love I used to say
Now I paint it everyday
I sold my streams
My song
And dreams
And I bought some paint to match
The colors of my love
Hello
Heeello
It's me again
Picasso I will spray
My words of love
With your name on every wall
When you leave my colors fade to gray
Oo ah oo ah ai
Oo ah oo ah oo ah ai
Every word of love I used to say
Now I paint it everyday
When you leave my colors fade to gray
A little lonely stain
All my colors fade away
Every word of love I used to say
Now I paint it everyday
Mai a hee
Mai a hoo
Mai a ha
Mai a ha ha
Mai a hee
Mai a hoo
Mai a ha
Mai a ha ha
Mai a hee (Ma mai ah)
Mai a hoo (Ma mai ah)
Mai a ha (Ma mai ah)
Mai a ha ha
Mai a hee (Ma mai ah)
Mai a hoo (Ma mai ah)
Mai a ha (Ma mai ah)
Mai a ha ha
When you leave my colors fade to gray
Oo ah oo ah ai
Oo ah oo ah oo ah ai
Every word of love I used to say
Now I paint it everyday
When you leave my colors fade to gray
A little lonely stain
All my colors fade away
Every word of love I used to say
Now I paint it everyday
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歌词
孤独的牧羊人the lonely goatherd
one little girl in a pale pink coat heard
maria:
lay ee odl lay ee odl lay hoo hoo
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摘要:《gentleman》(绅士)是由刘伟德(Victor Lau)、戴爱玲演唱的英文歌曲,首次出现于《爱情公寓4》第4集,歌曲朗朗上口,轻快活泼。是《爱情公寓4》的原创插曲。
I wanna be the one you always can rely on
Be the one to hold you through the night storm
Be the gentleman that you need no matter how long
I'ma fight until we're free, find our freedom from defeat
I wanna honor who you are, not tryna' play on
See the other guys you relied on
They broke your heart but it grew strong
We can be the perfect love song, and watch the skies fall
Wake up in the morning from the night's calm
And see the sunrise while we stand tall
Perfect intuition, you're my angel one I visioned
that I always could envision
To be wifey for my children cuz together we can fly
Forever you and I on this mission
That we call love that define all the wishes
Yea I'm a gentleman for life
Always need for a wife
In this cold world, in this cold world
I'll be the one to catch you when you're falling from the sky
I'll be the one to hold you baby, together we can fly
Baby let's fly, baby you and I
Baby hold on we can make it in time x 2
I never told you how I love you, kept my heart on the other side
Looking for a safer ride, easier to say goodby
So bad when I want it but in front when I lose it
So I turn to the music
And you turn to your phone and you wish what we had
will remain in our home from the names we recall
Never was a gentleman, making scenes at the mall
Just for the little things, always was so ignorant
Never thought the love that you bring was the best for me
And you're smothering me, I'm the loser in this tragedy
In the ugly side, gently blinded me
No Romeo inside of me, to begin will be proud
In my head would be time patience through the flight
On this stage we call life, we can glide you and I
Complicated from the start, so we aiming for the stars
Start with the sentiment, I'm a gentleman
I'll be the one to catch you when you're falling from the sky
I'll be the one to hold you baby, together we can fly
Baby let's fly, baby you and I
Baby hold on we can make it in time x 2[3]
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《世上只有》是容祖儿演唱的一首歌颂妈妈的粤语歌,曲调细腻真挚柔美,朗朗上口,极具感染力。收录于她于2004年4月29日发行的专辑《Nin9 2 5ive》中。是刀唛“好妈妈”广告主题曲。
People told me that i would mess up my life
but i could not just deny the feelings
i felt inside of me
so sweet and indecently you pop on the scene
you just don't know how much you mean to me (you you you you)
You make me smile
you make me laugh (ooh)
you make me feel
you make me happy
i'm so glad i have you in my life
you make me smile
you make me laugh (ooh)
you make me feel
you make me happy
i'm so glad i have you in my life
[Jermaine Dupri says Verse 2]
I have you in my life
i had to make a way for
you to have everytyhing you need, you need
i'll dry all your tears away
when you cry calm you fears
so don't you ever be afraid, be afraid naw
You make me smile (you make me smile)
you make me laugh (you make me)
you make me feel
you make me happy
i'm so glad i have you in my life
you make me smile (ooh)
you make me laugh (ooh)
you make me feel
you make me happy
i'm so glad i have you in my life
[Jermaine says Let's go to the bridge]
Everytime i see your face
[Jermaine says: What happened]
you remind me of how blessed i am
you make me
(oohhhh) (ohhh) i'm so glad i have you in my life
(ooh yeahh ooh yeah) i'm so glad i have you in my life
You make me smile
you make me laugh (so glad)
you make me feel (so glad)
you make me happy
i'm so glad i have you in my life
you make me smile (oohhh)
you make me laugh
you make me feel (thank you Lord)
you make me happy (for my child, my child, my child)
you make me smile (thank you Lord for my child)
you make me laugh
you make me feel
you make me happy
i'm so glad i'm so glad i'm so glad
you make me smile (that you make me smile)
you make me laugh
you make me feel (that you make me feel)
you make me happy
i'm so glad i ahve you in my life (to have you in my life, have you in my life)
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摘要:《最炫民族风》是凤凰传奇演唱的一首流行歌曲,由张超作词和谱曲,发行于2009年5月27日,是其第三张专辑《最炫民族风》的主打歌。
<<最炫民族风>>
The vast land is my love.
苍茫的天涯是我的爱.
The rolling green hills are flourishing at the foot of the mountain.
绵绵的青山脚下花正开
What kind of rhythm is the most rocking?
什么样的节奏是最呀最摇摆
What song is the most joyful?
什么样的歌声才是最开怀
The river winds from the sky.
弯弯的河水从天上来
It flows its riot of color to the sea.
流向那万紫千红一片海
Dynamic songs are our expectations.
哗啦啦的歌谣是我们的期待
Walking and singing is the most comfortable on the road.
一路边走边唱才是最自在
We want to sing,we must sing with the most enjoyment.
我们要唱就要唱得最痛快
You are the most beautful clouds in my sky.
你是我天边最美的云彩
I use my heart to make you stay.
让我用心把你留下来
I am leisurely singing the coolest folk style song.
悠悠的唱着最炫的民族风
Let the love sweep away all the dust.
让爱卷走所有的尘埃
You are the most beautiful clouds in my heart.
你是我心中最美的云彩
Why didn't I let you stay?
怎么没就让你留下来
I am singing the coolest folk style song forever.
永远都唱着最炫的民族风
It's the most beautiful shape in the sky.
是整片天空最美的姿态
ya la la wo le bei
(和声)呀啦啦喔了呗
yi la suo le wo le bei la
伊啦嗦了喔了呗啦
I hear the song in your heart.
我听见你心中动人的天籁
On the stage of the sky.
登上天外云霄的舞台
I hear very nice voice from your heart.
RAP:我听见你心中那动人的天籁
Your voice sounds like a spring breeze.
The peach flowers blossom.
就忽如一夜春风袭来满面桃花开
I want to gather flowers.
我忍不住去采我忍不住去摘
I am waiting for you.
我敞开胸怀为你等待
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中秋节是流行于中国众多民族与汉字文化圈诸国的传统文化节日,时在农历八月十五;因其恰值三秋之半,故名,也有些地方将中秋节定在八月十六,那么大家知道怎么用英语介绍中秋节的习俗呢?下面是小编给大家整理的中秋节的习俗英文版介绍,希望对大家有所帮助。
On rumored ancient folk worship ugly no salt, pious worship during childhood on, grow up to superior moral palace, but do not drive. A full moon on August 15, Son of Heaven to see her in the moonlight, feeling that her beauty is outstanding, after she was Queen, Mid-Autumn Festival on the resulting worship. Mid-Chang, to beauty, known for young girls worship it on, willing to "look like the goddess of the moon, face as bright moon."
相传古代齐国丑女无盐,幼年时曾虔诚拜月,长大后,以超群品德入宫,但未被宠幸。某年八月十五赏月,天子在月光下见到她,觉得她美丽出众,后立她为皇后,中秋拜月由此而来。月中嫦娥,以美貌著称,故少女拜月,愿“貌似嫦娥,面如皓月”。
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万圣节前夕又叫诸圣节 ,在每年的10月31日,是西方的传统节日。关于这个节日的由来,你知道是什么吗?下面是小编整理的关于万圣节由来的英语文章,希望对大家有所帮助。
Halloween is a holiday celebrated on October 31. By tradition, Halloween begins after sunset. Long ago, people believed that witches gathered together and ghosts roamed the world on Halloween. Today, most people no longer believe in ghosts and witches. But these supernatural beings are still a part of Halloween.
万圣节前夜是在10月31日庆祝的一个节日,根据传统,万圣节前夜的庆祝活动从太阳落山开始。在很久以前,人们相信在万圣节前夜女巫会聚集在一起,鬼魂在四处游荡。现在,大多数人们不再相信有鬼魂和女巫的存在了,但是他们仍然把这些作为万圣节前夜的一部分。
The colors black and orange are also a part of Halloween. Black is a symbol for night and orange is the color of pumpkins. A jack-o’-lantern is a hollowed-out pumpkin with a face carved on one side. Candles are usually placed inside, giving the face a spooky glow.
黑色和橙色仍然是万圣节前夜的一部分,黑色是夜晚的象征,而橙色代表着南瓜。南瓜灯是用雕刻成脸型,中间挖空,再插上蜡烛的南瓜做成的,带来一个毛骨悚然的灼热面孔。
Dressing up in costumes is one of the most popular Halloween customs, especially among children. According to tradition, people would dress up in costumes (wear special clothing, masks or disguises) to frighten the spirits away.
盛装是最受欢迎的万圣节风俗之一,尤其是受孩子们的欢迎。按照传统习俗,人们会盛装(穿戴一些特殊的服饰,面具或者装饰)来吓跑鬼魂。
Popular Halloween costumes include vampires (creatures that drink blood), ghosts (spirits of the dead) and werewolves (people that turn into wolves when the moon is full).
流行的万圣节服装包括vampires(吸血鬼),ghosts(死者的灵魂)和werewolves(每当月圆时就变成狼形的人)。
Trick or Treating is a modern Halloween custom where children go from house to house dressed in costume, asking for treats like candy or toys. If they don't get any treats, they might play a trick (mischief or prank) on the owners of the house.
