为您找到与疯狂英语清晨励志演讲相关的共200个结果:
清晨,万籁俱寂,东边的地平线泛起的一丝丝亮光,小心翼翼地浸润着浅蓝色的天幕,新的一天从远方渐渐地移了过来。以下是读文网小编为大家整理的关于清晨励志英语演讲,给大家作为参考,欢迎阅读!
You will live every single day of your life with absolute passion, and you will show your passion through the words you speak and the actions you take.
You will focus all your time and effort on the most important goals of your life. You will never succumb to challenges of hardships.
You will never waver in your pursuit of excellence. After all,you are the best, and you deserve the best!
As your coach and friend, I can assure you the door to all the best things in the world will open to you, but the key to that door is in your hand. You must do your part, you must faithfully follow the plans you make and take the actions you plan, you must never quit, you must never fear. I know you must do it, you can do it, you will do it, and you will succeed!
Now stand firm and tall, make a fist, get excited, and yell it out:
I must do it! I can do it! I will do it! I will succeed!
你将生活的每一天你的生活有绝对的激情,你会显示您的热情,通过你说的话和你的行动。
你将集中所有的时间和精力的最重要目标的生活。你将永远不会屈服于挑战困难。
你决不会动摇在您的追求卓越。毕竟,你是最好的,你应该得到最好的!
正如你的教练和朋友,我可以向你保证的大门向所有的最好的事情在世界将开放给你,但关键的门是在你的手。你必须做你的一部分,你必须忠实地按照你的计划,并采取行动你计划,您必须从没有放弃过,你绝不能害怕。我知道你必须这样做,你可以做到这一点,你会做到这一点,你会成功!
现在,立场坚定,身材高大,握拳,兴奋,并大叫出来:
我必须这么做!我能做到这一点!我将做到这一点!我会成功!
看过"清晨励志英语演讲"
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As you slowly open your eyes, look around, notice where the light comes into your room; listen carefully, see if there are new sounds you can recognize; feel with your body and spirit, and see if you can sense the freshness in the air.
Yes, yes, yes, it's a new day, it's a different day, and it's a bright day! And most importantly, it's a new beginning for your life, a beginning where you are going to make new decisions, take new actions, make new friends, and take your life to a totally unprecedented(空前的) level.
In your mind's eye, you can see clearly the things you want to have, the paces you intend to go, the relationships you desire to develop, and the positions you aspire(励志)to reach.
You can hear your laughters of joy and happiness on the day when everything happens as you dream. You can see the smiles on the people around you when the magic moment strikes. You can feel your face is getting red, your heart is beating fast, and your blood is rushing all over your body, to every single corner of your being!
You know all this is real as long as you are confident, passionate and committed!(效忠的) And you are confident, you are passionate, you are committed!
You will no longer fear making new sounds, showing new facial expressions, using your body in new ways, approaching new people, and asking new questions.
You will live every single day of your life with absolute passion, and you will show your passion through the words you speak and the actions you take.
You will focus all your time and effort on the most important goals of your life. You will never succumb(屈服,屈从) to challenges of hardships.
You will never waver(动摇) in your pursuit of excellence. After all, you are the best, and you deserve the best!
As your coach and friend, I can assure you the door to all the best things in the world will open to you, but the key to that door is in your hand. You must do your part. You must faithfully follow the plans you make and take the actions you plan; you must never quit and you must never fear. I know you must do it, you can do it, you will do it, and you will succeed! Now stand firm and tall, make a fist, get excited, and yell it out:
I must do it! I can do it! I will do it! I will succeed!
I must do it! I can do it! I will do it! I will succeed!
I must do it! I can do it! I will do it! I will succeed!
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陶渊明说过:盛年不重来,一日难再晨。及时当勉励,岁月不待人。人生短短数十秋,想要在如此短的时间内,取得成功,登上人生的顶峰,谈何容易。也正因为如此,珍惜时间就显得异常的重要。下面是读文网小编整理的励志演讲稿,希望能帮到大家!
my brother-in-law opened the bottom drawer of my sisters bureau and lifted out a tissue-wrapped package. this, he said, is not a slip. this is lingerie. he discarded the tissue and handed me the slip.
it was exquisite, silk, handmade and trimmed with a cobweb of lace. the price tag with an astronomical figure on it was still attached.
jan bought this the first time we went to new york, at least 8 or 9 years ago. she never wore it. she was saving it for a special occasion.
well, i guess this is the occasion.
he took the slip from me and put it on the bed, with the other clothes we were taking to the mortician. his hands lingered on the soft material for a moment, then he slammed the drawer shut and turned to me, dont ever save anything for a special occasion. every day you re alive is a special occasion.
i remembered those words through the funeral and the days that followed when i helped him and my niece attend to all the sad chores that follow an unexpected death. i thought about them on the plane returning to california from the midwestern town where my sisters family lives. i thought about all the things that she hadnt seen or heard or done. i thought about the things that she had done without realizing that they were special.
im still thinking about his words, and theyve changed the weeds in the garden. im spending more time with my family and friends and less time in committee meetings. whenever possible, life should be a pattern of experience to savour, not endure. im trying to recognize these moment now and cherish them.
im not saving anything; we use our good china and crystal for every special. event such as losing a pound, getting the sink unstopped, the first camellia blossom… i wear my good blazer to the market if i feel like it. my theory is if i look prosperous, i can shell out $28. 49 for one small bag of groceries without wincing. im not saving my good perfume for special parties; clerks in hardware stores and tellers in banks have noses that function as well as my party going friends.
someday and one of these days are losing their grip on my vocabulary. if its worth seeing or hearing or doing, i want to see and hear and do it now. im not sure what my sister wouldve done had she know that she wouldnt be here for the tomorrow we all take for granted.
i think she would have called family members and a few close friends. she might have called a few former friends to apologize, and mend fences for past squabbles. i like to think she would have gone out for a chinese dinner, her favorite food. im guessing. ill never know.
its those little things left undone that would make me angry if i knew that my hours were limited. angry because i put off seeing good friends whom i was going to get in touch with someday. angry because i hadnt written certain letters that i intended to write one of these days. angry and sorry that i didnt tell my husband and daughter often enough how much i truly love them.
im trying very hard not to put off, hold back, or save anything that would add laughter and luster to our lives. and every morning when i open my eyes, i tell myself that every day, every minute, every breath truly, is... a gift from god.
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演讲稿作为演讲者在演讲时所依据的文稿,是演讲成功的关键,也是一个成功的演讲者所应具备的基本写作功夫。下面是读文网小编整理的励志演讲稿,希望能帮到大家!
ladies and gentlemen:
my great pleasure to share my dream with you today.i have kept the dream in my mind for so long that whoever in the sun is able to live a happy life for ever.
i think this dream is deeply rooted in the future. as we can see, we are now not far away from violence, poverty, diseases, environmental pollution and even wars. most of people are in need of what they have never enjoyed. however, i still can stick to my innermost dream, as i still can see the bright lights in our future. i believe, there will be a day when those from the rich counties are really willing to share what they have with those from the poor countries; there will be a day when we are surprised to find that the word poverty has long been out of our memories; there will be a day when we are together to share our dreams and we will all contribute to making our common dreams come true.
i will not just wait but to take action to live in my dream.
看了“四到五分钟英语励志演讲”
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篮球不仅点燃了我们对运动的热情,同时也增强了我们的团队凝聚力。下面是读文网小编整理的篮球励志英语演讲稿,希望能帮到你。
The Origin of Basketball
The challenge that inspired the invention of basketball came from Dr. Luther Halsey Gulick, Jr., the superintendent of physical education at the international YMCA Training School. During the summer session of 1891, Gulick introduced a new course in the psychology of play, and Naismith was one of his students. In class discussions, Gulick brought up an issue that was weighing on his mind: the need for new indoor game "that would be interesting, easy to learn, and easy to play in the winter and by artificial light."
Though the class didn't follow up on Gulick's challenge to invent such a game, Naismith found himself revisiting the issue a few months later when the physical education faculty met to discuss what was becoming a persistent problem. With the end of the fall sports season, the school once again confronted the distaste many students felt for the gymnasium work that was mandatory during the winter months. One class was particularly incorrigible, and two instructors had already tried and failed to devise activities that would interest them.
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高中是人生的一个转折点,高中是人生的一个跳板,高中学习有苦有乐,但我们都坚信,只要有希望,一切都有机会!下面是读文网小编整理的高中励志演讲稿,希望能帮到大家!
Goodmoring ladies and gentalmen, I am very gald to stand here to have my speech.
Global Citizenship begins at home. Do you know what is the connotation of the Global Citizenship ? To be honest I don’t understand the exactly meaning of the sentence ,so only can I explain it simply .Global Citizenship ,in my opinion ,is not something in word only ,but a kind of responsibility and undertaking ,a way of behaving and thinking .So Global citizenship begins at home ,with a commitment to live responsibility ,to regard all human begins as fellow citizens ,and to be proactive in seeking the common good.
For us university students ,usually we are busy with exams or focusing on the incidents in daily life .We hardly pay attention to the global issues. However , as university students ,we should take the responsibility to think about them ,think about the life around us.
The world develops quickly, but it wandered from the path it should be. Peace and development have become essential issues.
Peace lays a foundation to development. But because of the development, social problems and environmental problems have become serious global problems. Over-population makes us ask for more resources from the limited ones. It causes natural resources fearfully scarce. If we keep on doing so, we will of course lose our reliable living space at last.
Apart from the environment we had broke at home ,we Chinese also have no sense to protect it when traveling abroad. Therefore Chinese travelers’ behaviors in foreign countries have made the native intolerable .And the foreigners have the bad influence about our country.
So I think the sentence of Global Citizenship begins at home means that everyone should be the global citizen ,should take the responsibility to protect our mother land .Global citizenship begins at home ,let we do it through the children and the parents ,through the school and the society, thou the government .There’s an old saying : Action speaks louder than words. Let’s act now . Thank you all attention.
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高中是人生的一个转折点,高中是人生的一个跳板,高中学习有苦有乐,但我们都坚信,只要有希望,一切都有机会!下面是读文网小编整理的高中励志演讲稿,希望能帮到大家!
I am a boy who loves baroque music, especially the works of Johann Sebastian Bach. At my age, loving classical music is seen as an exceptional taste, but I don't agree with this. For me, age is irrelevant when it comes to music. The most important thing about listening to classical music is to have a heart of godliness.