欺骗或攻击是现代万圣节的风俗。孩子们穿着特殊的衣服走街串巷,讨取糖果和玩具之类的赏赐。如果他们得不到任何的赏赐,就可能会对屋主大搞恶作剧或者胡闹了。
The tradition of the Jack o' Lantern comes from a folktale about a man named Jack who tricked the devil and had to wander the Earth with a lantern. The Jack o' Lantern is made by placing a candle inside a hollowed-out pumpkin, which is carved to look like a face.
南瓜灯的传统来自于一个民间传说。一个名叫Jack的人戏弄了恶魔,之后就不得不提着一盏灯在地球上流浪。南瓜灯是用雕刻成脸型,中间挖空,再插上蜡烛的南瓜做成的。
There are many other superstitions associated with Halloween. A superstition is an irrational idea, like believing that the number 13 is unlucky!
和万圣节有关的迷信还有很多。迷信是一种不合常理的想法,比如认为13是不吉利的数字!
Halloween is also associated with supernatural creatures like ghosts and vampires. These creatures are not part of the natural world. They don't really exist... or do they?
万圣节还和一些诸如鬼魂和吸血鬼之类的超自然的生物有关。这些生物不是自然界的一部分。他们实际上是不存在的......或许他们其实真的存在?
Witches are popular Halloween characters that are thought to have magical powers. They usually wear pointed hats and fly around on broomsticks.
女巫是万圣节很受欢迎的人物,人们认为她们具有强大的魔力。他们通常戴着尖顶的帽子,骑在扫把上飞来飞去。
Bad omens are also part of Halloween celebrations. A bad omen is something that is believed to bring bad luck, like black cats, spiders or bats.
恶兆也是万圣节庆祝活动的一部分。人们相信恶兆会带给坏运气,黑猫、蜘蛛或者蝙蝠都算是恶兆。
Im Oktober ist Hochsaison für Hexen, Gespenster, Geister und alle, die sich gerne Gruseln, denn am 31. Oktober ist Halloween.
十月是女巫,幽灵,鬼魂和一切让人不寒而栗的东西出现的旺季,因为10月31日是万圣节。
Ursprünglich, vor Hunderten von Jahren, war Halloween ein Herbstfest der Druiden im alten England. Es sei die einzige Nacht des Jahres, so glaubten die Menschen damals, in der Hexen und Geister leibhaftig auf der Erde herumspukten.
起初在几百年前,万圣节在古英格兰对巫师们来说是秋天节。那时人们认为,这一天晚上是一年当中唯一一个女巫和鬼魂真的来到人间到处作祟的夜晚。
Fast jedes Kind weiß, dass Halloween etwas mit Gespenstern, Hexen und Verkleiden zu tun hat, aber kaum jemand hat eine Ahnung, was es mit dem Fest ‚Halloween’ nun wirklich auf sich hat.
几乎每个孩子都知道,万圣节与幽灵,女巫和化装有关,但是几乎没有一个人知道,万圣节这个节日究竟因何而来。
Schon vor über 2000 Jahren feierten die Kelten im alten England (heute sagen wir Großbritannien dazu) zum Ende des Sommers ein großes Fest – damals hieß es noch ‚Samhain’. Der 31. Oktober war bei den Kelten der letzte Tag des Jahres, denn sie hatten einen anderen Kalender als wir heute. Der Sommer wurde mit großen Feuern verabschiedet und gleichzeitig der Winter begrüßt. Die Menschen bedankten sich bei ihrem Sonnengott (mit Namen ‚Samhain’) für die Ernte, die sie in der warmen Jahreszeit eingebracht hatten und gedachten an diesem Tag auch der Seelen der Verstorbenen. Der Sonnengott wurde nun, zu Beginn der dunklen Winterzeit von dem keltischen Gott der Toten, abgelöst.
早在两千多年前,古英格兰(今天的大不列颠)的克勒特人在夏季结束时会进行一场盛大的节日庆祝——那时这个节日叫做“萨温节”。对于克勒特人来说,10月31日是一年的最后一天,因为他们使用的年历与我们今天的不同。人们燃起大火告别夏季,同时欢迎冬季的到来。他们向太阳神(名字为“Samhain”)表示感谢,感谢其赐予的温暖季节带来丰收,同时也在这一天悼念逝者的亡灵。而后太阳神就在阴暗的冬天开始之时被克勒特人的死亡之神所替代。
Die Kelten glaubten fest daran, dass die Seelen der Verstorbenen in der Nacht vom 31. Oktober als Geister auf die Erde zurückkommen, um in ihre Häuser zurückzukehren. Aber was war mit den Geistern und heimatlosen Seelen, die trotz der großen Feuer, die am Wegesrand entfacht wurden, den Weg nicht fanden und verzweifelt umherirrten? Von ihnen war nichts Gutes zu erwarten, sie spukten durch die Nacht, erschreckten friedliche Menschen und trieben ihr Unwesen mit ihnen.
克勒特人坚信,逝者的亡灵在10月31日会变成鬼魂来到人间,回到自己家中。但是那些即使在路边点着旺火却也找不到路而绝望地四处乱走的鬼魂和无家可归的亡灵怎么办呢?别指望他们做什么好事,他们会整晚捣乱作祟,惊吓平和中的人们,到处胡作非为。
Einige Jahrhunderte später, ungefähr 800 Jahre n. Chr., ernannte der Papst den 1. November, also den Tag nach dem 31. Oktober, zum Feiertag ‚Allerheiligen’, an dem der christlichen Märtyrer gedacht wurde. Aus dem Samhain- Fest wurde im Laufe der Zeit ‚das Fest am Vorabend zu Allerheiligen’, und das heißt auf englisch ‚All Hallows’ Evening’ oder abgekürzt ‚Hallows’ E’en’. Inzwischen sagen wir Halloween.
几百年后,大约公元800年的时候,罗马教皇将11月1日,也就是10月31日后一天,作为“万圣”之节,在这一天人们会怀念____的烈士。随着时间的推移,英国人根据萨温节就把11月1日的前夜变成了庆祝万圣的节日,而英语里万圣夜称作“All Hallows’ Evening”,简称Hallows’ E’en。渐渐地我们就把万圣节叫做了Halloween。
Obwohl das Samhain-Fest schon so lange her ist, verkleiden sich die Kinder heute noch als gruselige Gestalten, wie Gespenster, Hexen, Zauberer oder Vampire, um Geister abzuschrecken. Und das ist auch gut so – denn wer weiß denn schon genau, ob die Kelten im alten England nicht doch recht hatten......?
虽然萨温节已如此古老,今天的孩子们还会装扮成毛骨悚然的形象,像是幽灵,女巫,男巫或是吸血鬼去吓退鬼魂。不过这样也不错——谁又清楚地知道,古英格兰的克勒特人是不是有道理呢?
Symbols of Halloween
Halloween originated as a celebration connected with evil spirits. Witches flying on broomsticks with ghosts, goblins and skeletons have all evolved as symbols of Halloween. Bats, owls and other nocturnal animals are also popular symbols of Halloween. They were originally feared because people believed that these creatures could communicate with the spirits of the dead.
Black cats are also symbols of Halloween and have religious origins as well. Black cats were considered to be reincarnated beings with the ability to divine the future. During the Middle Ages it was believed that witches could turn themselves into black cats. Thus when such a cat was seen, it was considered to be a witch in disguise. All these are popular trick-or-treat costumes and decorations for greeting cards and windows.
Black is one of the traditional Halloween colors, probably because Halloween festivals and traditions took place at night.
Pumpkins are also a symbol of Halloween. The pumpkin is an orange-colored squash, and orange has become the other traditional Halloween color. Carving pumpkins into jack- o'-lanterns is a Halloween custom also dating back to Ireland. A legend grew up about a man named Jack who was so stingy that he was not allowed into heaven when he died, because he was a miser. He couldn't enter hell either because he had played jokes on the devil. As a result, Jack had to walk on the earth with his lantern until Judgement Day. So Jack and his lantern became the symbol of a lost or damned soul. To scare these souls away on Halloween, the Irish people carved scary faces out of turnips, beets or potatoes representing "Jack of the Lantern," or Jack-o-lantern. When the Irish brought their customs to the United States, they carved faces on pumpkins because in the autumn they were more plentiful than turnips. Today jack-o-lanterns in the windows of a house on Halloween night let costumed children know that there are goodies waiting if they knock and say "Trick or Treat!"
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万圣节前夜起源于与邪恶幽灵相关的庆祝活动,所以骑着扫帚的女巫、幽灵、小妖精和骷髅都是万圣节的标志物。蝙蝠、猫头鹰和其他夜间活动的动物也是万圣节的普遍标志。起初,这些动物让人觉得非常可怕,因为人们认为这些动物能和死者的幽灵进行交流。
黑猫也是万圣节的标志物,并且也有一定的宗教起源。人们认为黑猫可以转生,具有预言未来的超能力。在中世纪,人们认为女巫可以变成黑猫,所以人们一看到黑猫就会认为它是女巫假扮的。这些标志物都是万圣节服装的普遍选择,也是贺卡或橱窗上很常用的装饰。
黑色是传统的万圣节颜色,这可能是因为万圣节前夜的各种传统或仪式都是在晚上举行。
南瓜也是万圣节的标志性象征。南瓜是橘黄色的,所以橘黄色也成了传统的万圣节颜色。用南瓜雕制南瓜灯也是一个万圣节传统,其历史也可追溯到爱尔兰。传说有一个名叫杰克的人非常吝啬,因而死后不能进入天堂,而且因为他取笑魔鬼也不能进入地狱,所以,他只能提着灯笼四处游荡,直到审判日那天。于是,杰克和南瓜灯便成了被诅咒的游魂的象征。人们为了在万圣节前夜吓走这些游魂,便用芜菁、甜菜或马铃薯雕刻成可怕的面孔来代表提着灯笼的杰克,这就是南瓜灯(Jack-o'-lantern)的由来。爱尔兰人迁到美国后,便开始用南瓜来进行雕刻,因为在美国秋天的时候南瓜比芜菁更充足。现在,如果在万圣节的晚上人们在窗户上挂上南瓜灯就表明那些穿着万圣节服装的人可以来敲门捣鬼要糖果。
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在西方国家,每年的10月31日,有个“Halloween”,辞典解释为“The eve of All Saints'Day”,中文译作:“万圣节之夜”。万圣节是西方国家的传统节日。这一夜是一年中最“闹鬼”的一夜,所以也叫“鬼节”。西方国家在万圣节里有很多有趣的习俗,下面是读文网小编整理的万圣节的习俗英文版,欢迎大家阅读!
Halloween Halloween is an autumn holiday that Americans celebrate every year. It means "holy evening," and it comes every October 31, the even
ing before All Saints' Day. However, it is not really a church holiday, it is a holiday for children mainly.
Every autumn, when the vegetables are ready to eat, children pick large orange pumpkins. Then they cut faces in the pumpkins and put a burning candle inside. It looks as if there were a person looking out of the pumpkin! These lights are called jack-o'-lanterns, which means "Jack of the lantern".
The children also put on strange masks and frightening costumes every Halloween. Some children paint their faces to look like monsters. Then they carry boxes or bags from house to house. Every time they come to a new house, they say,"Trick or treat! Money or eat!" The grown-ups put treat-money or candy in their bags.
Not only children, but most grown-ups also love Halloween and Halloween parties because on this day,they can disguise themselves as personages or ghost as their imaginations will lead them. This bring them the satisfaction of being young.
万圣节前夕
万圣节前夕是美国人年年都会庆祝的秋季节日。它的意思是“神圣的夜晚”,在每年的10月31日,也就是万圣节前夜。但实际上这不是一个真正的宗教节日,而主要是孩子们的节日。
万圣节的英文介绍
每年秋天蔬菜成熟可以食用的时候,孩子们就会挑出大个儿的橙色南瓜。然后在南瓜上刻上一张脸,把一根点燃的蜡烛放在里面。看起来就好像有人在向南瓜外面张望。这些灯就叫做“iack-o'-lantems”,意思也就是“杰克的灯”。
每年万圣节前夕孩子们还戴上奇怪的面具,穿上吓人的服装。有些孩子把脸刷成怪物。然后他们拿着盒子或袋子挨家挨户串门。每来到一个新房子他们就说:“不款待就捣乱!给钱还是吃的!”大人们就会把用来招待的钱或糖放在他们的袋子里了。
不仅孩子,许多成年人也喜欢万圣节前夕和万圣节前夕晚会。因为这一天他们可以根据自己的想象把自己装扮成名流或幽灵。这会带给他们年轻的快感。
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《老人与海》是海明威于1951年在古巴写的一篇中篇小说,是海明威最著名的作品之一。下面是读文网小编整理的一些老人与海的英文版句子,欢迎大家阅读!
He did not remember when he had first started to talk aloud when he was by himself. He had sung when he was by himself in the old days and he had sung at night sometimes when he was alone steering on his watch in the smacks or in the turtle boats. He had probably started to talk aloud, when alone, when the boy had left. But he did not remember. When he and the boy fished together they usually spoke only when it was necessary. They talked at night or when they were storm-bound by bad weather. It was considered a virtue not to talk unnecessarily at sea and the old man had always considered it so and respected it. But now he said his thoughts aloud many times since there was no one that they could annoy.
他记不起他是什么时候第一次开始在独自待着的当儿自言自语的了。往年他独自待着时曾唱歌来着,有时候在夜里唱,那是在小渔船或捕海龟的小艇上值班掌舵时的事。他大概是在那孩子离开了他、他独自待着时开始自言自语的。不过他记不清了。他跟孩子一块儿捕鱼时,他们一般只在有必要时才说话。他们在夜间说话来着,要不,碰到坏天气,被暴风雨困在海上的时候。没有必要不在海上说话,被认为是种好规矩,老人一向认为的确如此,始终遵守它。可是这会儿他把心里想说的话说出声来有好几次了,因为没有旁人会受到他说话的打扰。
"If the others heard me talking out loud they would think that I am crazy," he said aloud. "But since I am not crazy, I do not care. And the rich have radios to talk to them in their boats and to bring them the baseball."
“要是别人听到我在自言自语,会当我发疯了,”他说出声来。“不过既然我没有发疯,我就不管,还是要说。有钱人在船上有收音机对他们谈话,还把棒球赛的消息告诉他们。”
Now is no time to think baseball, he thought. Now is the time to think of only one thing. That which I was born for. There might be a big one around that school, he thought. I picked up only a straggler from the albacore that were feeding. But they are working far out and fast. Everything that shows on the surface today travels very fast and to the north-east. Can that be the time of day? Or is it some sign of weather that I do not know?
现在可不是思量棒球赛的时刻,他想。现在只应该思量一桩事。就是我生来要干的那桩事。那个鱼群周围很可能有一条大的,他想。我只逮住了正在吃小鱼的金枪鱼群中一条失散的。可是它们正游向远方,游得很快。今天凡是在海面上露面的都游得很快,向着东北方向。难道一天的这个时辰该如此吗?要不,这是什么我不懂得的天气征兆?
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《老人与海》是海明威于1951年在古巴写的一篇中篇小说,于1952年出版。是海明威最著名的作品之一。它围绕一位老年古巴渔夫,与一条巨大的马林鱼在离岸很远的湾流中搏斗而展开故事的讲述。下面是读文网小编整理的一些老人与海英文版经典句子, 希望对大家有帮助。
1、The boy loved the old fisherman and pitied him. If Manolin had no money of his own, he begged or stole to make sure that Santiago had enough to eat and fresh baits for his lines. The old man accepted his kindness with humility that was like a quiet kind of pride.
孩子喜欢并且可怜这个老渔人。曼诺林要是自己没有挣到钱,就会乞讨或偷窃以保证桑提亚哥有足够的食物和新鲜的鱼饵。老人谦卑地接受孩子的好意,谦卑中带有某种隐而不露的自豪感。
2、As the sun rose he saw other boats in toward shore, which was only a low green line on the sea.
阳升起时,他看到别的一些船只都头朝着海岸,在海上看来海岸象是一条接近地平线的绿带子。
3、But a man is not made for defeat. A man can be destroyed but not defeated
人不是生来要给打败的,你尽可把他消灭掉,可就是打不败他
3.The water was a dark blue now, so dark that it was almost purple. 如今的海水是深蓝色的,深到几乎成了紫色。
4.It is what a man must do. 这是一个男子汉所应该做的。
5.He was beautiful, the old man remembered, and he had stayed. 他很美丽,老人回忆著,还有他以前曾经逗留过。
6.Most people are heartless about turtles because a turtle’s heart will beat for hours after he has been cut up and butchered. But the old man thought, I have such a heart too and my feet and hands are like theirs. 大多数人对待(海龟、甲鱼之类的动物吧)很冷酷无情,因为海龟的心会在它身体被剖开和屠杀时,被时光打败。(此句照应“A man can be destroyed but not defeated ” “一个人可以被毁灭但是不能被打倒!”)
7.Now is no time to think of baseball, he thought. Now is the time to think of only one thing. That which I was born for. 现在没有时间考虑棒球了,他想。此刻是只能思考一件事情的时候。那是,我生来是为了什麽。
8.It was considered a virtue not to talk unnecessarily at sea and the old man had always considered it so and respected it. But now he said his thoughts aloud many times since there was no one that they could annoy. 可以想象品德在海里就不必要说起了,而老人以前却总是思考著,尊敬著它。可是现在,自从没有了一个可能打搅的人,他就把那些想法高声的说出来,好多次。
9.The tuna, the fishermen called all the fish of that species tuna and only distinguished among them by their proper names when they came to sell them or to trade them for bait, were down again.
(金枪鱼,渔人在售卖它们或者交易他们用作诱饵时,……)
10.He felt no strain nor weight and he held the line lightly. Then it came again. This time it was a tentative pull, not-solid nor heavy, and he knew exactly what it was. 他感觉没有什麽拉力和重量,而轻轻的抓住鱼线。之后它(指大鱼)又来了。这次它仅仅拉了一会儿,不沉也不重,而他已经清楚的知道那是什麽鱼了.
11.If you said a good thing, it might not happen. 如果你说出了一件好的事情,那么那件好事可能就会不出现了。(大概可以理解为“天机不可泄露”)
12.What I will do if he decides to go down, I don’t know. What I’ll do if he sounds and dies I don’t know. But I ‘ll do something. There are plenty of things I can do. 我不知道,如果他下来或者如果他倒地一声死了,我要怎么办。但是我知道,我会做一些事情。还有很多东西我可以做。
13.Then he looked behind him and saw that no land was visible. That makes no difference, he thought. 然后他望向背后,却发现,没有一块可以看见的陆地。他想,海洋没有制造什麽差异,跟之前没有什麽区别。
14.The position actually was only somewhat less intolerable; but he thought of it as almost comfortable. 实际上的方位只能稍微带给人少许无法忍受的感觉,但他几乎想象这是一件舒适的事情。
15.Then he thought, think of it always. Think of what you are doing. You must do nothing stupid.
Then he said aloud, “I wish I had the boy. To help me and to see this.” 之后他总是想著,思考著这件事。思考你在干什麽。你不能做任何愚蠢的事情。然后他大声的说:“我希望身边有个男孩,可以帮助我,还有可以看到这。”
16.What a great fish he is and what he will bring in the market if the flesh is good. He took the bait like a male and he pulls like a male and his fight has no panic in it. I wonder if he has any plans or if he is just as desperate as I am? 这是一个多么庞大的鱼,如果到时候还新鲜的话,他就拿到市场卖了。他像一个男子汉那样,拿著诱饵还有拉著线,无畏的搏斗著。我想知道,他是否有任何的安排,或者,他只是像我一样,绝望了。
17.All my life the early sun has hurt my eyes, he thought. Yet they are still good. 生命中的旭阳刺痛了我的眼睛,他想。(据本人理解应为指早年初恋女友,那个护士的背叛)呵呵,还好这双眼睛现在还挺好。
18.Perhaps I should not have been a fisherman, he thought. But that was the thing that I was born for. 或许我不应该成为一个渔夫,他想。但是那是我生来的源由。
19.“ Fish,” he said softly, aloud, “ I ‘ll stay with you until I am dead.” “鱼,”他柔和地说著,却很响亮 ,“我会一直陪伴你直至我死去。”
20.He could feel the steady hard pull of the line and his left hand was cramped. It drew up tight on the heavy cord and he looked at it in disgust.
“What kind of a hand is that,” he said. “Cramp then if you want. Make yourself into a claw. It will do you no good.” 他能感觉到支架艰难的拉著,但是他的左手却被夹住了。它被沉重的绳索卷住了,老人嫌恶的看著左手。
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《欢乐颂》是在1785年由德国诗人席勒所写的诗歌, 贝多芬为之谱曲,今天读文网小编为大家带来《欢乐颂》英文版歌词,希望大家喜欢!
That She Would Dishevel Her Hair
请她让她的金发散乱
Amarantba, sweet and fair,
美丽可爱的阿玛莲莎,
Ah, braid no more that shining hair:
别再编你光亮的金发吧!
As my curious hand or eye
既然我好奇的手和眼
Hovering round thee, let it 11y!
围着你打转,请任其飘散!