Bach is considered now to be one of the greatest musicians ever. Why is that? I feel it is because of his devotion towards god. Bach had devoted his whole life to revealing the glory of the lord by music. Composing, for Bach, was a way to connect the divine world and the mortal world. Similarly, I have devoted my musical taste and life towards listening to Bach's music. In other words, the way I view Bach is how Bach viewed god. With this same kind of piety, I am able to connect with Bach on an emotional level, which allows me to overcome the difficulties and frustrations I face in life. I consider myself to be very similar to Bach because we are both persistent in setting and achieving goals.
The spirit of Bach's music inspires me and helps me to face my life with a new determination to fulfill my goals. It is evident that Bach's music has and will continue to shape my life in years to come.
If you're able to listen to classical music with emotion even just once, I know that you'll find a new positive influence in your life just as I did.
看了“高中生励志英语演讲稿”
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青春时光转眼即逝,那么青春奋斗梦想励志英语演讲都有哪些呢,你是不是正在找青春奋斗梦想励志英语演讲?赶紧跟小编一起来看看青春奋斗梦想励志英语演讲吧。
Let’s stand up from where we fall down
All the celebrations welcoming the new century were hold in the year 2000,because life without a greeting is like the sky without the sun.Greetings are very important for the whole world,in my opinion.
But I don't know whether greetings are enough for us.Especially when we meet with failures .I remember quite clearly that when I was a child,if I fall down and was on the brink of crying,my father always told me"Please stand up from where you fall down!"
Yes,we must stand up from where we fall down.
That was a special mid night in 1993.Expectations filled our hearts.
We stared at the TV,hoping excitedly as the voice would fly to our ears.
But at last,each Chinese who loves our motherland was distressed to know the result:Beijing ,lost to Sydeny by a margin of two votes in the Olympic hosting competition.
Eight years have past,but the frustration has not healed with time at all.
Now,at the begining of the new millennium,all of the pride and disappointment of the 20th century had gone with the wind. The 21st century,which is full of hope,longing znd thought has come. Someone said,we would start from zero on.
Should I really start from zero on?
No!I hold that we should go on with our efferts and ambitions stayed by last century,and make our life better.
"New Beijing,Great Olympics!" The voice cries this out around China's captital,a 3,000 -year-old city these days.
Beijing,along with Paris,Istanbul,Osake and Toronto,has been shortlisted by the International Olympic Committee as an official candidate city for the 2008 Olympic Games.
This is Beijing's second attempt to host the games.
Everyone fully supports Beijing's bid for it.
Maybe,we can paint fences along the main roads of Beijing.
Maybe,we can make much of yhe city cleaned up.
Maybe,we can learn and speak basic English idioms and expressions for daily communication.
But,but are they just enough?
Facing the new century,mankind is driven by the revolution of science and technoiogy,world economy is undergoing broud and profound changes. But nobody can deny the fact that compared with developed nations,developing countries are confronted with more pressure and challenges.In order to become famous in the world,we must speed up our international economic restructuring to catch up with industrialized nations.
Supporting Beijing's bid is a systematic project that can support China'sdevelopment efforts.
I believe recycled paper,clean fuel,sorted rubbish,water-saving and enery-efficient facilities will become reality in the coming years for China.
I believe the new century is an era of learning ans teaching,and lifelong education has become one of the main trends in the future developmet of Chinese society.
I believe that,on July 13,our dream of Beijing's Olympic bid will become true.
Because to millions of Chinese,for China to have the gloal respect and support that she deserves is not just a dream.
It is a part of our very souls.For we are not only equal members of our motherland, China,but we are also equal contributors to the world as a whole. Let us stand together,all nations in Beijing,in brotherhood,friendship and peace, in 2008 and forever!
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青春是一本太仓促的书,那么大学生演讲稿青春励志英语范文都有哪些呢,你是不是正在找大学生演讲稿青春励志英语范文?赶紧跟小编一起来看看大学生演讲稿青春励志英语范文吧。
Ladies and gentlemen , good afternoon! i’m very glad to stand here and give you a short speech. today my topic is “youth”. i hope you will like it , and found the importance in your youth so that more cherish it.
first i want to ask you some questions:
1、do you know what is youth?
2、how do you master your youth?
youth is not a time of life, it is a state of mind ; it is not rosy cheeks , red lips and supple knees, it is a matter of the emotions : it is the freshness ; it is the freshness of the deep springs of life .
youth means a temperamental predominance of courage over timidity of the appetite , for adventure over the love of ease. this often exists in a man of 60 more than a boy of 20 . nobody grows old merely by a number of years . we grow old by deserting our ideals.
years wrinkle the skin , but to give up enthusiasm wrinkles the soul . worry , fear , self –distrust bows the heart and turns the spirit back to dust .
whether 60 of 16 , there is in every human being ‘s heart the lure of wonders, the unfailing childlike appetite of what’s next and the joy of the game of living . in the center of your heart and my heart there’s a wireless station : so long as it receives messages of beauty , hope ,cheer, courage and power from men and from the infinite, so long as you are young .
女士们,先生们,下午好!我很高兴站在这里给你们一个简短的演讲。今天我的主题是“青年”。我希望你能喜欢它,在你年轻的时候,发现的重要性,更珍惜它。
首先我想问你一些问题:
1,你知道什么是青春?
2,如何掌握你的青春呢?
青春不是生命的一段时间,而是一种精神状态,它不是玫瑰色的脸颊,红色的嘴唇和柔软的膝盖,这是一个重要的情感:它是新鲜的,它是生命的深泉在涌流。
青春意味着战胜懦弱的那股大丈夫气概的食欲,对冒险的爱。这通常存在于一个60岁的人比一个20岁的青年更多一点。人老不仅仅是许多年。我们理想的毁灭,人类才出现了变老。
岁月,衰微只及肌肤;热忱抛却,颓废必致灵魂。担心,恐惧,自我不信任弓精神回到心灵扭曲,意气如灰。
无论是60岁的16岁,每个人的心奇迹的诱惑,孩提般求知的渴望和游戏的快乐的生活。你的心和我的心的中心有一个无线电台:只要它接收消息的美、希望、鼓励、勇气和力量的男性和无限的,只要你是年轻人。
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青春背我堂堂去,白发欺人故故生,那么青春励志英语演讲稿带翻译都有哪些呢,你是不是正在找青春励志英语演讲稿带翻译?赶紧跟小编一起来看看青春励志英语演讲稿带翻译吧。
everyone has his ownunderstanding of young,it is a period of time of beauty and wonders,only after you have
experienced the sour ,sweet ,bitter and salty can you really become a person of significance.thre time of young is limitted,it may pass by without your attention,and when you discover what has happened ,it is always too late.grasping the young well means a better time is waiting for you in the near future,or the situation may be opposite .
having a view on these great men in the history of hunmanbeing,they all made full use of their youth time ,to do things that are useful to society,to the whole mankind,and as a cosquence ,they are remembered by later
generations,admired by everyone.so do something in the time of young,although you may not get achievements as these greatmen did ,though not for the whole word,just for youeself,for those around!
the young is just like blooming flowers,they are so beautiful when blooming,they make people feel happy,but with time passing by,after they withers ,moet people think they are ugly.and so it is the same with young,we are enthusiastic when we are young,then we may lose our passion when getting older and older.so we must treasure it ,don't let the limitted time pass by ,leaving nothing of significance.
每年轻人,个人都有自己观点的,只有在你经历了酸,甜,苦,咸,你真的能成为青年,这是一段美丽和奇迹,时间人实业公司,它可能没有经过你注意,当你发现发生了什么事,它总是太年轻也意味着一个更好的时间是在不久的将来等着你,或情况可能是相反的。
在过去这些伟大的人的观点,他们都充分利用了自己的青春时光,做一些对社会是有益的,对整个人类,作为一个年轻人,他们被后来的代,所以每个人钦佩做好在青年的时候,虽然你可能不会得到成就这些好男人在做,但不是整个世界,只为自己,为周围的人!
年轻就像盛开的花朵,他们是如此美丽盛开的时候,他们让人们感到满意,但随着时间的推移,有人认为他们是丑陋的所以它是对青年一样,我们的热情我们年轻的时候,那么我们可能失去我们的激情在逐渐老化,时间我们一定要珍惜它,不要让有限的时间过去了,没有留下任何的意义。
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青春留不住,白发自然生,我们有时候会需要这样的青春励志名言或者青春励志演讲稿,那么3分钟励志青春英语演讲稿都有哪些呢?下面就一起来看看读文网小编为大家精心推荐的3分钟励志青春英语演讲稿吧,希望能够对您有所帮助。
Today I am very glad to be here to share with you my ideas of success. What is success? It is what everyone is longing for.Sometimes success would be rather simple. Winning a game is success; getting a high grade in the exam is success; making a new friend is success; even now I am standing here giving my speech is somehow also success.
However, as a person’s whole life is concerned, success becomes very complicated. Is fortune success? Is fame success? Is high social status success? No, I don’t think so. I believe success is the realization of people’ s hopes and ideals.Nowadays, in the modern society there are many people who are regarded as the successful. And the most obvious characteristics of hem are money, high position and luxurious life. So most people believe that s success and all that they do is for this purpose. But the problem is wether it is real success. We all know there are always more money, higher position and better condition in front of us. If we keep chasing them, where is the end? What will satisfy us at last? Therefore, we can see, to get the real Success we must need something inside, which is the realization of people’ hopes and ideals.
Different people have different ideas about success; cause people’s hopes and ideas vary from one another. But I am sure every success is dear to everybody, cause it is not easy to come by, cause in the process of our striving for success, we got both our body and soul tempted, meanwhile we are enlightened by the most valuable qualities of human beings: love, patient, courage and sense of responsibility. These are the best treasures. So now I am very proud that I have this opportunity to stand here speaking to all of you. It is my success, cause I raise up to challenge my hope.
What is success? Everyone has his own interpretation as I do. But I am sure every success leads to an ever-brighter future. So ladies and gentlemen, believe in our hopes, believe in ourselves, we, every one of us, can make a successful life!
Wish you all good success!
以上就是读文网小编为大家精心整理推荐的3分钟励志青春英语演讲稿,希望大家能夠喜歡。
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李阳疯狂英语中的励志句子,简单而又蕴含道理,非常励志。下面请欣赏读文网小编给你带来的李阳疯狂英语中的励志句,希望对您有所帮助。
1.使我们痛苦的东西在真正锻造我们。
What pains us trains us.
2.成功没有电梯,只有一步一个脚印的楼梯。
There is no elevator to success—only stairs.
3.成功的秘密在于始终如一地忠于目标。
The secret of success is constancy to purpose.
4.成功来自于克服困难的斗争。
Success grows out of struggles to overcome difficulties.
5.只有在字典中,成功才会出现在工作之前。
The dictionary is the only place where success comes before work.
6.除辛勤工作之外,我别无成功的秘诀。
I have no secret of success but hard work.
7.Four short words sum up what has lifted most successful individuals above the crowd:A little bit more. 成功的秘诀就是四个简单的字:多一点点。
8.做最好的打算,做最坏的准备。从最好的地方着想,从最坏的地方准备。
Hope for the best,but prepare for the worst.
9.这个世界上只有一种成功,那就是能够以自己的方式度过自己的一生。
There is only one success—to be able to spend your life in your own way.
10.肤浅的人相信运气,而成功的第一秘诀是自信。
Shallow men believe in luck.Self-trust is the first secret of success.
11.人不是为失败而生存的。
Man is not made for defeat.
12.生活很艰苦,但你可以更加强大。
Life is tough,but you can be tougher.
13.当你停止尝试的时候,你就完全失败了。
You make the failure complete when you stop trying.
14.心怀伟大的理想,你将会变得伟大。
Think great thoughts and you will be great!
15.要想成为伟大的领导者就必须有伟大的希望。
To be a great leader,you must have great hopes!
16.如果你想成功,不要去刻意追求。只要你干自己热爱的工作并相信它,成功自然会到来。
Don′t aim for success if you want it;just do what you love and believe in,and it will come naturally.
17.伟大的希望造就伟大的人物。
Great hopes make great men.
18.耻于问者耻于学。
He who is ashamed of asking is ashamed of learning.
19.每个人都是自己命运的建筑师。
Each man is the architect of his own fate.
20.信守诺言,你将和你生活中的每一个人都建立成功的人际关系。
Keep your promises and you will have successful relationships with everyone.
21.一个没有书的房子,犹如一个没有窗户的房间。
A house without books is like a room without windows.
22.到任何值得去的地方都没有捷径。
There are no shortcuts to any place worth going.
23.想象力比知识更重要。
Imagination is more important than knowledge.
24.Pain past is pleasure.过去的痛苦即快乐。
25.Nothing is impossible to a willing heart. 心之所愿,无事不成。
26.All things are difficult before they are easy.凡事必先难后易。
27.Where there is life , there is hope. 有生命必有希望。
28.I feel strongly that I can make it. 我坚信我一定能成功。
29.Better to light one candle than to curse the darkness.与其诅咒黑暗,不如燃起蜡烛。
30.The shortest answer is doing. 最简短的回答就是行动。
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人生是尊贵的。大家重新励志,努力奋斗,为时应犹未晚。以下是读文网小编分享给大家的关于英语演讲稿5分钟励志,希望大家喜欢!
Every one of us, rich or poor, should at least have one or two good friends. My friends will listen to me when I want to speak, will wipe my eyes when I cry, will take care of me when I am sick, and my friends will go together with me side by side through this journey of life.
As students, we could share more time with our friends. The friendship in our young hearts is pure, fresh and simple. I often feel very lucky to have a lot of good friends. Especially when I had Justin as one of my best friends. Justin was my English teacher from the USA. I met him in 1996 when I was a student who could only speak very little English. Justin was a vivid young man with a bright smile on his face, and he always had his special way to make the class active and attractive. He taught us English by telling stories, playing games, singing songs, and even dancing. I could still remember very clearly that one afternoon when we fin-ished our class, we went to some other classes to sing songs for them, just like what people do in the states on Christmas Eve. It was so interesting and unforgettable. Justin was an excellent teacher, because he taught us not only how to study English well, but also the way to find out the beauty of the world and the way to be angels to others' lives. I know there was
friendship and pure love in our hearts. Facing this valuable emotion neither nationality nor age was important, the real importance lay in faith, under-standing, and care. Justin is the best friend I have ever had, and I know I will cherish those days of staying together with him as the best part of my memory.
Friendship is a kind of treasure in our lives. It is actually like a bottle of wine, the longer it is kept, the sweeter it will be. It is also like a cup of tea. When we are thirsty, it will be our best choice, but when we have enough time to enjoy ourselves, it is also the most fragrant drink.
However, in this fast-developing modern society, the reality is not that. More and more people forget to enjoy the beauty of life and -the beauty of friendship. They work hard in order to gain a higher position, in the society and to earn more money for their work. Of course, we don't deny that it is important to find a bet-ter place in our lives, but we wish more and more people could pay a little more attention to themselves and their friends. All of us have to spare some time for personal lives. We have to find the chance to express our emotion and love. When staying with our friends, we can release ourselves completely. We can do whatever we want, we can laugh together, talk together, and even cry to-gether. I should say that being together with our best friends is the most wonderful moment of our lives.
As we know, we would feel lonely if we didn't even have a friend. But it doesn't mean we could depend on our friends all the time. There is a famous motto saying that “A friend is like a quilt with cotton wadding, but the real thing that keeps you warm is your own temperature.” It is really true. We have to work hard together with our friends, encourage each other and help each other. When we receive love and friendship, we should repay as much as we can.
Finally, let's pray together now that one day, all of us could find the person we want to find, and could enjoy a real beautiful friendship in our lives. Let's pray the flower of friendship be-tween our friends and us would always bloom brightly in our hearts
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青春是人生之花,是生命的自然表现。以下是读文网小编为大家整理的关于青春励志英语演讲,给大家作为参考,欢迎阅读!
Saying goodbye to childhood,we step into another important time in the pace of young,facing new situations,dealing with different problems.....
everyone has his ownunderstanding of young,it is a period of time of beauty and wonders,only after you have
experienced the sour ,sweet ,bitter and salty can you really become a person of significance.thre time of young is limitted,it may pass by without your attention,and when you discover what has happened ,it is always too late.grasping the young well means a better time is waiting for you in the near future,or the situation may be opposite .
having a view on these great men in the history of hunmanbeing,they all made full use of their youth time ,to do things that are useful to society,to the whole mankind,and as a cosquence ,they are remembered by later
generations,admired by everyone.so do something in the time of young,although you may not get achievements as these greatmen did ,though not for the whole word,just for youeself,for those around!
the young is just like blooming flowers,they are so beautiful when blooming,they make people feel happy,but with time passing by,after they withers ,moet people think they are ugly.and so it is the same with young,we are enthusiastic when we are young,then we may lose our passion when getting older and older.so we must treasure it ,don't let the limitted time pass by ,leaving nothing of significance.
看过"青春励志英语演讲"
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励志照亮人生,创业改变命运。以下是读文网小编为大家整理的关于英语演讲励志类,给大家作为参考,欢迎阅读!
My fellow graduates, I've got the best seat in the house today, a view of the greatest hearts, minds and talents of this generation. You will undoubtedly hear a lot of that kind of talk here today. There are sayings like "the intellectual elite" or "the hope for this country's future" or "the responsibility that comes with the privilege of education."
毕业生们,今天我坐在这个大厅最好的位置,看到你们这拥有最伟大的心灵、头脑和才华的一代。毫无疑问,今天你们将听到许多这样的话,像“知识精英”“国家未来之希望”或是“精英教育赋予的光荣使命”等等。
And if you're anything like I was at my Yale graduation in 1984, you'll think, what a load of elitist crap. You'll look around you, at your friends still bleary eyed and silly from last night's concoctions, the buddies you curl up with, sing stupid songs with, make faces with. These guys? We can't possibly be the ones they're talking about...Do we know where we're going? Hell no! If you're anything like I was you'll spend the next six months in bed watching re-runs feeling like a complete idiot.
如果你们一如我1984年在耶鲁毕业时的状态,就会认为这关于精英的说法简直就是一堆废话!你们会望望四周,看着朋友惺松而略带傻气的眼睛,其眼角甚至还带着昨天晚上的分泌物;看着那些密友,他们曾和你相互依偎,和你哼唱愚蠢歌曲,和你互做鬼脸,然后不禁会想就这些人?我们不可能成为人们口中所谓的精英,我们知道该何去何从吗?见鬼,还真不知道!如果你们此时就像当时的我,就会在接下来的6个月里,缩在床上观看毕业典礼录像,然后觉得自己完全像个白痴。
But somewhere in the middle of free from post-graduation survival, the journey of your life has a way of sneaking off the starting line. That is when your Penn education start specking through. You have been given the promise of meaningfulness. You've learned the discipline to "just do it," to apply yourself and lay your guts on the line. You have been inspired and not just by the things you have learned here. (Let's face it. You won't remember a single test question in a few months.) You have been inspired by the experiences you have had, the people you've held, the blood you have shed, all the growing up surrounded by hopefulness of spirit. You have dared, have stuck your hands in the surf and come up with dripping substance? All of that fine and delicious matter has a way of becoming the material of your life. You pick up bits and pieces of treasure and trash, pain and pleasure, passions and disappointments and you start stuffing them in your bag...your big bag of experience. You do some dumb things that don't work out at all. You stumble excitedly on little gems that you never saw coming. And you stuff them all in your bag. You pursue the things you love and believe in. You cast off the images of yourself that don't fit. And suddenly you look behind you and a pattern emerges. You look in front of you and the path makes sense. There is nothing more beautiful than finding your courses you believe you bob aimlessly in the current. Wouldn't you know that your path was there all along, waiting for you to knock, waiting for you to become. This path does not belong to your parents, your teachers, your leaders, or your lovers.
但就在毕业后谋生的过程中,你们不知不觉地跨出起跑线,开始生命的旅程,而那也是你们在宾夕法尼亚大学接受的教育开始发生作用的时候。你们得到的承诺就是生命是充满意义的。你们熟谙“抛开杂念,动手去做”的告诫。激励你们的不仅仅是你们在学校里学到的东西(事实上,考试过后没几个月你就会忘光所有的试题),还有你们的经历,与之交往过的人物,付出的血汗,以及整个被希望之光笼罩着的成长历程。你们也曾勇敢无畏,小试牛刀,小有建树,所有这些美好而令人愉快的事物无不构成了你们生活的材料。你们捡拾起所有美好或糟糕的记忆片段,重温每一次的激情和失望,然后开始将它们塞人你们的行囊—个装满着你们经验的大行囊。你们会做些根本行不通的傻事,你们会怀揣着憧憬一路跌跌撞撞,而那块小小的宝石却迟迟不肯出现。所有这一切,你们都收人囊中。你们追逐自己所深爱的和所坚信的,丢弃那些与自己不符的形象,当你们蓦然回首,将看到渐渐成型的自己;展望前方,一条道路渐渐明晰。当你们在生活大潮中漫无目的地漂浮游荡时,没有什么是比重新找到航线更好的事了。你们难道没有意识到;路其实一直就在前方,它在静候你们的脚步,等待你们实现梦想。这条路不属于你们的父母、老师、领导或爱人。
Your path is your character defining itself more and more everyday like a photograph coming into focus, like a color that becomes more vivid in contrast with its surroundings. And who is this shiny penny rolling towards that bright future, our graduating cliche? Is he or she so shiny? Is the future truly bright? Well, that is only for you to know and for you to find out. You are standing on a freeway and things will happen. How you duck, weave and balance, how you push, twist and choose, well, that is up to you.