Let it fly as unconfined
任其无拘无束地飘扬,
As its calm ravisher the wind?
像被其迷住的和风那样;
Who hath left his darling East
它已离开心爱的东面,
To wanton o'er that spicy nest.
来这香喷喷的窝上游玩。
Every tress must be contest,
每绺金发须展现出来,
But neatly tangled at the best;
但是得绝美地绞在一块;
Like a clue of golden thread
就像金色的线一大团,
Most excellently revelled.
虽然有点乱却妙得非凡‘
Do not, then,wind up that light
所以,可别用缎带束起
In ribands, and o'ercloud in night,
那光明笼进夜的乌云里,
Like the Sun in's early ray;
就像凌晨太阳的光线;
But shake your head, and scatter day!
请把头一甩,撒出个白天!
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Maya(或译作玛雅)是相当高阶而且复杂的计算机三维动画软件,被广泛用于电影、电视、广告、电脑游戏和电视游戏等的数码特效创作。读文网小编为大家整理了Maya有关词汇中英文对照,希望对你有帮助哦!
Curves创建曲线
CV Curve Tool CV曲线工具
EP Curve Tool EP曲线工具
Pencil Curve Tool笔曲线工具
Add Points Tool加点工具
Curve Editing Tool曲线编辑工具
Offset Curve曲线移动
Offset Curve On Surface曲线在表面移动
Project Tangent曲线切线调整
Fillet Curve带状曲线
Rebuild Curve重建曲线
Extend Curve扩展曲线
Insert Knot插入节点
Attach Curves连接曲线
Detach Curves断开曲线
Align Curves对齐曲线
Open/Close Curves打开/关闭曲线
Reserse Curves反转曲线
Duplicate Curves复制曲线
CV Hardness硬化曲线
Fit B-spline适配贝塔曲线
Surfaces曲面
Bevel斜角
Extrude凸出
Loft放样
Planar曲面
Revolve旋转
Boundary边界
Birail 1 Tool二对一工具
Birail 2 Tool二对二工具
Birail 3 Tool二对三工具
Circular Fillet圆边斜角
Freeform Fillet自由形斜角
Fillet Blend Tool斜角融合工具
Edit Surfaces编辑曲面
Intersect Surfaces曲面交叉
Project Curve投影曲线
Trim Tool修整曲线工具
Untrim Surfaces撤消修整
Rebuild Surfaces重建曲面
Prepare For Stitch准备缝合
Stitch Surface Points点缝合曲面
Stitch Tool缝合工具
NURBS to Polygons NURBS转化为多边形
Insert Isoparms添加元素
Attach Surfaces曲面结合
Detach Surfaces曲面分离
Align Surfaces曲面对齐
Open/Close Surfaces打开/关闭曲面
Reverse Surfaces反转曲面
Polygones多边形
Create Polygon Tool创建多边形工具
Append to Polygon Tool追加多边形
Split Polygon Tool分离多边形工具
Move Component移动元素
Subdivide多边形细化
Collapse面转点
Edges边界
Soften/Harden柔化/硬化
Close Border关闭边界
Merge Tool合并工具
Bevel斜角
Delete and Clean删除和清除
Facets面
Keep Facets Together保留边线
Extrude凸出
Extract破碎
Duplicate复制
Triangulate三角分裂
Quadrangulate四边形合并
Trim Facet Tool面修整工具
Normals法向
Reverse倒转法向
Propagate传播法向
Conform统一法向
Texture质地
Assign Shader to Each Projection指定投影
Planar Mapping平面贴图
Cylindrical Mapping圆柱体贴图
Spherical Mapping球体贴图
Delete Mapping删除贴图
Cut Texture裁剪纹理
Sew Texture斜拉纹理
Unite联合
Separate分离
Smooth光滑
Selection Constraints选定限定工具
Smart Command Settings改变显示属性
Convert Selection转化选定
Uninstall Current Settins解除当前设定
Animation动画模块
Keys关键帧
Settings设置关键帧
Auto Key自动设置关键帧
Spline样条曲线式
Linear直线式
Clamped夹具式
Stepped台阶式
Flat平坦式
Other其他形式
Set Driven Key设置驱动关键帧
Set设置
Go To Previous前移
Go To Next后退
Set Key设置帧
Hold Current Keys保留当前帧
Paths路径
Set Path Key设置路径关键帧
Attach to Path指定路径
Flow Path Object物体跟随路径
Skeletons骨骼
Joint Tool关节工具
IK Handle Tool反向动力学句柄工具
IK Spline Handle Tool反向动力学样条曲线句柄工具
Insert Joint Tool添加关节工具
Reroot Skeleton重新设置根关节
Remove Joint去除关节
Disconnect Joint解除连接关节
Connect Joint连接关节
Mirror Joint镜向关节
Set Preferred Angle设置参考角
Assume Preferred Angle
Enable IK Solvers反向动力学解算器有效
EIk Handle Snap反向动力学句柄捕捉有效
ESelected IK Handles反向动力学句柄有效
DSelected IK Handles反向动力学句柄无效
Deformations变形
Edit Menbership Tool编辑成员工具
Prune Membership变形成员
Cluster簇变形
Lattice旋转变形
Sculpt造型变形
Wire网格化变形
Lattice旋转
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《安妮日记》是安妮·弗兰克遇难前两年藏身密室时写下的生活和情感的记录。今天读文网小编为大家带来安妮日记英文版摘抄,欢迎大家阅读!
MONDAY, JUNE 15, 1942
I had my birthday party on Sunday afternoon. The Rin Tin Tin movie was a big hit with my classmates. I got two brooches, a bookmark and two books. I'll start by saying a few things about my school and my class, beginning with the students.
Betty Bloemendaal looks kind of poor, and I think she probably is. She lives on some obscure street in West Amsterdam, and none of us know where it is. She does very well at school, but that's because she works so hard, not because she's so smart. She's pretty quiet.
Jacqueline van Maarsen is supposedly my best friend, but I've never had a real friend. At first I thought Jacque would be one, but I was badly mistaken.
D.Q.* [* Initials have been assigned at random to those persons who prefer to remain anonymous.] is a very nervous girl who's always forgetting things, so the teachers keep assigning her extra homework as punishment. She's very kind, especially to G.Z.
E.S. talks so much it isn't funny. She's always touching your hair or fiddling with your buttons when she asks you something. They say she can't stand me, but I don't care, since I don't like her much either.
Henny Mets is a nice girl with a cheerful disposition, except that she talks in a loud voice and is really childish when we're playing outdoors. Unfortunately, Henny has a girlfriend named Beppy who's a bad influence on her because she's dirty and vulgar.
J.R. - I could write a whole book about her. J. is a detestable, sneaky, stuck-up, two-faced gossip who thinks she's so grown-up. She's really got Jacque under her spell, and that's a shame. J. is easily offended, bursts into tears at the slightest thing and, to top it all off, is a terrible show-off. Miss J. always has to be right. She's very rich, and has a closet full of the most adorable dresses that are way too old for her. She thinks she's gorgeous, but she's not. J. and I can't stand each other.
Ilse Wagner is a nice girl with a cheerful disposition, but she's extremely fInicky and can spend hours moaning and groaning about something. Ilse likes me a lot. She's very smart, but lazy.
Hanneli Goslar, or Lies as she's called at school, is a bit on the strange side. She's usually shy -- outspoken at horne, but reserved around other people. She blabs whatever you tell her to her mother. But she says what she thinks, and lately I've corne to appreciate her a great deal.
Nannie van Praag-Sigaar is small, funny and sensible. I think she's nice. She's pretty smart. There isn't much else you can say about Nannie. Eefje de Jong is, in my opinion, terrific. Though she's only twelve, she's quite the lady. She acts as if I were a baby. She's also very helpful, and I like her.
G.Z. is the prettiest girl in our class. She has a nice face, but is kind of dumb. I think they're going to hold her back a year, but of course I haven't told her that.
COMMENT ADDED BY ANNE AT A LATER DATE: To my areat surprise, G.Z. wasn't held back a year after all.
And sitting next to G.Z. is the last of us twelve girls, me.
There's a lot to be said about the boys, or maybe not so much after all.
Maurice Coster is one of my many admirers, but pretty much of a pest. Sallie Springer has a filthy mind, and rumor has it that he's gone all the way. Still, I think he's terrific, because he's very funny.
Emiel Bonewit is G.Z.'s admirer, but she doesn't care. He's pretty boring. Rob Cohen used to be in love with me too, but I can't stand him anymore. He's an obnoxious, two-faced, lying, sniveling little goof who has an awfully high opinion of himself.
Max van de Velde is a farm boy from Medemblik, but eminently suitable, as Margot would say.
Herman Koopman also has a filthy mind, just like Jopie de Beer, who's a terrible flirt and absolutely girl-crazy.
Leo Blom is Jopie de Beer's best friend, but has been ruined by his dirty mind.
Albert de Mesquita came from the Montessori School and skipped a grade. He's really smart.
Leo Slager came from the same school, but isn't as smart.
Ru Stoppelmon is a short, goofy boy from Almelo who transferred to this school in the middle of the year.
C.N. does whatever he's not supposed to.
Jacques Kocernoot sits behind us, next to C., and we (G. and I) laugh ourselves silly.
Harry Schaap is the most decent boy in our class. He's nice.
Werner Joseph is nice too, but all the changes taking place lately have made him too quiet, so he seems boring. Sam Salomon is one of those tough guys from across the tracks. A real brat. (Admirer!)
Appie Riem is pretty Orthodox, but a brat too.
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《假如给我三天光明》是作者海伦·凯勒的自传,被誉为“世界文学史上无与伦比的杰作”。她以自己的经历告诫人们应珍惜生命,珍惜造物主赐予的一切。如果你想欣赏一下这篇经典名作的话,那么就不要错过下面读文网小编为大家带来假如给我三天光明完整英文版及中文翻译,希望大家喜欢!
All of us have read thrilling stories in which the hero had only a limited and specified time to live. Sometimes it was as long as a year; sometimes as short as twenty-four hours.
But always we were interested in discovering just how the doomed man chose to spend his last days or his last hours. I speak, of course, of free men who have a choice, not condemned criminals whose sphere of activities is strictly delimited.
Such stories set us thinking, wondering what we should do under similar circumstances. What events, what experiences, what associations should we crowd into those last hours as mortal beings? What happiness should we find in reviewing the past, what regrets?
Sometimes I have thought it would be an excellent rule to live each day as if we should die tomorrow. Such an attitude would emphasize sharply the values of life. We should live each day with a gentleness, a vigor, and a keenness of appreciation which are often lost when time stretches before us in the constant panorama of more days and months and years to come. There are those, of course, who would adopt the Epicurean motto of "Eat, drink, and be merry," but most people would be chastened by the certainty of impending death.
In stories the doomed hero is usually saved at the last minute by some stroke of fortune, but almost always his sense of values is changed. he becomes more appreciative of the meaning of life and its permanent spiritual values. It ahs often been noted that those who live, or have lived, in the shadow of death bring a mellow sweetness to everything they do.
Most of us, however, take life for granted. We know that one day we must die, but usually we picture that day as far in the future. When we are in buoyant health, death is all but unimaginable. We seldom think of it. The days stretch out in an endless vista. So we go about our petty tasks, hardly aware of our listless attitude toward life.
The same lethargy, I am afraid, characterizes the use of all our faculties and senses. Only the deaf appreciate hearing, only the blind realize the manifold blessings that lie in sight. Particularly does this observation apply to those who have lost sight and hearing in adult life. But those who have never suffered impairment of sight or hearing seldom make the fullest use of these blessed faculties. Their eyes and ears take in all sights and sounds hazily, without concentration and with little appreciation. It is the same old story of not being grateful for what we have until we lose it, of not being conscious of health until we are ill.
I have often thought it would be a blessing if each human being were stricken blind and deaf for a few days at some time during his early adult life. Darkness would make him more appreciative of sight; silence would tech him the joys of sound.
Now and them I have tested my seeing friends to discover what they see. Recently I was visited by a very good friends who hadjust returned from a long walk in the woods, and I asked her what she had observed.. "Nothing in particular, " she replied. I might have been incredulous had I not been accustomed to such reposes, for long ago I became convinced that the seeing see little.
How was it possible, I asked myself, to walk for an hour through the woods and see nothing worthy of note? I who cannot see find hundreds of things to interest me through mere touch. I feel the delicate symmetry of a leaf. I pass my hands lovingly about the smooth skin of a silver birch, or the rough, shaggy bark of a pine. In the spring I touch the branches of trees hopefully in search of a bud the first sign of awakening Nature after her winter's sleep. I feel the delightful, velvety texture of a flower, and discover its remarkable convolutions; and something of the miracle of Nature is revealed to me. Occasionally, if I am very fortunate, I place my hand gently on a small tree and feel the happy quiver of a bird in full song. I am delighted to have the cool waters of a brook rush thought my open finger. To me a lush carpet of pine needles or spongy grass is more welcome than the most luxurious Persian rug. To me the page ant of seasons is a thrilling and unending drama, the action of which streams through my finger tips.
At times my heart cries out with longing to see all these things. If I can get so much pleasure from mere touch, how much more beauty must be revealed by sight. Yet, those who have eyes apparently see little. the panorama of color and action which fills the world is taken for granted. It is human, perhaps, to appreciate little that which we have and to long for that which we have not, but it is a great pity that in the world of light the gift of sight is used only as a mere conveniences rather than as a means of adding fullness to life.
If I were the president of a university I should establish a compulsory course in "How to Use Your Eyes". The professor would try to show his pupils how they could add joy to their lives by really seeing what passes unnoticed before them. He would try to awake their dormant and sluggish faculties.
Perhaps I can best illustrate by imagining what I should most like to see if I were given the use of my eyes, say, for just three days. And while I am imagining, suppose you, too, set your mind to work on the problem of how you would use your own eyes if you had only three more days to see. If with the on-coming darkness of the third night you knew that the sun would never rise for you again, how would you spend those three precious intervening days? What would you most want to let your gaze rest upon?
I, naturally, should want most to see the things which have become dear to me through my years of darkness. You, too, would want to let your eyes rest on the things that have become dear to you so that you could take the memory of them with you into the night that loomed before you.
If, by some miracle, I were granted three seeing days, to be followed by a relapse into darkness, I should divide the period into three parts.
The First Day
On the first day, I should want to see the people whose kindness and gentleness and companionship have made my life worth living. First I should like to gaze long upon the face of my dear teacher, Mrs. Anne Sullivan Macy, who came to me when I was a child and opened the outer world to me. I should want not merely to see the outline of her face, so that I could cherish it in my memory, but to study that face and find in it the living evidence of the sympathetic tenderness and patience with which she accomplished the difficult task of my education. I should like to see in her eyes that strength of character which has enabled her to stand firm in the face of difficulties, and that compassion for all humanity which she has revealed to me so often.
I do not know what it is to see into the heart of a friend through that "Window of the soul", the eye. I can only "see" through my finger tips the outline of a face. I can detect laughter, sorrow, and many other obvious emotions. I know my friends from the feel of their faces. But I cannot really picture their personalities by touch. I know their personalities, of course, through other means, through the thoughts they express to me, through whatever of their actions are revealed to me. But I am denied that deeper understanding of them which I am sure would come through sight of them, through watching their reactions to various expressed thoughts and circumstances, through noting the immediate and fleeting reactions of their eyes and countenance.
Friends who are near to me I know well, because through the months and years they reveal themselves to me in all their phases; but of casual friends I have only an incomplete impression, an impression gained from a handclasp, from spoken words which I take from their lips with my finger tips, or which they tap into the palm of my hand.
How much easier, how much more satisfying it is for you who can see to grasp quickly the essential qualities of another person by watching the subtleties of expression, the quiver of a muscle, the flutter of a hand. But does it ever occur to you to use your sight to see into the inner nature of a friends or acquaintance/ Do not most of you seeing people grasp casually the outward features of a face and let it go at that?
For instance can you describe accurately the faces of five good friends? some of you can, but many cannot. As an experiment, I have questioned husbands of long standing about the color of their wives' eyes, and often they express embarrassed confusion and admit that they do not know. And, incidentally, it is a chronic complaint of wives that their husbandsdo not notice new dresses, new hats, and changes in household arrangements.
The eyes of seeing persons soon become accustomed to the routine of their surroundings, and they actually see only the startling and spectacular. But even in viewing the most spectacular sights the eyes are lazy. Court records reveal every day how inaccurately "eyewitnesses" see. A given event will be "seen" in several different ways by as many witnesses. Some see more than others, but few see everything that is within the range of their vision.
Oh, the things that I should see if I had the power of sight for just three days!
The first day would be a busy one.
I should call to me all my dear friends and look long into their faces, imprinting upon my mind the outward evidences of the beauty that is within them. I should let my eyes rest, too, on the face of a baby, so that I could catch a vision of the eager, innocent beauty which precedes the individual's consciousness of the conflicts which life develops.
And I should like to look into the loyal, trusting eyes of my dogs - the grave, canny little Scottie, Darkie, and the stalwart, understanding Great Dane, Helga, whose warm, tender , and playful friendships are so comforting to me.
On that busy first day I should also view the small simple things of my home. I want to see the warm colors in the rugs under my feet, the pictures on the walls, the intimate trifles that transform a house into home. My eyes would rest respectfully on the books in raised type which I have read, but they would be more eagerly interested in the printed books which seeing people can read, for during the long night of my life the books I have read and those which have been read to me have built themselves into a great shining lighthouse, revealing to me the deepest channels of human life and the human spirit.
In the afternoon of that first seeing day. I should take a long walk in the woods and intoxicate my eyes on the beauties of the world of Nature trying desperately to absorb in a few hours the vast splendor which is constantly unfolding itself to those who can see. On the way home from my woodland jaunt my path would lie near a farm so that I might see the patient horses ploughing in the field 9perhaps I should see only a tractor!) and the serene content of men living close to the soil. And I should pray for the glory of a colorful sunset.
When dusk had fallen, I should experience the double delight of being able to see by artificial light which the genius of man has created to extend the power of his sight when Nature decrees darkness.
In the night of that first day of sight, I should not be able to sleep, so full would be my mind of the memories of the day.
The Second Day
The next day - the second day of sight - I should arisewith the dawn and see the thrilling miracle by which night is transformed into day. I should behold with awe the magnificent panorama of light with which the sun awakens the sleeping earth.
This day I should devote to a hasty glimpse of the world, past and present. I should want to see the pageant of man's progress, the kaleidoscope of the ages. How can so much be compressed into one day? Through the museums, of course. Often I have visited the New York Museum of Natural History to touch with my hands many of the objects there exhibited, butI have longed to see with my eyes the condensed history of the earth and its inhabitants displayed there - animals and the races of men pictured in their native environment; gigantic carcasses of dinosaurs and mastodons which roamed the earth long before man appeared, with his tiny stature and powerful brain, to conquer the animal kingdom; realistic presentations of the processes of development in animals, in man, and in the implements which man has used to fashion for himself a secure home on this planet; and a thousand and one other aspects of natural history.
I wonder how many readers of this article have viewed this panorama of the face of living things as pictured in that inspiring museum. Many, of course, have not had the opportunity, but I am sure that many who have had the opportunity have not made use of it. there, indeed, is a place to use your eyes. You who see can spend many fruitful days there, but I with my imaginary three days of sight, could only take a hasty glimpse, and pass on.
My next stop would be the Metropolitan Museum of Art, for just as the Museum of Natural History reveals the material aspects of the world, so does the Metropolitan show the myriad facets of the human spirit. Throughout the history of humanity the urge to artistic expression has been almost as powerful as the urge for food, shelter, and procreation. And here , in the vast chambers of the Metropolitan Museum, is unfolded before me the spirit of Egypt, Greece, and Rome, as expressed in their art. I know well through my hands the sculptured gods and goddesses of the ancient Nile-land. I have felt copies of Parthenon friezes, and I have sensed the rhythmic beauty of charging Athenian warriors. Apollos and Venuses and the Winged Victory of Samothrace are friends of my finger tips. The gnarled, bearded features of Homer are dear to me, for he, too, knew blindness.
My hands have lingered upon the living marble of roman sculpture as well as that of later generations. I have passed my hands over a plaster cast of Michelangelo's inspiring and heroic Moses; I have sensed the power of Rodin; I have been awed by the devoted spirit of Gothic wood carving. These arts which can be touched have meaning for me, but even they were meant to be
seen rather than felt, and I can only guess at the beauty which remains hidden from me. I can admire the simple lines of a Greek vase, but its figured decorations are lost to me.
So on this, my second day of sight, I should try to probe into the soul of man through this art. The things I knew through touch I should now see. More splendid still, the whole magnificent world of painting would be opened to me, from the Italian Primitives, with their serene religious devotion, to the Moderns, with their feverish visions. I should look deep into the canvases of Raphael, Leonardo da Vinci, Titian, Rembrandt. I should want to feast my eyes upon the warm colors of Veronese, study the mysteries of E1 Greco, catch a new vision of Nature from Corot. Oh, there is so much rich meaning and beauty in the art of the ages for you who have eyes to see!