这条路一天天地帮助你们认清自我,就如同照片慢慢对准了焦点,也像一种颜色在周围的映衬下变得更加鲜艳生动。那么,是谁正跌跌撞撞地寻找那个我们在毕业时所谓远大的前程呢?他们真的如此优秀吗?未来真的如此光明吗?这只有你们自己才知道,也只能由你们自己去发现。你们正置身于高速公路上,一切都有可能发生。你们可以疾速行驶,迂回穿行或是两者并用;你们也可以向前推进,蜿蜒蛇行或是另辟蹊径,这一切都取决于你们自己。
I'm sure all of you remember your fresh man year of 2002. On the anniversary of the worst September in our nation's history we were all glued to those burning buildings, the screaming confusion, the fiery chaos of the 9 .1lattacks set against a painful drumbeat for war.
我相信你们都还记得初入学的2002年,当时正值我们国家历史最糟糕的9"11事件发生后一周年,犹记得悲剧发生的那一刻,熊熊燃烧的大楼,惊慌失措的人群,9"11事件的烈焰和喧嚣让我们记忆犹新,惊恐万分。
And there were the stories. The immigrant window washer working on the Twin Towers that day. How he'd had breakfast that morning with one of those happy grins. "It's gonna be sunny
这其中也涌现出很多故事。那天早上,双子塔外来务工的窗户清洁员带着惯常的憨笑,享用着早饭,并感叹道;“今天又将是个晴天”。
The preschoolers holding hands as they were hurried down Greenwich Street away from the explosions. The teachers would shout, "If you see their parents tell them they're okay " Firemen climbing up, climbing up into the smoke as the world we'd come to believe in crumbled below them. Grief, unending grief, too hard for one nation to bear. And in that one instant of deep sorrowful mourning the world was with us. We reached out our arms as the world reached out its arms. A terrible moment. A moment of wonder. A moment so true and so beautiful and so exquisitely sad, one that we shared with humankind...And then the moment was gone, in my belief, squandered. So many lives lost, for what? And where are we now?
当幼儿园的孩子们手牵手沿着格林威治大街匆匆离开爆炸现场时,老师们朝大楼高声喊道;“如果看见孩子们的父母,务必请他们放心,孩子们很安全”。消防队员们不断地向上攀爬,冲进滚滚浓烟当中,我们一直以来信任的世界在他们脚下破碎坍塌。悲伤袭来,这是我们的国家不能承受之重。就在那无比沉痛的一刻,整个世界站到了我们这边,和我们伸手相拥,相互扶持。这是恐怖的一刻,也是神奇的一刻,这一刻如此真实,如此美妙,如此令人心醉。这一刻我们分享人性—然后这一刻消失不见了。依我看,是被我们挥霍殆尽了。这么多的生命葬送了,原因何在?我们目前又是处于怎样一种状态?
Your senior year witnessed the terrible wake of Hurricane Katrina, a mark so devastating on our country that words just cannot describe. (Not just the natural disaster but our leader's equally disastrous and shameful reaction.)
你们大三的时候亲眼目睹了“卡特里娜”咫风造成的伤害,这一灾害给我们国家造成的损失无法用语言表达,不仅仅因为咫风是一场自然灾害,更由于我们的领导人灾后应对措施不力,他们应对此感到羞愧。
How do you live down that mark, a scar that will haunt America and the fabric of its communities for decades to come? No, this country is not better now than it was four years ago. The world is not better now than it was four years ago. That will be part of your story, graduates of the class of 2006. Not your parents' story, not your teachers', your friends', your lovers' or your leaders'. Where will your story take you? How will your experience pave the way for a new voice in America? I hope it will take you out of these doors, out into the open air. You will breathe it in your lungs and say, "From now on this life will be what I stand for, dammit. Move over. This is my story now"
这块伤痛将在未来几十年里一直困扰折磨着美国社会生活的各个方面。我们如何将这一切遗忘?不,相比四年前,这个国家没有变得更美好。同样,世界也没有比四年前变得更美好。2006届毕业生们,这将成为你们故事的一部分,而不是你们的父母、老师、朋友、爱人或领导故事。这些故事将把你们带往何方?而这些的经历将如何帮助你们在美国发出自己的声音?我希望它能让你们走出室内,来到户外,深吸一口气然后说:“从这一刻起,我将代表这个世界仁嘟L一让,现在轮到我上场了。”
You will find on your diplomas, and my diploma the motto of the University of Pennsylvania, which in Latin reads: "Leges sine moribus vanae." "Laws without morals are useless." I would add that morals without commitment are empty. Your Penn education has given you a two-by-four. You may build a building or hit someone over the head. The choice is yours. How lucky to find you have the option of filling your life with your passions. And no, not everyone does. You have the privilege of` creating meaning in your life so that others might also come to enjoy that privilege. Do not waste it trying to become someone you're not. Use it to become who you are already. Class of 2006, I'll leave you with a quote you all know by heart. Feel free to chime in. I'm going to say it twice. You better lose yourself in the music, the moment, You own it. You better never let it go. One shot! Do not miss your chance to blow
在你们的学位证书和我的学位证书上,赫然印着宾夕法尼亚大学受人尊崇的格言,从拉丁语翻译过来就是“法无德不立”。对此,我想稍加补充:没有奉献的道德准则是空洞的。你们在宾夕法尼亚大学接受的教育是十分有限的,你们可以建造大楼或是伤害他人,选择权在于你们自己。当你们发现自己可以选择让激情充满生活时会倍感幸运,因为并非所有人都有选择的权利。你们有权利为自己创造有意义的生活,而这反过来也能使别人拥有同样的权利。不 要试图成为别人,那只是浪费时间,而要花时间成为自己。2006届毕业生们,我将为你们留下一段你们烂熟于心的引言,你们无需拘谨,可以和我一起大声说出来, 我将会说两次—你最好能沉醉在音乐之中,这一刻,属于你,不要让它溜走,只 能射击一次!仅此一次,不要让机会从你指缝中溜走。
This opportunity comes once in a lifetime.
这个机会一生只有一次。
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在找一些名人英语的励志演讲吗?以下是读文网小编为大家整理的关于名人英语励志演讲,给大家作为参考,欢迎阅读!
尊敬的瑞典学院各位院士,女士们、先生们:
Distinguished members of the Swedish Academy, Ladies and Gentlemen:
通过电视或网络,我想在座的各位对遥远的高密东北乡,已经有了或多或少的了解。你们也许看到了我的九十岁的老父亲,看到了我的哥哥姐姐、我的妻子女儿,和我的一岁零四个月的外孙子。但是有一个此刻我最想念的人,我的母亲,你们永远无法看到了。我获奖后,很多人分享了我的光荣,但我的母亲却无法分享了。
Through the mediums of television and the Internet, I imagine that everyone here has at least a nodding acquaintance with far-off Northeast Gaomi Township. You may have seen my ninety-year-old father, as well as my brothers, my sister, my wife and my daughter, even my granddaughter, now a year and four months old. But the person who is most on my mind at this moment, my mother, is someone you will never see. Many people have shared in the honor of winning this prize, everyone but her.
我母亲生于1922年,卒于1994年。她的骨灰,埋葬在村庄东边的桃园里。去年,一条铁路要从那儿穿过,我们不得不将她的坟墓迁移到距离村子更远的地方。掘开坟墓后,我们看到,棺木已经腐朽,母亲的骨殖,已经与泥土混为一体。我们只好象征性地挖起一些泥土,移到新的墓穴里。也就是从那一时刻起,我感到,我的母亲是大地的一部分,我站在大地上的诉说,就是对母亲的诉说。
My mother was born in 1922 and died in 1994. We buried her in a peach orchard east of the village. Last year we were forced to move her grave farther away from the village in order to make room for a proposed rail line. When we dug up the grave, we saw that the coffin had rotted away and that her body had merged with the damp earth around it. So we dug up some of that soil, a symbolic act, and took it to the new gravesite. That was when I grasped the knowledge that my mother had become part of the earth, and that when I spoke to mother earth, I was really speaking to my mother.
我是我母亲最小的孩子。
I was my mother’s youngest child.
我记忆中最早的一件事,是提着家里唯一的一把热水壶去公共食堂打开水。因为饥饿无力,失手将热水瓶打碎,我吓得要命,钻进草垛,一天没敢出来。傍晚的时候我听到母亲呼唤我的乳名,我从草垛里钻出来,以为会受到打骂,但母亲没有打我也没有骂我,只是抚摸着我的头,口中发出长长的叹息。
My earliest memory was of taking our only vacuum bottle to the public canteen for drinking water. Weakened by hunger, I dropped the bottle and broke it. Scared witless, I hid all that day in a haystack. Toward evening, I heard my mother calling my childhood name, so I crawled out of my hiding place, prepared to receive a beating or a scolding. But Mother didn’t hit me, didn’t even scold me. She just rubbed my head and heaved a sigh.
我记忆中最痛苦的一件事,就是跟着母亲去集体的地理拣麦穗,看守麦田的人来了,拣麦穗的人纷纷逃跑,我母亲是小脚,跑不快,被捉住,那个身材高大的看守人煽了她一个耳光,她摇晃着身体跌倒在地,看守人没收了我们拣到的麦穗,吹着口哨扬长而去。我母亲嘴角流血,坐在地上,脸上那种绝望的神情深我终生难忘。多年之后,当那个看守麦田的人成为一个白发苍苍的老人,在集市上与我相逢,我冲上去想找他报仇,母亲拉住了我,平静的对我说:“儿子,那个打我的人,与这个老人,并不是一个人。”
My most painful memory involved going out in the collective’s field with Mother to glean ears of wheat. The gleaners scattered when they spotted the watchman. But Mother, who had bound feet, could not run; she was caught and slapped so hard by the watchman, a hulk of a man, that she fell to the ground. The watchman confiscated the wheat we’d gleaned and walked off whistling. As she sat on the ground, her lip bleeding, Mother wore a look of hopelessness I’ll never forget. Years later, when I encountered the watchman, now a gray-haired old man, in the marketplace, Mother had to stop me from going up to avenge her.“Son,” she said evenly, “the man who hit me and this man are not the same person.”