Upon my short visit to this temple of art I should not be able to review a fraction of that great world of art which is open to you. I should be able to get only a superficial impression. Artists tell me that fordeep and true appreciation of art one must educated the eye. One must learn through experience to weigh the merits of line, of composition, of form and color. If I had eyes, how happily would I embark upon so fascinating a study! Yet I am told that, to many of you who have eyes to see, the world of art is a dark night,unexplored and unilluminated.
It would be with extreme reluctance that I should leave the Metropolitan Museum, which contains the key to beauty -- a beauty so neglected. Seeing persons, however, do not need a metropolitan to find this key to beauty. The same key lies waiting in smaller museums, and in books on the shelves of even small libraries. But naturally, in my limited time of imaginary sight, I should choose the place where the key unlocks the greatest treasures in the shortest time.
The evening of my second day of sight I should spend at a theatre or at the movies. Even now I often attend theatrical performances of all sorts, but the action of the play must be spelled into my hand by a companion. But how I should like to see with my own eyes the fascinating figure of Hamlet, or the gusty Falstaff amid colorful Elizabethan trappings! How I should like to follow each movement of the graceful Hamlet, each strut of the hearty Falstaff! And since I could see only one play, I should be confronted by a many-horned dilemma, for there are scores of plays I should want to see. You who have eyes can see any you like. How many of you, I wonder, when you gaze at a play, a movie, or any spectacle, realize and give thanks for the miracle of sight which enables you to enjoy its color , grace, and movement?
I cannot enjoy the beauty of rhythmic movement except in a sphere restricted to the touch of my hands. I can vision only dimly the grace of a Pavlowa, although I know something of the delight of rhythm, for often I can sense the beat of music as it vibrates through the floor. I can well imagine that cadenced motion must be one of the most pleasing sights in the world. I have been able to gather something of this by tracing with my fingers the lines in sculptured marble; if this static grace can be so lovely, how much more acute must be the thrill of seeing grace in motion.
One of my dearest memories is of the time when Joseph Jefferson allowed me to touch his face and hands as he went through some of the gestures and speeches of his beloved Rip Van Winkle. I was able to catch thus a meager glimpse of the world of drama, and I shall never forget the delight of that moment. But, oh, how much I must miss, and how much pleasure you seeing ones can derive from watching and hearing the interplay of speech and movement in the unfolding of a dramatic performance! If I could see only one play, I should know how to picture in mymind the action of a hundred plays which I have read or had transferred to me through the medium of the manual alphabet.
So, through the evening of my second imaginary day of sight, the great fingers of dramatic literature would crowd sleep from my eyes.
The Third Day
The following morning, I should again greet the dawn, anxious to discover new delights, for I am sure that, for those who have eyes which really see, the dawn of each day must be a perpetually new revelation of beauty.
This, according to the terms of my imagined miracle, is to be my third and last day of sight. I shall have no time to waste in regrets or longings; there is too much to see. The first day I devoted to my friends, animate and inanimate. The second revealed to me the history of man and Nature. Today I shall spend in the workaday world of the present, amid the haunts of men going about the business of life. And where can one find so many activities and conditions of men as in New York? So the city becomes my destination.
I start from my home in the quiet little suburb of Forest Hills, Long Island. Here , surrounded by green lawns, trees, and flowers, are neat little houses, happy with the voices and movements of wives and children, havens of peaceful rest for men who toil in the city. I drive across the lacy structure of steel which spans the East River, and I get a new and startling vision of the power and ingenuity of the mind of man. Busy boasts chug and scurry about the river - racy speed boat, stolid, snorting tugs. If I had long days of sight ahead, I should spend many of them watching the delightful activity upon the river.
I look ahead, and before me rise the fantastic towers of New York, a city that seems to have stepped from the pages of a fairy story. What an awe-inspiring sight, these glittering spires. these vast banks of stone and steel-structures such as the gods might build for themselves! This animated picture is a part of the lives of millions of people every day.
How many, I wonder, give it so much as a seconds glance? Very few, I fear, Their eyes are blind to this magnificent sight because it is so familiar to them.
I hurry to the top of one of those gigantic structures, the Empire State Building, for there , a short time ago, I "saw" the city below through the eyes of my secretary. I am anxious to compare my fancy with reality. I am sure I should not be disappointed in the panorama spread out before me, for to me it would be a vision of another world.
Now I begin my rounds of the city. First, I stand at a busy corner, merely looking at people, trying by sight of them to understand something of their live. I see smiles, and I am happy. I see serious determination, and I am proud, I see suffering, and I am compassionate.
I stroll down Fifth Avenue. I throw my eyes out of focus, so that I see no particular object but only a seething kaleidoscope of colors. I am certain that the colors of women's dresses moving in a throng must be a gorgeous spectacle of which I should never tire. But perhaps if I had sight I should be like most other women -- too interested in styles and the cut of individual dresses to give much attention to the splendor of color in the mass. And I am convinced, too, that I should become an inveterate window shopper, for it must be a delight to the eye to view the myriad articles of beauty on display.
From Fifth Avenue I make a tour of the city-to Park Avenue, to the slums, to factories, to parks where children play. I take a stay-at-home trip abroad by visiting the foreign quarters. Always my eyes are open wide to all the sights of both happiness and misery so that I may probe deep and add to my understanding of how people work and live. my heart is full of the images of people and things. My eye passes lightly over no single trifle; it strives to touch and hold closely each thing its gaze rests upon. Some sights are pleasant, filling the heart with happiness; but some are miserably pathetic. To these latter I do not shut my eyes, for they, too, are part of life. To close the eye on them is to close the heart and mind.
My third day of sight is drawing to an end. Perhaps there are many serious pursuits to which I should devote the few remaining hours, but I am afraid that on the evening of that last day I should again run away to the theater, to a hilariously funny play, so that I might appreciate the overtones of comedy in the human spirit.
At midnight my temporary respite from blindness would cease, and permanent night would close in on me again. Naturally in those three short days I should not have seen all I wanted to see. Only when darkness had again descended upon me should I realize how much I had left unseen. But my mind would be so crowded with glorious memories that I should have little time for regrets. Thereafter the touch of every object would bring a glowing memory of how that object looked.
Perhaps this short outline of how I should spend three days of sight does not agree with the program you would set for yourself if you knew that you were about to be stricken blind. I am, however, sure that if you actually faced that fate your eyes would open to things you had never seen before, storing up memories for the long night ahead. You would use your eyes as never before. Everything you saw would become dear to you. Your eyes would touch and embrace every object that came within your range of vision. Then, at last, you would really see, and a new world of beauty would open itself before you.
I who am blind can give one hint to those who see -- one admonition to those who would make full use of the gift of sight: Use your eyes as if tomorrow you would be stricken blind.
And the same method can be applied to the other senses. Hear the music of voices, the song of a bird, the mighty strains of an orchestra, as if you would be stricken deaf tomorrow.
Touch each object you want to touch as if tomorrow your tactile sense would fail. Smell the perfume of flowers, taste with relish each morsel, as if tomorrow you could never s
mell and taste again. Make the most of every sense: glory in all the facets of pleasure and beauty which the world reveals to you through the several means of contact which Nature provides. But of all the senses, I am sure that sight must be the most delightful.#p#副标题#e#
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小红帽是德国童话作家格林的童话《小红帽》中的人物,故事版本多达一百多个,是如今家户喻晓的经典童话故事,成了不少小朋友最喜欢的睡前故事之一。下面读文网小编为大家带来小红帽童话故事双语版,欢迎大家阅读。
Once upon a time there was a sweet little girl. Everyone who saw her liked her, but most of all her grandmother, who did not know what to give the child next. Once she gave her a little cap made of red velvet. Because it suited her so well, and she wanted to wear it all the time, she came to be known as Little Red Cap.
One day her mother said to her, "Come Little Red Cap. Here is a piece of cake and a bottle of wine. Take them to your grandmother. She is sick and weak, and they will do her well. Mind your manners and give her my greetings. Behave yourself on the way, and do not leave the path, or you might fall down and break the glass, and then there will be nothing for your grandmother. And when you enter her parlor, don't forget to say 'Good morning,' and don't peer into all the corners first."
"I'll do everything just right," said Little Red Cap, shaking her mother's hand.
The grandmother lived out in the woods, a half hour from the village. When Little Red Cap entered the woods a wolf came up to her. She did not know what a wicked animal he was, and was not afraid of him.
"Good day to you, Little Red Cap."
"Thank you, wolf."
"Where are you going so early, Little Red Cap?"
"To grandmother's."
"And what are you carrying under your apron?"
"Grandmother is sick and weak, and I am taking her some cake and wine. We baked yesterday, and they should be good for her and give her strength."
"Little Red Cap, just where does your grandmother live?"
"Her house is good quarter hour from here in the woods, under the three large oak trees. There's a hedge of hazel bushes there. You must know the place," said Little Red Cap.
The wolf thought to himself, "Now that sweet young thing is a tasty bite for me. She will taste even better than the old woman. You must be sly, and you can catch them both."
He walked along a little while with Little Red Cap, then he said, "Little Red Cap, just look at the beautiful flowers that are all around us. Why don't you go and take a look? And I don't believe you can hear how beautifully the birds are singing. You are walking along as though you were on your way to school. It is very beautiful in the woods."
Little Red Cap opened her eyes and when she saw the sunbeams dancing to and fro through the trees and how the ground was covered with beautiful flowers, she thought, "If a take a fresh bouquet to grandmother, she will be very pleased. Anyway, it is still early, and I'll be home on time." And she ran off the path into the woods looking for flowers. Each time she picked one she thought that she could see an even more beautiful one a little way off, and she ran after it, going further and further into the woods. But the wolf ran straight to the grandmother's house and knocked on the door.
"Who's there?"
"Little Red Cap. I'm bringing you some cake and wine. Open the door."
"Just press the latch," called out the grandmother. "I'm too weak to get up."
The wolf pressed the latch, and the door opened. He stepped inside, went straight to the grandmother's bed, and ate her up. Then he put on her clothes, put her cap on his head, got into her bed, and pulled the curtains shut.
Little Red Cap had run after the flowers. After she had gathered so many that she could not carry any more, she remembered her grandmother, and then continued on her way to her house. She found, to her surprise, that the door was open. She walked into the parlor, and everything looked so strange that she thought, "Oh, my God, why am I so afraid? I usually like it at grandmother's."
She called out, "Good morning!" but received no answer.
Then she went to the bed and pulled back the curtains. Grandmother was lying there with her cap pulled down over her face and looking very strange.