我记得最深刻的一件事是一个中秋节的中午,我们家难得的包了一顿饺子,每人只有一碗。正当我们吃饺子时,一个乞讨的老人来到了我们家门口,我端起半碗红薯干打发他,他却愤愤不平地说:“我是一个老人,你们吃饺子,却让我吃红薯干。你们的心是怎么长的?”我气急败坏的说:“我们一年也吃不了几次饺子,一人一小碗,连半饱都吃不了!给你红薯干就不错了,你要就要,不要就滚!”母亲训斥了我,然后端起她那半碗饺子,倒进了老人碗里。
My clearest memory is of a Moon Festival day, at noontime, one of those rare occasions when we ate jiaozi at home, one bowl apiece. An aging beggar came to our door while we were at the table, and when I tried to send him away with half a bowlful of dried sweet potatoes, he reacted angrily: “I’m an old man,” he said. “You people are eating jiaozi, but want to feed me sweet potatoes. How heartless can you be?” I reacted just as angrily: “We’re lucky if we eat jiaozi a couple of times a year, one small bowlful apiece, barely enough to get a taste! You should be thankful we’re giving you sweet potatoes, and if you don’t want them, you can get the hell out of here!” After (dressing me down) reprimanding me, Mother dumped her half bowlful of jiaozi into the old man’s bowl.
我最后悔的一件事,就是跟着母亲去卖白菜,有意无意的多算了一位买白菜的老人一毛钱。算完钱我就去了学校。当我放学回家时,看到很少流泪的母亲泪流满面。母亲并没有骂我,只是轻轻的说:“儿子,你让娘丢了脸。”
My most remorseful memory involves helping Mother sell cabbages at market, and me overcharging an old villager one jiao – intentionally or not, I can’t recall – before heading off to school. When I came home that afternoon, I saw that Mother was crying, something she rarely did. Instead of scolding me, she merely said softly, “Son, you embarrassed your mother today.”
我十几岁时,母亲患了严重的肺病,饥饿,病痛,劳累,使我们这个家庭陷入了困境,看不到光明和希望。我产生了一种强烈的不祥之兆,以为母亲随时都会自己寻短见。每当我劳动归来,一进大门就高喊母亲,听到她的回应,心中才感到一块石头落了地。如果一时听不到她的回应,我就心惊胆战,跑到厨房和磨坊里寻找。有一次找遍了所有的房间也没有见到母亲的身影,我便坐在了院子里大哭。这时母亲背着一捆柴草从外面走进来。她对我的哭很不满,但我又不能对她说出我的担忧。母亲看到我的心思,她说:“孩子你放心,尽管我活着没有一点乐趣,但只要阎王爷不叫我,我是不会去的。”
Mother contracted a serious lung disease when I was still in my teens. Hunger, disease, and too much work made things extremely hard on our family. The road ahead looked especially bleak, and I had a bad feeling about the future, worried that Mother might take her own life. Every day, the first thing I did when I walked in the door after a day of hard labor was call out for Mother. Hearing her voice was like giving my heart a new lease on life. But not hearing her threw me into a panic. I’d go looking for her in the side building and in the mill. One day, after searching everywhere and not finding her, I sat down in the yard and cried like a baby. That is how she found me when she walked into the yard carrying a bundle of firewood on her back. She was very unhappy with me, but I could not tell her what I was afraid of. She knew anyway. “Son,” she said, “don’t worry, there may be no joy in my life, but I won’t leave you till the God of the Underworld calls me.”
我生来相貌丑陋,村子里很多人当面嘲笑我,学校里有几个性格霸蛮的同学甚至为此打我。我回家痛苦,母亲对我说:“儿子,你不丑,你不缺鼻子不缺眼,四肢健全,丑在哪里?而且只要你心存善良,多做好事,即便是丑也能变美。”后来我进入城市,有一些很有文化的人依然在背后甚至当面嘲弄我的相貌,我想起了母亲的话,便心平气和地向他们道歉。
I was born ugly. Villagers often laughed in my face, and school bullies sometimes beat me up because of it. I’d run home crying, where my mother would say, “You’re not ugly, Son. You’ve got a nose and two eyes, and there’s nothing wrong with your arms and legs, so how could you be ugly? If you have a good heart and always do the right thing, what is considered ugly becomes beautiful.” Later on, when I moved to the city, there were educated people who laughed at me behind my back, some even to my face; but when I recalled what Mother had said, I just calmly offered my apologies.
我母亲不识字,但对识字的人十分敬重。我们家生活困难,经常吃了上顿没下顿。但只要我对她提出买书买文具的要求,她总是会满足我。她是个勤劳的人,讨厌懒惰的孩子,但只要是我因为看书耽误了干活,她从来没批评过我。
My illiterate mother held people who could read in high regard. We were so poor we often did not know where our next meal was coming from, yet she never denied my request to buy a book or something to write with. By nature hard working, she had no use for lazy children, yet I could skip my chores as long as I had my nose in a book.
有一段时间,集市上来了一个说书人。我偷偷地跑去听书,忘记了她分配给我的活儿。为此,母亲批评了我,晚上当她就着一盏小油灯为家人赶制棉衣时,我忍不住把白天从说书人听来的故事复述给她听,起初她有些不耐烦,因为在她心目中说书人都是油嘴滑舌,不务正业的人,从他们嘴里冒不出好话来。但我复述的故事渐渐的吸引了她,以后每逢集日她便不再给我排活,默许我去集上听书。为了报答母亲的恩情,也为了向她炫耀我的记忆力,我会把白天听到的故事,绘声绘色地讲给她听。
A storyteller once came to the marketplace, and I sneaked off to listen to him. She was unhappy with me for forgetting my chores. But that night, while she was stitching padded clothes for us under the weak light of a kerosene lamp, I couldn’t keep from retelling stories I’d heard that day. She listened impatiently at first, since in her eyes professional storytellers were smooth-talking men in a dubious profession. Nothing good ever came out of their mouths. But slowly she was dragged into my retold stories, and from that day on, she never gave me chores on market day, unspoken permission to go to the marketplace and listen to new stories. As repayment for Mother’s kindness and a way to demonstrate my memory, I’d retell the stories for her in vivid detail.
很快的,我就不满足复述说书人讲的故事了,我在复述的过程中不断的添油加醋,我会投我母亲所好,编造一些情节,有时候甚至改变故事的结局。我的听众也不仅仅是我的母亲,连我的姐姐,我的婶婶,我的奶奶都成为我的听众。我母亲在听完我的故事后,有时会忧心忡忡地,像是对我说,又像是自言自语:“儿啊,你长大后会成为一个什么人呢?难道要靠耍贫嘴吃饭吗?”
It did not take long to find retelling someone else’s stories unsatisfying, so I began embellishing my narration. I’d say things I knew would please Mother, even changed the ending once in a while. And she wasn’t the only member of my audience, which later included my older sisters, my aunts, even my maternal grandmother. Sometimes, after my mother had listened to one of my stories, she’d ask in a care-laden voice, almost as if to herself: “What will you be like when you grow up, son? Might you wind up prattling for a living one day?”
我理解母亲的担忧,因为在村子里,一个贫嘴的孩子,是招人厌烦的,有时候还会给自己和家庭带来麻烦。我在小说《牛》里所写的那个因为话多被村子里厌恶的孩子,就有我童年时的影子。我母亲经常提醒我少说话,她希望我能做一个沉默寡言、安稳大方的孩子。但在我身上,却显露出极强的说话能力和极大的说话欲望,这无疑是极大的危险,但我说的故事的能力,又带给了她愉悦,这使他陷入深深的矛盾之中。
I knew why she was worried. Talkative kids are not well thought of in our village, for they can bring trouble to themselves and to their families. There is a bit of a young me in the talkative boy who falls afoul of villagers in my story “Bulls.” Mother habitually cautioned me not to talk so much, wanting me to be a taciturn, smooth and steady youngster. Instead I was possessed of a dangerous combination – remarkable speaking skills and the powerful desire that went with them. My ability to tell stories brought her joy, but that created a dilemma for her.
俗话说“江山易改、本性难移”,尽管我有父母亲的谆谆教导,但我并没有改掉我喜欢说话的天性,这使得我的名字“莫言”,很像对自己的讽刺。
A popular saying goes “It is easier to change the course of a river than a person’s nature.” Despite my parents’ tireless guidance, my natural desire to talk never went away, and that is what makes my name – Mo Yan, or “don’t speak” – an ironic expression of self-mockery.
我小学未毕业即辍学,因为年幼体弱,干不了重活,只好到荒草滩上去放牧牛羊。当我牵着牛羊从学校门前路过,看到昔日的同学在校园里打打闹闹,我心中充满悲凉,深深地体会到一个人,哪怕是一个孩子,离开群体后的痛苦。
After dropping out of elementary school, I was too small for heavy labor, so I became a cattle- and sheep-herder on a nearby grassy riverbank. The sight of my former schoolmates playing in the schoolyard when I drove my animals past the gate always saddened me and made me aware of how tough it is for anyone – even a child – to leave the group.
到了荒滩上,我把牛羊放开,让它们自己吃草。蓝天如海,草地一望无际,周围看不到一个人影,没有人的声音,只有鸟儿在天上鸣叫。我感到很孤独,很寂寞,心里空空荡荡。有时候,我躺在草地上,望着天上懒洋洋地飘动着的白云,脑海里便浮现出许多莫名其妙的幻象。我们那地方流传着许多狐狸变成美女的故事,我幻想着能有一个狐狸变成美女与我来作伴放牛,但她始终没有出现。但有一次,一只火红色的狐狸从我面前的草丛中跳出来时,我被吓得一屁股蹲在地上。狐狸跑没了踪影,我还在那里颤抖。有时候我会蹲在牛的身旁,看着湛蓝的牛眼和牛眼中的我的倒影。有时候我会模仿着鸟儿的叫声试图与天上的鸟儿对话,有时候我会对一棵树诉说心声。但鸟儿不理我,树也不理我。许多年后,当我成为一个小说家,当年的许多幻想,都被我写进了小说。很多人夸我想象力丰富,有一些文学爱好者,希望我能告诉他们培养想象力的秘诀,对此,我只能报以苦笑。
I turned the animals loose on the riverbank to graze beneath a sky as blue as the ocean and grass-carpeted land as far as the eye could see – not another person in sight, no human sounds, nothing but bird calls above me. I was all by myself and terribly lonely; my heartfelt empty. Sometimes I lay in the grass and watched clouds float lazily by, which gave rise to all sorts of fanciful images. That part of the country is known for its tales of foxes in the form of beautiful young women, and I would fantasize a fox-turned-beautiful girl coming to tend animals with me. She never did come. Once, however, a fiery red fox bounded out of the brush in front of me, scaring my legs right out from under me. I was still sitting there trembling long after the fox had vanished. Sometimes I’d crouch down beside the cows and gaze into their deep blue eyes, eyes that captured my reflection. At times I’d have a dialogue with birds in the sky, mimicking their cries, while at other times I’d divulge my hopes and desires to a tree. But the birds ignored me, and so did the trees. Years later, after I’d become a novelist, I wrote some of those fantasies into my novels and stories. People frequently bombard me with compliments on my vivid imagination, and lovers of literature often ask me to divulge my secret to developing a rich imagination. My only response is a wan smile.