"Oh, grandmother, what big ears you have!"
"All the better to hear you with."
"Oh, grandmother, what big eyes you have!"
"All the better to see you with."
"Oh, grandmother, what big hands you have!"
"All the better to grab you with!"
"Oh, grandmother, what a horribly big mouth you have!"
"All the better to eat you with!"
The wolf had scarcely finished speaking when he jumped from the bed with a single leap and ate up poor Little Red Cap. As soon as the wolf had satisfied his desires, he climbed back into bed, fell asleep, and began to snore very loudly.
A huntsman was just passing by. He thought, "The old woman is snoring so loudly. You had better see if something is wrong with her."
He stepped into the parlor, and when he approached the bed, he saw the wolf lying there. "So here I find you, you old sinner," he said. "I have been hunting for you a long time."
He was about to aim his rifle when it occurred to him that the wolf might have eaten the grandmother, and that she still might be rescued. So instead of shooting, he took a pair of scissors and began to cut open the wolf's belly. After a few cuts he saw the red cap shining through., and after a few more cuts the girl jumped out, crying, "Oh, I was so frightened! It was so dark inside the wolf's body!"
And then the grandmother came out as well, alive but hardly able to breathe. Then Little Red Cap fetched some large stones. She filled the wolf's body with them, and when he woke up and tried to run away, the stones were so heavy that he immediately fell down dead.
The three of them were happy. The huntsman skinned the wolf and went home with the pelt. The grandmother ate the cake and drank the wine that Little Red Cap had brought. And Little Red Cap thought, "As long as I live, I will never leave the path and run off into the woods by myself if mother tells me not to."
They also tell how Little Red Cap was taking some baked things to her grandmother another time, when another wolf spoke to her and wanted her to leave the path. But Little Red Cap took care and went straight to grandmother's. She told her that she had seen the wolf, and that he had wished her a good day, but had stared at her in a wicked manner. "If we hadn't been on a public road, he would have eaten me up," she said.
"Come," said the grandmother. "Let's lock the door, so he can't get in."
Soon afterward the wolf knocked on the door and called out, "Open up, grandmother. It's Little Red Cap, and I'm bringing you some baked things."
They remained silent, and did not open the door. Gray-Head crept around the house several times, and finally jumped onto the roof. He wanted to wait until Little Red Cap went home that evening, then follow her and eat her up in the darkness. But the grandmother saw what he was up to. There was a large stone trough in front of the house.
"Fetch a bucket, Little Red Cap," she said to the child. "Yesterday I cooked some sausage. Carry the water that I boiled them with to the trough." Little Red Cap carried water until the large, large trough was clear full. The smell of sausage arose into the wolf's nose. He sniffed and looked down, stretching his neck so long that he could no longer hold himself, and he began to slide. He slid off the roof, fell into the trough, and drowned. And Little Red Cap returned home happily, and no one harmed her.
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英国的教育体系经过几百年的沿革,相当的完善和复杂,这里就有它的英文版介绍。下面读文网小编为大家带来英国教育体系英文简介,希望对你有所帮助!
英国教育体系总体来说分为三个阶段: 义务教育(Compulsory Education),延续教育(Further Education)和高等教育(Higher Education)。
一、义务教育 (Compulsory Education)
英国的学生从四岁开始接受义务教育,享受全免费的国家福利,学校甚至还提供免费的午餐,所有的家长必须把自己的孩子送到学校读书。小学教育一般持续到11岁,然后进入中学。英国的中学不分初中高中,从中一(Form 1)到中五(Form 5)共五年的时间。
二、延续教育(Further Education)
延续教育是英国教育体系中最有特色也最精彩的部分,它是继小学(Primary)中学(Secondary)教育之后的“第三级教育”(Tertiary)。为进入高等教育或者就业打下基础。也是中国的高中学生留学英国的关键阶段。一般来说接受延续教育的学生介于16和18岁之间。它分为两种体系:学业路线(Academic Route)和职业路线(Vocational Route)。学业路线着重于培养学术研究方面的人才,职业路线则结合社会各层面的职业需要,培养在各种行业中具有专门技能和知识的人才。这两种体系在英国受到同等的重视。
三、高等教育(Higher Education)
顾名思义,高等教育是英国教育体系中的高级阶段,它包括:
本科(Bachelor Degree)
研究生(Master Degree)
博士生(Doctorial Degree)
高级国家文凭(HND-Higher National Diploma)。
高等教育通常都是由大学(University)提供,但许多学院(College)也提供Bachelor和HND课程。
看了英国教育体系英文版介绍这篇文章
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《丑小鸭》是安徒生的经典童话故事之一,写了一只天鹅蛋在鸭群中破壳后,因相貌怪异,让同类鄙弃,历经千辛万苦、重重磨难之后长成了白天鹅。下面读文网小编为大家带来丑小鸭童话故事英文版及翻译,欢迎大家阅读欣赏!
It was so beautiful out on the country, it was summer- the wheat fields were golden, the oats were green, and down among the green meadows the hay was stacked. There the stork minced about on his red legs, clacking away in Egyptian, which was the language his mother had taught him. Round about the field and meadow lands rose vast forests, in which deep lakes lay hidden. Yes, it was indeed lovely out there in the country.
In the midst of the sunshine there stood an old manor house that had a deep moat around it. From the walls of the manor right down to the water's edge great burdock leaves grew, and there were some so tall that little children could stand upright beneath the biggest of them. In this wilderness of leaves, which was as dense as the forests itself, a duck sat on her nest, hatching her ducklings. She was becoming somewhat weary, because sitting is such a dull business and scarcely anyone came to see her. The other ducks would much rather swim in the moat than waddle out and squat under the burdock leaf to gossip with her.
But at last the eggshells began to crack, one after another. "Peep, peep!" said the little things, as they came to life and poked out their heads.
"Quack, quack!" said the duck, and quick as quick can be they all waddled out to have a look at the green world under the leaves. Their mother let them look as much as they pleased, because green is good for the eyes.
"How wide the world is," said all the young ducks, for they certainly had much more room now than they had when they were in their eggshells.
"Do you think this is the whole world?" their mother asked. "Why it extends on and on, clear across to the other side of the garden and right on into the parson's field, though that is further than I have ever been. I do hope you are all hatched," she said as she got up. "No, not quite all. The biggest egg still lies here. How much longer is this going to take? I am really rather tired of it all," she said, but she settled back on her nest.
"Well, how goes it?" asked an old duck who came to pay her a call.
"It takes a long time with that one egg," said the duck on the nest. "It won't crack, but look at the others. They are the cutest little ducklings I've ever seen. They look exactly like their father, the wretch! He hasn't come to see me at all."
"Let's have a look at the egg that won't crack," the old duck said. "It's a turkey egg, and you can take my word for it. I was fooled like that once myself. What trouble and care I had with those turkey children, for I may as well tell you, they are afraid of the water. I simply could not get them into it. I quacked and snapped at them, but it wasn't a bit of use. Let me see the egg. Certainly, it's a turkey egg. Let it lie, and go teach your other children to swim."
"Oh, I'll sit a little longer. I've been at it so long already that I may as well sit here half the summer."
"Suit yourself," said the old duck, and away she waddled.
At last the big egg did crack. "Peep," said the young one, and out he tumbled, but he was so big and ugly.
The duck took a look at him. "That's a frightfully big duckling," she said. "He doesn't look the least like the others. Can he really be a turkey baby? Well, well! I'll soon find out. Into the water he shall go, even if I have to shove him in myself."
Next day the weather was perfectly splendid, and the sun shone down on all the green burdock leaves. The mother duck led her whole family down to the moat. Splash! she took to the water. "Quack, quack," said she, and one duckling after another plunged in. The water went over their heads, but they came up in a flash, and floated to perfection. Their legs worked automatically, and they were all there in the water. Even the big, ugly gray one was swimming along.
"Why, that's no turkey," she said. "See how nicely he uses his legs, and how straight he holds himself. He's my very own son after all, and quite good-looking if you look at him properly. Quack, quack come with me. I'll lead you out into the world and introduce you to the duck yard. But keep close to me so that you won't get stepped on, and watch out for the cat!"
Thus they sallied into the duck yard, where all was in an uproar because two families were fighting over the head of an eel. But the cat got it, after all.
"You see, that's the way of the world." The mother duck licked her bill because she wanted the eel's head for herself. "Stir your legs. Bustle about, and mind that you bend your necks to that old duck over there. She's the noblest of us all, and has Spanish blood in her. That's why she's so fat. See that red rag around her leg? That's a wonderful thing, and the highest distinction a duck can get. It shows that they don't want to lose her, and that she's to have special attention from man and beast. Shake yourselves! Don't turn your toes in. A well-bred duckling turns his toes way out, just as his father and mother do-this way. So then! Now duck your necks and say quack!"
They did as she told them, but the other ducks around them looked on and said right out loud, "See here! Must we have this brood too, just as if there weren't enough of us already? And-fie! what an ugly-looking fellow that duckling is! We won't stand for him." One duck charged up and bit his neck.
"Let him alone," his mother said. "He isn't doing any harm."
"Possibly not," said the duck who bit him, "but he's too big and strange, and therefore he needs a good whacking."
"What nice-looking children you have, Mother," said the old duck with the rag around her leg. "They are all pretty except that one. He didn't come out so well. It's a pity you can't hatch him again."
"That can't be managed, your ladyship," said the mother. "He isn't so handsome, but he's as good as can be, and he swims just as well as the rest, or, I should say, even a little better than they do. I hope his looks will improve with age, and after a while he won't seem so big. He took too long in the egg, and that's why his figure isn't all that it should be." She pinched his neck and preened his feathers. "Moreover, he's a drake, so it won't matter so much. I think he will be quite strong, and I'm sure he will amount to something."
"The other ducklings are pretty enough," said the old duck. "Now make yourselves right at home, and if you find an eel's head you may bring it to me."
So they felt quite at home. But the poor duckling who had been the last one out of his egg, and who looked so ugly, was pecked and pushed about and made fun of by the ducks, and the chickens as well. "He's too big," said they all. The turkey gobbler, who thought himself an emperor because he was born wearing spurs, puffed up like a ship under full sail and bore down upon him, gobbling and gobbling until he was red in the face. The poor duckling did not know where he dared stand or where he dared walk. He was so sad because he was so desperately ugly, and because he was the laughing stock of the whole barnyard.
So it went on the first day, and after that things went from bad to worse. The poor duckling was chased and buffeted about by everyone. Even his own brothers and sisters abused him. "Oh," they would always say, "how we wish the cat would catch you, you ugly thing." And his mother said, "How I do wish you were miles away." The ducks nipped him, and the hens pecked him, and the girl who fed them kicked him with her foot.
So he ran away; and he flew over the fence. The little birds in the bushes darted up in a fright. "That's because I'm so ugly," he thought, and closed his eyes, but he ran on just the same until he reached the great marsh where the wild ducks lived. There he lay all night long, weary and disheartened.
When morning came, the wild ducks flew up to have a look at their new companion. "What sort of creature are you?" they asked, as the duckling turned in all directions, bowing his best to them all. "You are terribly ugly," they told him, "but that's nothing to us so long as you don't marry into our family."
Poor duckling! Marriage certainly had never entered his mind. All he wanted was for them to let him lie among the reeds and drink a little water from the marsh.
There he stayed for two whole days. Then he met two wild geese, or rather wild ganders-for they were males. They had not been out of the shell very long, and that's what made them so sure of themselves.
"Say there, comrade," they said, "you're so ugly that we have taken a fancy to you. Come with us and be a bird of passage. In another marsh near-by, there are some fetching wild geese, all nice young ladies who know how to quack. You are so ugly that you'll completely turn their heads."
Bing! Bang! Shots rang in the air, and these two ganders fell dead among the reeds. The water was red with their blood. Bing! Bang! the shots rang, and as whole flocks of wild geese flew up from the reeds another volley crashed. A great hunt was in progress. The hunters lay under cover all around the marsh, and some even perched on branches of trees that overhung the reeds. Blue smoke rose like clouds from the shade of the trees, and drifted far out over the water.
The bird dogs came splash, splash! through the swamp, bending down the reeds and the rushes on every side. This gave the poor duckling such a fright that he twisted his head about to hide it under his wing. But at that very moment a fearfully big dog appeared right beside him. His tongue lolled out of his mouth and his wicked eyes glared horribly. He opened his wide jaws, flashed his sharp teeth, and - splash, splash - on he went without touching the duckling.
"Thank heavens," he sighed, "I'm so ugly that the dog won't even bother to bite me."
He lay perfectly still, while the bullets splattered through the reeds as shot after shot was fired. It was late in the day before things became quiet again, and even then the poor duckling didn't dare move. He waited several hours before he ventured to look about him, and then he scurried away from that marsh as fast as he could go. He ran across field and meadows. The wind was so strong that he had to struggle to keep his feet.
Late in the evening he came to a miserable little hovel, so ramshackle that it did not know which way to tumble, and that was the only reason it still stood. The wind struck the duckling so hard that the poor little fellow had to sit down on his tail to withstand it. The storm blew stronger and stronger, but the duckling noticed that one hinge had come loose and the door hung so crooked that he could squeeze through the crack into the room, and that's just what he did.
Here lived an old woman with her cat and her hen. The cat, whom she called "Sonny," could arch his back, purr, and even make sparks, though for that you had to stroke his fur the wrong way. The hen had short little legs, so she was called "Chickey Shortleg." She laid good eggs, and the old woman loved her as if she had been her own child.
In the morning they were quick to notice the strange duckling. The cat began to purr, and the hen began to cluck.
"What on earth!" The old woman looked around, but she was short-sighted, and she mistook the duckling for a fat duck that had lost its way. "That was a good catch," she said. "Now I shall have duck eggs-unless it's a drake. We must try it out." So the duckling was tried out for three weeks, but not one egg did he lay.
In this house the cat was master and the hen was mistress. They always said, "We and the world," for they thought themselves half of the world, and much the better half at that. The duckling thought that there might be more than one way of thinking, but the hen would not hear of it.
"Can you lay eggs?" she asked
"No."
"Then be so good as to hold your tongue."
The cat asked, "Can you arch your back, purr, or make sparks?"
"No."
"Then keep your opinion to yourself when sensible people are talking."
The duckling sat in a corner, feeling most despondent. Then he remembered the fresh air and the sunlight. Such a desire to go swimming on the water possessed him that he could not help telling the hen about it.
"What on earth has come over you?" the hen cried. "You haven't a thing to do, and that's why you get such silly notions. Lay us an egg, or learn to purr, and you'll get over it."
"But it's so refreshing to float on the water," said the duckling, "so refreshing to feel it rise over your head as you dive to the bottom."
"Yes, it must be a great pleasure!" said the hen. "I think you must have gone crazy. Ask the cat, who's the wisest fellow I know, whether he likes to swim or dive down in the water. Of myself I say nothing. But ask the old woman, our mistress. There's no one on earth wiser than she is. Do you imagine she wants to go swimming and feel the water rise over her head?"
"You don't understand me," said the duckling.
"Well, if we don't, who would? Surely you don't think you are cleverer than the cat and the old woman-to say nothing of myself. Don't be so conceited, child. Just thank your Maker for all the kindness we have shown you. Didn't you get into this snug room, and fall in with people who can tell you what's what? But you are such a numbskull that it's no pleasure to have you around. Believe me, I tell you this for your own good. I say unpleasant truths, but that's the only way you can know who are your friends. Be sure now that you lay some eggs. See to it that you learn to purr or to make sparks."
"I think I'd better go out into the wide world," said the duckling.
"Suit yourself," said the hen.
So off went the duckling. He swam on the water, and dived down in it, but still he was slighted by every living creature because of his ugliness.
Autumn came on. The leaves in the forest turned yellow and brown. The wind took them and whirled them about. The heavens looked cold as the low clouds hung heavy with snow and hail. Perched on the fence, the raven screamed, "Caw, caw!" and trembled with cold. It made one shiver to think of it. Pity the poor little duckling!
One evening, just as the sun was setting in splendor, a great flock of large, handsome birds appeared out of the reeds. The duckling had never seen birds so beautiful. They were dazzling white, with long graceful necks. They were swans. They uttered a very strange cry as they unfurled their magnificent wings to fly from this cold land, away to warmer countries and to open waters. They went up so high, so very high, that the ugly little duckling felt a strange uneasiness come over him as he watched them. He went around and round in the water, like a wheel. He craned his neck to follow their course, and gave a cry so shrill and strange that he frightened himself. Oh! He could not forget them-those splendid, happy birds. When he could no longer see them he dived to the very bottom. and when he came up again he was quite beside himself. He did not know what birds they were or whither they were bound, yet he loved them more than anything he had ever loved before. It was not that he envied them, for how could he ever dare dream of wanting their marvelous beauty for himself? He would have been grateful if only the ducks would have tolerated him-the poor ugly creature.
The winter grew cold - so bitterly cold that the duckling had to swim to and fro in the water to keep it from freezing over. But every night the hole in which he swam kept getting smaller and smaller. Then it froze so hard that the duckling had to paddle continuously to keep the crackling ice from closing in upon him. At last, too tired to move, he was frozen fast in the ice.
Early that morning a farmer came by, and when he saw how things were he went out on the pond, broke away the ice with his wooden shoe, and carried the duckling home to his wife. There the duckling revived, but when the children wished to play with him he thought they meant to hurt him. Terrified, he fluttered into the milk pail, splashing the whole room with milk. The woman shrieked and threw up her hands as he flew into the butter tub, and then in and out of the meal barrel. Imagine what he looked like now! The woman screamed and lashed out at him with the fire tongs. The children tumbled over each other as they tried to catch him, and they laughed and they shouted. Luckily the door was open, and the duckling escaped through it into the bushes, where he lay down, in the newly fallen snow, as if in a daze.
But it would be too sad to tell of all the hardships and wretchedness he had to endure during this cruel winter. When the warm sun shone once more, the duckling was still alive among the reeds of the marsh. The larks began to sing again. It was beautiful springtime.
Then, quite suddenly, he lifted his wings. They swept through the air much more strongly than before, and their powerful strokes carried him far. Before he quite knew what was happening, he found himself in a great garden where apple trees bloomed. The lilacs filled the air with sweet scent and hung in clusters from long, green branches that bent over a winding stream. Oh, but it was lovely here in the freshness of spring!
From the thicket before him came three lovely white swans. They ruffled their feathers and swam lightly in the stream. The duckling recognized these noble creatures, and a strange feeling of sadness came upon him.
"I shall fly near these royal birds, and they will peck me to bits because I, who am so very ugly, dare to go near them. But I don't care. Better be killed by them than to be nipped by the ducks, pecked by the hens, kicked about by the hen-yard girl, or suffer such misery in winter."
So he flew into the water and swam toward the splendid swans. They saw him, and swept down upon him with their rustling feathers raised. "Kill me!" said the poor creature, and he bowed his head down over the water to wait for death. But what did he see there, mirrored in the clear stream? He beheld his own image, and it was no longer the reflection of a clumsy, dirty, gray bird, ugly and offensive. He himself was a swan! Being born in a duck yard does not matter, if only you are hatched from a swan's egg.
He felt quite glad that he had come through so much trouble and misfortune, for now he had a fuller understanding of his own good fortune, and of beauty when he met with it. The great swans swam all around him and stroked him with their bills.
Several little children came into the garden to throw grain and bits of bread upon the water. The smallest child cried, "Here's a new one," and the others rejoiced, "yes, a new one has come." They clapped their hands, danced around, and ran to bring their father and mother.
And they threw bread and cake upon the water, while they all agreed, "The new one is the most handsome of all. He's so young and so good-looking." The old swans bowed in his honor.
Then he felt very bashful, and tucked his head under his wing. He did not know what this was all about. He felt so very happy, but he wasn't at all proud, for a good heart never grows proud. He thought about how he had been persecuted and scorned, and now he heard them all call him the most beautiful of all beautiful birds. The lilacs dipped their clusters into the stream before him, and the sun shone so warm and so heartening. He rustled his feathers and held his slender neck high, as he cried out with full heart: "I never dreamed there could be so much happiness, when I was the ugly duckling."#p#副标题#e#
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想找一些简单又有个性的英文句子来做qq签名吗?下面读文网小编为大家带简单个性英文签名,希望大家喜欢!
Life is a on return journey.
人生是一段没有退路的旅程。
Home is where the heart is.
心在的地方就是家。
Life is tough, my darling, but so are you.
生活很艰难,但是宝贝,你也很坚强。
When it has is lost, brave to give up.
当拥有已经是失去,就勇敢的放弃。
Don't let the fear for losing keep you from trying.
别因为害怕失败而停止尝试。
Real dream is the other shore of reality.
真正的梦就是现实的彼岸。
Sometimes you have to give up on someone in order to respect yourself.
有时候我们必须放弃一些人,来成全自己的自尊。
There is no elevator to success. You have to take the stairs.
成功没有电梯,只有一步一个脚印。
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