就像中国的先贤老子所说的那样:“福兮祸之所伏,福祸福所倚”,我童年辍学,饱受饥饿、孤独、无书可读之苦,但我因此也像我们的前辈作家沈从文那样,及早地开始阅读社会人生这本大书。前面所提到的到集市上去听说数人说书,仅仅是这本大书中的一页。
Our Taoist master Laozi said it best: “Fortune depends on misfortune. Misfortune is hidden in fortune.” I left school as a child, often went hungry, was constantly lonely, and had no books to read. But for those reasons, like the writer of a previous generation, Shen Congwen, I had an early start on reading the great book of life. My experience of going to the marketplace to listen to a storyteller was but one page of that book.
辍学之后,我混迹于成人之中,开始了“用耳朵阅读”的漫长生涯。二百多年前,我的故乡曾出了一个讲故事的伟大天才蒲松龄,我们村里的许多人,包括我,都是他的传人。我在集体劳动的田间地头,在生产队的牛棚马厩,在我爷爷奶奶的热炕头上,甚至在摇摇晃晃地进行着的牛车社,聆听了许许多多神鬼故事,历史传奇,逸闻趣事,这些故事都与当地的自然环境,家庭历史紧密联系在一起,使我产生了强烈的现实感。
After leaving school, I was thrown uncomfortably into the world of adults, where I embarked on the long journey of learning through listening. Two hundred years ago, one of the great storytellers of all time – Pu Songling – lived near where I grew up, and where many people, me included, carried on the tradition he had perfected. Wherever I happened to be – working the fields with the collective, in production team cowsheds or stables, on my grandparents’ heated kang, even on oxcarts bouncing and swaying down the road, my ears filled with tales of the supernatural, historical romances, and strange and captivating stories, all tied to the natural environment and clan histories, and all of which created a powerful reality in my mind.
我做梦也想不到有朝一日这些东西会成为我的写作素材,我当时只是一个迷恋故事的孩子,醉心地聆听着人们的讲述。那时我是一个绝对的有神论者,我相信万物都有灵性,我见到一棵大树会肃然起敬。我看到一只鸟会感到它随时会变化成人,我遇到一个陌生人,也会怀疑他是一个动物变化而成。每当夜晚我从生产队的记工房回家时,无边的恐惧便包围了我,为了壮胆,我一边奔跑一边大声歌唱。那时我正处在变声期,嗓音嘶哑,声调难听,我的歌唱,是对我的乡亲们的一种折磨。
Even in my wildest dreams, I could not have envisioned a day when all this would be the stuff of my own fiction, for I was just a boy who loved stories, who was infatuated with the tales people around me were telling. Back then I was, without a doubt, a theist, believing that all living creatures were endowed with souls. I’d stop and pay my respects to a towering old tree; if I saw a bird, I was sure it could become human any time it wanted; and I suspected every stranger I met of being a transformed beast. At night, terrible fears accompanied me on my way home after my work points were tallied, so I’d sing at the top of my lungs as I ran to build up a bit of courage. My voice, which was changing at the time, produced scratchy, squeaky songs that grated on the ears of any villager who heard me.
我在故乡生活了二十一年,期间离家最远的是乘火车去了一次青岛,还差点迷失在木材厂的巨大木材之间,以至于我母亲问我去青岛看到了什么风景时,我沮丧地告诉她:什么都没看到,只看到了一堆堆的木头。但也就是这次青岛之行,使我产生了想离开故乡到外边去看世界的强烈愿望。
I spent my first twenty-one years in that village, never traveling farther from home than to Qingdao, by train, where I nearly got lost amid the giant stacks of wood in a lumber mill. When my mother asked me what I’d seen in Qingdao, I reported sadly that all I’d seen were stacks of lumber. But that trip to Qingdao planted in me a powerful desire to leave my village and see the world.
1976 年2 月,我应征入伍,背着我母亲卖掉结婚时的首饰帮我购买的四本《中国通史简编》,走出了高密东北乡这个既让我爱又让我恨的地方,开始了我人生的重要时期。我必须承认,如果没有30 多年来中国社会的巨大发展与进步,如果没有改革开放,也不会有我这样一个作家。
In February 1976 I was recruited into the army and walked out of the Northeast Gaomi Township village I both loved and hated, entering a critical phase of my life, carrying in my backpack the four-volume Brief History of China my mother had bought by selling her wedding jewelry. Thus began the most important period of my life. I must admit that were it not for the thirty-odd years of tremendous development and progress in Chinese society, and the subsequent national reform and opening of her doors to the outside, I would not be a writer today.
在军营的枯燥生活中,我迎来了八十年代的思想解放和文学热潮,我从一个用耳朵聆听故事,用嘴巴讲述故事的孩子,开始尝试用笔来讲述故事。起初的道路并不平坦,我那时并没有意识到我二十多年的农村生活经验是文学的富矿,那时我以为文学就是写好人好事,就是写英雄模范,所以,尽管也发表了几篇作品,但文学价值很低。
In the midst of mind-numbing military life, I welcomed the ideological emancipation and literary fervor of the nineteen-eighties, and evolved from a boy who listened to stories and passed them on by word of mouth into someone who experimented with writing them down. It was a rocky road at first, a time when I had not yet discovered how rich a source of literary material my two decades of village life could be. I thought that literature was all about good people doing good things, stories of heroic deeds and model citizens, so that the few pieces of mine that were published had little literary value.
1984年秋,我考入解放军艺术学院文学系。在我的恩师著名作家徐怀中的启发指导下,我写出了《秋水》、《枯河》、《透明的红萝卜》、《红高粱》等一批中短篇小说。在《秋水》这篇小说里,第一次出现了“高密东北乡”这个字眼,从此,就如同一个四处游荡的农民有了一片土地,我这样一个文学的流浪汉,终于有了一个可以安身立命的场所。我必须承认,在创建我的文学领地“高密东北乡”的过程中,美国的威廉·福克纳和哥伦比亚的加西亚·马尔克斯给了我重要启发。我对他们的阅读并不认真,但他们开天辟地的豪迈精神激励了我,使我明白了一个作家必须要有一块属于自己的地方。一个人在日常生活中应该谦卑退让,但在文学创作中,必须颐指气使,独断专行。我追随在这两位大师身后两年,即意识到,必须尽快地逃离他们,我在一篇文章中写道:他们是两座灼热的火炉,而我是冰块,如果离他们太近,会被他们蒸发掉。根据我的体会,一个作家之所以会受到某一位作家的影响,其根本是因为影响者和被影响者灵魂深处的相似之处。正所谓“心有灵犀一点通”。所以,尽管我没有很好地去读他们的书,但只读过几页,我就明白了他们干了什么,也明白了他们是怎样干的,随即我也就明白了我该干什么和我该怎样干。
In the fall of 1984 I was accepted into the Literature Department of the PLA Art Academy, where, under the guidance of my revered mentor, the renowned writer Xu Huaizhong, I wrote a series of stories and novellas, including: “Autumn Floods,” “Dry River,” “The Transparent Carrot,” and “Red Sorghum.” Northeast Gaomi Township made its first appearance in “Autumn Floods,” and from that moment on, like a wandering peasant who finds his own piece of land, this literary vagabond found a place he could call his own. I must say that in the course of creating my literary domain, Northeast Gaomi Township, I was greatly inspired by the American novelist William Faulkner and the Columbian Gabriel García Márquez. I had not read either of them extensively, but was encouraged by the bold, unrestrained way they created new territory in writing, and learned from them that a writer must have a place that belongs to him alone. Humility and compromise are ideal in one’s daily life, but in literary creation, supreme self-confidence and the need to follow one’s own instincts are essential. For two years I followed in the footsteps of these two masters before realizing that I had to escape their influence; this is how I characterized that decision in an essay: They were a pair of blazing furnaces, I was a block of ice. If I got too close to them, I would dissolve into a cloud of steam. In my understanding, one writer influences another when they enjoy a profound spiritual kinship, what is often referred to as “hearts beating in unison.” That explains why, though I had read little of their work, a few pages were sufficient for me to comprehend what they were doing and how they were doing it, which led to my understanding of what I should do and how I should do it.
我该干的事情其实很简单,那就是用自己的方式,讲自己的故事。我的方式,就是我所熟知的集市说书人的方式,就是我的爷爷奶奶、村里的老人们讲故事的方式。坦率地说,讲述的时候,我没有想到谁会是我的听众,也许我的听众就是那些如我母亲一样的人,也许我的听众就是我自己,我自己的故事,起初就是我的亲身经历,譬如《枯河》中那个遭受痛打的孩子,譬如《透明的红萝卜》中那个自始至终一言不发的孩子。我的确曾因为干过一件错事而受到过父亲的痛打,我也的确曾在桥梁工地上为铁匠师傅拉过风箱。当然,个人的经历无论多么奇特也不可能原封不动地写进小说,小说必须虚构,必须想象。很多朋友说《透明的红萝卜》是我最好的小说,对此我不反驳,也不认同,但我认为《透明的红萝卜》是我的作品中最有象征性、最意味深长的一部。那个浑身漆黑、具有超人的忍受痛苦的能力和超人的感受能力的孩子,是我全部小说的灵魂,尽管在后来的小说里,我写了很多的人物,但没有一个人物,比他更贴近我的灵魂。或者可以说,一个作家所塑造的若干人物中,总有一个领头的,这个沉默的孩子就是一个领头的,他一言不发,但却有力地领导着形形色色的人物,在高密东北乡这个舞台上,尽情地表演。
What I should do was simplicity itself: Write my own stories in my own way. My way was that of the marketplace storyteller, with which I was so familiar, the way my grandfather and my grandmother and other village old-timers told stories. In all candor, I never gave a thought to audience when I was telling my stories; perhaps my audience was made up of people like my mother, and perhaps it was only me. The early stories were narrations of my personal experience: the boy who received a whipping in “Dry River,” for instance, or the boy who never spoke in “The Transparent Carrot.” I had actually done something bad enough to receive a whipping from my father, and I had actually worked the bellows for a blacksmith on a bridge site. Naturally, personal experience cannot be turned into fiction exactly as it happened, no matter how unique that might be. Fiction has to be fictional, has to be imaginative. To many of my friends, “The Transparent Carrot” is my very best story; I have no opinion one way or the other. What I can say is, “The Transparent Carrot” is more symbolic and more profoundly meaningful than any other story I’ve written. That dark-skinned boy with the superhuman ability to suffer and a superhuman degree of sensitivity represents the soul of my entire fictional output. Not one of all the fictional characters I’ve created since then is as close to my soul as he is. Or put a different way, among all the characters a writer creates, there is always one that stands above all the others. For me, that laconic boy is the one. Though he says nothing, he leads the way for all the others, in all their variety, performing freely on the Northeast Gaomi Township stage.
自己的故事总是有限的,讲完了自己的故事,就必须讲他人的故事。于是,我的亲人们的故事,我的村人们的故事,以及我从老人们口中听到过的祖先们的故事,就像听到集合令的士兵一样,从我的记忆深处涌出来。他们用期盼的目光看着我,等待着我去写他们。我的爷爷、奶奶、父亲、母亲、哥哥、姐姐、姑姑、叔叔、妻子、女儿,都在我的作品里出现过,还有很多的我们高密东北乡的乡亲,也都在我的小说里露过面。当然,我对他们,都进行了文学化的处理,使他们超越了他们自身,成为文学中的人物。
A person can experience only so much, and once you have exhausted your own stories, you must tell the stories of others. And so, out of the depths of my memories, like conscripted soldiers, rose stories of family members, of fellow villagers, and of long-dead ancestors I learned of from the mouths of old-timers. They waited expectantly for me to tell their stories. My grandfather and grandmother, my father and mother, my brothers and sisters, my aunts and uncles, my wife and my daughter have all appeared in my stories. Even unrelated residents of Northeast Gaomi Township have made cameo appearances. Of course they have undergone literary modification to transform them into larger-than-life fictional characters.
我最新的小说《蛙》中,就出现了我姑姑的形象。因为我获得诺贝尔奖,许多记者到她家采访,起初她还很耐心地回答提问,但很快便不胜其烦,跑到县城里她儿子家躲起来了。姑姑确实是我写《蛙》时的模特,但小说中的姑姑,与现实生活中的姑姑有着天壤之别。小说中的姑姑专横跋扈,有时简直像个女匪,现实中的姑姑和善开朗,是一个标准的贤妻良母。现实中的姑姑晚年生活幸福美满,小说中的姑姑到了晚年却因为心灵的巨大痛苦患上了失眠症,身披黑袍,像个幽灵一样在暗夜中游荡。我感谢姑姑的宽容,她没有因为我在小说中把她写成那样而生气;我也十分敬佩我姑姑的明智,她正确地理解了小说中人物与现实中人物的复杂关系。
An aunt of mine is the central character of my latest novel, Frogs. The announcement of the Nobel Prize sent journalists swarming to her home with interview requests. At first, she was patiently accommodating, but she soon had to escape their attentions by fleeing to her son’s home in the provincial capital. I don’t deny that she was my model in writing Frogs, but the differences between her and the fictional aunt are extensive. The fictional aunt is arrogant and domineering, in places virtually thuggish, while my real aunt is kind and gentle, the classic caring wife and loving mother. My real aunt’s golden years have been happy and fulfilling; her fictional counterpart suffers insomnia in her late years as a result of spiritual torment, and walks the nights like a specter, wearing a dark robe. I am grateful to my real aunt for not being angry with me for how I changed her in the novel. I also greatly respect her wisdom in comprehending the complex relationship between fictional characters and real people.
母亲去世后,我悲痛万分,决定写一部书献给她。这就是那本《丰乳肥臀》。因为胸有成竹,因为情感充盈,仅用了83 天,我便写出了这部长达50 万字的小说的初稿。
After my mother died, in the midst of almost crippling grief, I decided to write a novel for her. Big Breasts and Wide Hips is that novel. Once my plan took shape, I was burning with such emotion that I completed a draft of half a million words in only eighty-three days.
在《丰乳肥臀》这本书里,我肆无忌惮地使用了与我母亲的亲身经历有关的素材,但书中的母亲情感方面的经历,则是虚构或取材于高密东北乡诸多母亲的经历。在这本书的卷前语上,我写下了“献给母亲在天之灵”的话,但这本书,实际上是献给天下母亲的,这是我狂妄的野心,就像我希望把小小的“高密东北乡”写成中国乃至世界的缩影一样。
In Big Breasts and Wide Hips I shamelessly used material associated with my mother’s actual experience, but the fictional mother’s emotional state is either a total fabrication or a composite of many of Northeast Gaomi Township’s mothers. Though I wrote “To the spirit of my mother” on the dedication page, the novel was really written for all mothers everywhere, evidence, perhaps, of my overweening ambition, in much the same way as I hope to make tiny Northeast Gaomi Township a microcosm of China, even of the whole world.
作家的创作过程各有特色,我每本书的构思与灵感触发也都不尽相同。有的小说起源于梦境,譬如《透明的红萝卜》,有的小说则发端于现实生活中发生的事件譬如《天堂蒜薹之歌》。但无论是起源于梦境还是发端于现实,最后都必须和个人的经验相结合,才有可能变成一部具有鲜明个性的,用无数生动细节塑造出了典型人物的、语言丰富多彩、结构匠心独运的文学作品。有必要特别提及的是,在《天堂蒜薹之歌》中,我让一个真正的说书人登场,并在书中扮演了十分重要的角色。我十分抱歉地使用了这个说书人真实姓名,当然,他在书中的所有行为都是虚构。在我的写作中,出现过多次这样的现象,写作之初,我使用他们的真实姓名,希望能借此获得一种亲近感,但作品完成之后,我想为他们改换姓名时却感到已经不可能了,因此也发生过与我小说中人物同名者找到我父亲发泄不满的事情,我父亲替我向他们道歉,但同时又开导他们不要当真。我父亲说:“他在《红高粱》中,第一句就说‘我父亲这个土匪种’,我都不在意你们还在意什么?”
The process of creation is unique to every writer. Each of my novels differs from the others in terms of plot and guiding inspiration. Some, such as “The Transparent Carrot,” were born in dreams, while others, like The Garlic Ballads have their origin in actual events. Whether the source of a work is a dream or real life, only if it is integrated with individual experience can it be imbued with individuality, be populated with typical characters molded by lively detail, employ richly evocative language, and boast a well crafted structure. Here I must point out that in The Garlic Ballads I introduced a real-life storyteller and singer in one of the novel’s most important roles. I wish I hadn’t used his real name, though his words and actions were made up. This is a recurring phenomenon with me. I’ll start out using characters’ real names in order to achieve a sense of intimacy, and after the work is finished, it will seem too late to change those names. This has led to people who see their names in my novels going to my father to vent their displeasure. He always apologizes in my place, but then urges them not to take such things so seriously. He’ll say: “The first sentence in Red Sorghum, ‘My father, a bandit’s offspring,’ didn’t upset me, so why should you be unhappy?”
我在写作《天堂蒜薹之歌》这类逼近社会现实的小说时,面对着的最大问题,其实不是我敢不敢对社会上的黑暗现象进行批评,而是这燃烧的激情和愤怒会让政治压倒文学,使这部小说变成一个社会事件的纪实报告。小说家是社会中人,他自然有自己的立场和观点,但小说家在写作时,必须站在人的立场上,把所有的人都当作人来写。只有这样,文学才能发端事件但超越事件,关心政治但大于政治。
My greatest challenges come with writing novels that deal with social realities, such as The Garlic Ballads, not because I’m afraid of being openly critical of the darker aspects of society, but because heated emotions and anger allow politics to suppress literature and transform a novel into reportage of a social event. As a member of society, a novelist is entitled to his own stance and viewpoint; but when he is writing he must take a humanistic stance, and write accordingly. Only then can literature not just originate in events, but transcend them, not just show concern for politics but be greater than politics.
可能是因为我经历过长期的艰难生活,使我对人性有较为深刻的了解。我知道真正的勇敢是什么,也明白真正的悲悯是什么。我知道,每个人心中都有一片难用是非善恶准确定性的朦胧地带,而这片地带,正是文学家施展才华的广阔天地。只要是准确地、生动地描写了这个充满矛盾的朦胧地带的作品,也就必然地超越了政治并具备了优秀文学的品质。
Possibly because I’ve lived so much of my life in difficult circumstances, I think I have a more profound understanding of life. I know what real courage is, and I understand true compassion. I know that nebulous terrain exists in the hearts and minds of every person, terrain that cannot be adequately characterized in simple terms of right and wrong or good and bad, and this vast territory is where a writer gives free rein to his talent. So long as the work correctly and vividly describes this nebulous, massively contradictory terrain, it will inevitably transcend politics and be endowed with literary excellence.
喋喋不休地讲述自己的作品是令人厌烦的,但我的人生是与我的作品紧密相连的,不讲作品,我感到无从下嘴,所以还得请各位原谅。
Prattling on and on about my own work must be annoying, but my life and works are inextricably linked, so if I don’t talk about my work, I don’t know what else to say. I hope you are in a forgiving mood.
在我的早期作品中,我作为一个现代的说书人,是隐藏在文本背后的,但从《檀香刑》这部小说开始,我终于从后台跳到了前台。如果说我早期的作品是自言自语,目无读者,从这本书开始,我感觉到自己是站在一个广场上,面对着许多听众,绘声绘色地讲述。这是世界小说的传统,更是中国小说的传统。我也曾积极地向西方的现代派小说学习,也曾经玩弄过形形色色的叙事花样,但我最终回归了传统。当然,这种回归,不是一成不变的回归,《檀香刑》和之后的小说,是继承了中国古典小说传统又借鉴了西方小说技术的混合文本。小说领域的所谓创新,基本上都是这种混合的产物。不仅仅是本国文学传统与外国小说技巧的混合,也是小说与其他的艺术门类的混合,就像《檀香刑》是与民间戏曲的混合,就像我早期的一些小说从美术、音乐、甚至杂技中汲取了营养一样。
I was a modern-day storyteller who hid in the background of his early work; but with the novel Sandalwood Death I jumped out of the shadows. My early work can be characterized as a series of soliloquies, with no reader in mind; starting with this novel, however, I visualized myself standing in a public square spiritedly telling my story to a crowd of listeners. This tradition is a worldwide phenomenon in fiction, but is especially so in China. At one time, I was a diligent student of Western modernist fiction, and I experimented with all sorts of narrative styles. But in the end I came back to my traditions. To be sure, this return was not without its modifications. Sandalwood Death and the novels that followed are inheritors of the Chinese classical novel tradition but enhanced by Western literary techniques. What is known as innovative fiction is, for the most part, a result of this mixture, which is not limited to domestic traditions with foreign techniques, but can include mixing fiction with art from other realms. Sandalwood Death, for instance, mixes fiction with local opera, while some of my early work was partly nurtured by fine art, music, even acrobatics.
最后,请允许我再讲一下我的《生死疲劳》。这个书名来自佛教经典,据我所知,为翻译这个书名,各国的翻译家都很头痛。我对佛教经典并没有深入研究,对佛教的理解自然十分肤浅,之所以以此为题,是因为我觉得佛教的许多基本思想,是真正的宇宙意识,人世中许多纷争,在佛家的眼里,是毫无意义的。这样一种至高眼界下的人世,显得十分可悲。当然,我没有把这本书写成布道词,我写的还是人的命运与人的情感,人的局限与人的宽容,以及人为追求幸福、坚持自己的信念所做出的努力与牺牲。小说中那位以一己之身与时代潮流对抗的蓝脸,在我心目中是一位真正的英雄。这个人物的原型,是我们邻村的一位农民,我童年时,经常看到他推着一辆吱吱作响的木轮车,从我家门前的道路上通过。给他拉车的,是一头瘸腿的毛驴,为他牵驴的,是他小脚的妻子。这个奇怪的劳动组合,在当时的集体化社会里,显得那么古怪和不合时宜,在我们这些孩子的眼里,也把他们看成是逆历史潮流而动的小丑,以至于当他们从街上经过时,我们会充满义愤地朝他们投掷石块。事过多年,当我拿起笔来写作时,这个人物,这个画面,便浮现在我的脑海中。我知道,我总有一天会为他写一本书,我迟早要把他的故事讲给天下人听,但一直到了2005年,当我在一座庙宇里看到“六道轮回”的壁画时,才明白了讲述这个故事的正确方法。
Finally, I ask your indulgence to talk about my novel Life and Death Are Wearing Me Out. The Chinese title comes from Buddhist scripture, and I’ve been told that my translators have had fits trying to render it into their languages. I am not especially well versed in Buddhist scripture and have but a superficial understanding of the religion. I chose this title because I believe that the basic tenets of the Buddhist faith represent universal knowledge, and that mankind’s many disputes are utterly without meaning in the Buddhist realm. In that lofty view of the universe, the world of man is to be pitied. My novel is not a religious tract; in it I wrote of man’s fate and human emotions, of man’s limitations and human generosity, and of people’s search for happiness and the lengths to which they will go, the sacrifices they will make, to uphold their beliefs. Lan Lian, a character who takes a stand against contemporary trends, is, in my view, a true hero. A peasant in a neighboring village was the model for this character. As a youngster I often saw him pass by our door pushing a creaky, wooden-wheeled cart, with a lame donkey up front, led by his bound-foot wife. Given the collective nature of society back then, this strange labor group presented a bizarre sight that kept them out of step with the times. In the eyes of us children, they were clowns marching against historical trends, provoking in us such indignation that we threw stones at them as they passed us on the street. Years later, after I had begun writing, that peasant and the tableau he presented floated into my mind, and I knew that one day I would write a novel about him, that sooner or later I would tell his story to the world. But it wasn’t until the year 2005, when I viewed the Buddhist mural “The Six Stages of Samsara” on a temple wall that I knew exactly how to go about telling his story.
我获得诺贝尔文学奖后,引发了一些争议。起初,我还以为大家争议的对象是我,渐渐的,我感到这个被争议的对象,是一个与我毫不相关的人。我如同一个看戏人,看着众人的表演。我看到那个得奖人身上落满了花朵,也被掷上了石块、泼上了污水。我生怕他被打垮,但他微笑着从花朵和石块中钻出来,擦干净身上的脏水,坦然地站在一边,对着众人说:
The announcement of my Nobel Prize has led to controversy. At first I thought I was the target of the disputes, but over time I’ve come to realize that the real target was a person who had nothing to do with me. Like someone watching a play in a theater, I observed the performances around me. I saw the winner of the prize both garlanded with flowers and besieged by stone-throwers and mudslingers. I was afraid he would succumb to the assault, but he emerged from the garlands of flowers and the stones, a smile on his face; he wiped away mud and grime, stood calmly off to the side, and said to the crowd:
对一个作家来说,最好的说话方式是写作。我该说的话都写进了我的作品里。用嘴说出的话随风而散,用笔写出的话永不磨灭。我希望你们能耐心地读一下我的书,当然,我没有资格强迫你们读我的书。即便你们读了我的书,我也不期望你们能改变对我的看法,世界上还没有一个作家,能让所有的读者都喜欢他。在当今这样的时代里,更是如此。
For a writer, the best way to speak is by writing. You will find everything I need to say in my works. Speech is carried off by the wind; the written word can never be obliterated. I would like you to find the patience to read my books. I cannot force you to do that, and even if you do, I do not expect your opinion of me to change. No writer has yet appeared, anywhere in the world, who is liked by all his readers; that is especially true during times like these.
尽管我什么都不想说,但在今天这样的场合我必须说话,那我就简单地再说几句。
Even though I would prefer to say nothing, since it is something I must do on this occasion, let me just say this:
我是一个讲故事的人,我还是要给你们讲故事。
I am a storyteller, so I am going to tell you some stories.
上世纪六十年代,我上小学三年级的时候,学校里组织我们去参观一个苦难展览,我们在老师的引领下放声大哭。为了能让老师看到我的表现,我舍不得擦去脸上的泪水。我看到有几位同学悄悄地将唾沫抹到脸上冒充泪水。我还看到在一片真哭假哭的同学之间,有一位同学,脸上没有一滴泪,嘴巴里没有一点声音,也没有用手掩面。他睁着大眼看着我们,眼睛里流露出惊讶或者是困惑的神情。事后,我向老师报告了这位同学的行为。为此,学校给了这位同学一个警告处分。多年之后,当我因自己的告密向老师忏悔时,老师说,那天来找他说这件事的,有十几个同学。这位同学十几年前就已去世,每当想起他,我就深感歉疚。这件事让我悟到一个道理,那就是:当众人都哭时,应该允许有的人不哭。当哭成为一种表演时,更应该允许有的人不哭。
When I was a third-grade student in the 1960s, my school organized a field trip to an exhibit of suffering, where, under the direction of our teacher, we cried bitter tears. I let my tears stay on my cheeks for the benefit of our teacher, and watched as some of my classmates spat in their hands and rubbed it on their faces as pretend tears. I saw one student among all those wailing children – some real, some phony – whose face was dry and who remained silent without covering his face with his hands. He just looked at us, eyes wide open in an expression of surprise or confusion. After the visit I reported him to the teacher, and he was given a disciplinary warning. Years later, when I expressed my remorse over informing on the boy, the teacher said that at least ten students had done what I did. The boy himself had died a decade or more earlier, and my conscience was deeply troubled when I thought of him. But I learned something important from this incident, and that is: When everyone around you is crying, you deserve to be allowed not to cry, and when the tears are all for show, your right not to cry is greater still.
我再讲一个故事:三十多年前,我还在部队工作。有一天晚上,我在办公室看书,有一位老长官推门进来,看了一眼我对面的位置,自言自语道:“噢,没有人?”我随即站起来,高声说:“难道我不是人吗?”那位老长官被我顶得面红耳赤,尴尬而退。为此事,我洋洋得意了许久,以为自己是个英勇的斗士,但事过多年后,我却为此深感内疚。
Here is another story: More than thirty years ago, when I was in the army, I was in my office reading one evening when an elderly officer opened the door and came in. He glanced down at the seat in front of me and muttered, “Hm, where is everyone?” I stood up and said in a loud voice, “Are you saying I’m no one?” The old fellow’s ears turned red from embarrassment, and he walked out. For a long time after that I was proud about what I consider a gutsy performance. Years later, that pride turned to intense qualms of conscience.
请允许我讲最后一个故事,这是许多年前我爷爷讲给我听过的:有八个外出打工的泥瓦匠,为避一场暴风雨,躲进了一座破庙。外边的雷声一阵紧似一阵,一个个的火球,在庙门外滚来滚去,空中似乎还有吱吱的龙叫声。众人都胆战心惊,面如土色。有一个人说:“我们八个人中,必定一个人干过伤天害理的坏事,谁干过坏事,就自己走出庙接受惩罚吧,免得让好人受到牵连。”自然没有人愿意出去。又有人提议道:“既然大家都不想出去,那我们就将自己的草帽往外抛吧,谁的草帽被刮出庙门,就说明谁干了坏事,那就请他出去接受惩罚。”于是大家就将自己的草帽往庙门外抛,七个人的草帽被刮回了庙内,只有一个人的草帽被卷了出去。大家就催这个人出去受罚,他自然不愿出去,众人便将他抬起来扔出了庙门。故事的结局我估计大家都猜到了那个人刚被扔出庙门,那座破庙轰然坍塌。
Bear with me, please, for one last story, one my grandfather told me many years ago: A group of eight out-of-town bricklayers took refuge from a storm in a rundown temple. Thunder rumbled outside, sending fireballs their way. They even heard what sounded like dragon shrieks. The men were terrified, their faces ashen. “Among the eight of us,” one of them said, “is someone who must have offended the heavens with a terrible deed. The guilty person ought to volunteer to step outside to accept his punishment and spare the innocent from suffering. Naturally, there were no volunteers. So one of the others came up with a proposal: Since no one is willing to go outside, let’s all fling our straw hats toward the door. Whoever’s hat flies out through the temple door is the guilty party, and we’ll ask him to go out and accept his punishment.” So they flung their hats toward the door. Seven hats were blown back inside; one went out the door. They pressured the eighth man to go out and accept his punishment, and when he balked, they picked him up and flung him out the door. I’ll bet you all know how the story ends: They had no sooner flung him out the door than the temple collapsed around them.
我是一个讲故事的人。
I am a storyteller.
因为讲故事我获得了诺贝尔文学奖。
Telling stories earned me the Nobel Prize for Literature.
我获奖后发生了很多精彩的故事,这些故事,让我坚信真理和正义是存在的。
Many interesting things have happened to me in the wake of winning the prize, and they have convinced me that truth and justice are alive and well.
今后的岁月里,我将继续讲我的故事。
So I will continue telling my stories in the days to come.
谢谢大家!
Thank you all.
看过“名人英语励志演讲”
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